Pier Francesco Mola - Okirikiri ala ya na nwanyị na ndị agha abụọ - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ngwa ngwaahịa a na-ahọpụta
Na nhọrọ ndọpụta na-esote ngwaahịa a, ị nwere ike ịhọrọ ngwa na nha nha dabere na mmasị gị. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:
- Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with an impressive effect of depth. For the Aluminium Dibond print, we print the artpiece onto the surface of the aluminum composite. The bright & white parts of the artpiece shimmer with a silk gloss, however without the glow.
- Kwaaji: A printed canvas, not to be mistaken with an artwork painted on a canvas, is a digital replica printed from an industrial printer. Also, a canvas print makes a cosy and appealing impression. A canvas print of your favorite masterpiece will provide you with the chance to turn your art print into a large size collection piece like you know from galleries. Canvas prints are relatively low in weight. That means, it is easy and straightforward to hang up the Canvas print without the use of extra wall-mounts. A canvas print is suitable for any type of wall.
- Mbipụta akwụkwọ mmado (ihe kwaaji): Our poster print is a printed canvas with a fine texture on the surface. It is perfectly used for framing your art replica in a customized frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of something between 2 - 6cm round about the artwork in order to facilitate the framing with a custom frame.
- Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): The acrylic glass print, often described as a plexiglass print, will transform your favorite original into great home décor. Additionally, the acrylic glass print forms a distinct alternative option to canvas or dibond art prints. The artwork is being custom-made with state-of-the-art UV direct printing technology. The image effect of this are rich and stunning colors. The great benefit of a plexiglass print is that contrasts and also smaller details become more recognizeable because of the very subtle tonal gradation of the print. Our plexiglass protects your custom art print against light and external influences for many years.
Important information: We try whatever we can to depict our products in as much detail as possible and to demonstrate them visually on the various product detail pages. However, some pigments of the printed materials and the imprint might differ somehwat from the representation on your device's monitor. Depending on the screen settings and the nature of the surface, colors can unfortunately not be printed as realistically as the digital version shown here. Given that our are printed and processed by hand, there may as well be slight deviations in the size and exact position of the motif.
Nchịkọta nke oyiri
Emere ihe nka a site na Pier Francesco Mola. Ihe osise a tụrụ akụkụ ndị a: Ogologo: 63 cm (24,8 ″); Ogologo: 48 cm (18,8 ″). Mmanụ na kwaaji was applied by the European artist as the technique for the painting. Nowadays, this work of art is in the the National Museum nke Stockholm art collection, nke Sweden ngosi nka nka na imewe, a Swedish ọchịchị ikike na a mandatet o chekwa omenala nketa na-akwalite art, mmasị nka na ihe ọmụma nka. Site n'ikike nke - Nationalmuseum Stockholm na Wikimedia Commons (ikike ngalaba ọha).Ebe E Si Nweta nke ihe osise:. N'elu nke ahụ, nhazi nke mmepụta dijitalụ bụ Eserese na akụkụ ruru nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. The painter Pier Francesco Mola was a European artist from Italy, whose artistic style can mainly be classified as Baroque. The Baroque artist was born in 1612 ma gafee na afọ nke 54 n'afọ 1666.
Data ndabere na nka pụrụ iche
Aha nka nka: | "Landscape with a Woman and Two Soldiers" |
nhazi ọkwa: | sere |
Usoro izizi: | mmanụ na kwaaji |
Nha izizi (ọrụ nka): | Ogologo: 63 cm (24,8 ″); Ogologo: 48 cm (18,8 ″) |
Ụlọ ihe ngosi nka / mkpokọta: | National Museum nke Stockholm |
Ebe ngosi nka: | Stockholm, Obodo Stockholm, Sweden |
ibe weebụ: | www.nationalmuseum.se |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Nationalmuseum Stockholm na Wikimedia Commons |
Ozi ihe ahaziri ahazi
Bipụta ngwaahịa: | mmepụta nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV / dijitalụ |
Ihe ngosi: | arụpụtara na Germany |
Stockdị ngwaahịa: | a na-achọ |
Ihe eji eme atụmatụ: | mgbidi mgbidi, ime ụlọ |
Ndepụta: | nhazi ihe osise |
Ụdị anya: | ogologo: obosara 3:4 |
Oke onyonyo pụtara: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Akwa mmeputakwa dị: | Mpempe akwụkwọ, akwụkwọ mmado (akwụkwọ akpa), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibbond) |
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nhọrọ nha nha nke aluminom dibond (ihe aluminom): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nhazi mbipụta nka: | agunyeghi |
Nchịkọta ihe nkiri
aha: | Pier Francesco Mola |
okike nke onye nka: | nwoke |
Obodo onye nka: | Italian |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Mba onye si: | Italy |
Ụdị nke onye na-ese ihe: | Baroque |
Ndụ: | 54 afọ |
Afọ amụrụ: | 1612 |
Nwụrụ n'afọ: | 1666 |
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