Philips Koninck, 1649 - Okirikiri ala nke nwere ala obodo - mbipụta nka mara mma.

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The masterpiece e kere site na Baroque nwe- Philips Koninck in 1649. The version of the piece of art was painted with the exact size of 56 3/8 x 68 1/4 in (143,2 x 173,4 cm) and was painted on the medium mmanụ na kwaaji. Ihe ọzọ, artpiece bụ nke Ụlọ ihe ngosi nka nke Metropolitan digital art collection - the museum is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of The Metropolitan Museum of Art, New York, John Stewart Kennedy Fund, 1911 (nwere ikike - ngalaba ọha). : John Stewart Kennedy Fund, 1911. Besides, the alignment of the digital reproduction is in landscape format with a ratio of 1.2: 1, which means that the length is 20% longer than the width. Philips Koninck was a painter, whose artistic style can primarily be attributed to Baroque. The European painter was born in the year 1619 ma nwụọ mgbe ọ dị afọ 69 n'afọ 1688.

Ozi nkowa mgbakwunye sitere na webụsaịtị ihe ngosi nka (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

This ambitious work is one of the artist’s first compositions on a large scale. The foreground is somewhat awkwardly arranged, but the sunlit plain in the distance seems to announce Koninck’s mature style of panoramic landscape painting. Earlier Dutch landscape and marine painters had surveyed sweeping views of earth and sky, but Koninck (who knew Rembrandt well) introduces dramatic contrasts of light and shadow and a sense of nature as a constantly changing force.

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Nchịkọta nhọrọ ngwaahịa na-enye gị ohere ịhọrọ ihe na nha ọkacha mmasị gị. Nhọrọ ndị a dị maka n'otu n'otu:

• Mbipụta iko acrylic na-egbuke egbuke (ya na mkpuchi iko n'ezie): A glossy print on acrylic glass, often denoted as a plexiglass print, makes the original into lovely décor. In addition, the acrylic print forms a viable alternative to canvas or dibond prints. Your own replica of the work of art is being manufactured with the help of state-of-the-art UV printing machines. The real glass coating protects your custom art replica against light and external influences for between 40-60 years.
• Mpempe akwụkwọ ederede (akwa akwa akwa): The Artprinta poster is a printed flat canvas paper with a slightly rough surface structure. The poster print is ideally suited for framing your art replica with the help of a custom frame. Please note, that depending on the size of the canvas poster print we add a white margin between 2-6 cm around the work of art, which facilitates the framing with a custom frame.
• Mbipụta ọla (aluminium dibbond): These are metal prints on aluminium dibond with an impressive depth effect. The bright & white parts of the artwork shine with a silk gloss but without any glare.
• Kwaaji: The UV printed canvas material applied on a wood frame. How do I hang a canvas print on the wall? Canvas Prints have the advantage of being low in weight, meaning that it is easy and straightforward to hang up your Canvas print without the use of additional wall-mounts. That is why, canvas prints are suitable for all types of walls.

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Ozi dị mkpa: We try everythig possible to describe our art products with as many details as possible and to illustrate them visually in our shop. Although, the pigments of the printed materials, as well as the print result may differ slightly from the presentation on your screen. Depending on your screen settings and the quality of the surface, color pigments may not be printed as exactly as the digital version shown here. Bearing in mind that all our art reproductions are printed and processed manually, there may also be slight differences in the motif's exact position and the size.

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