Pierre-Auguste Renoir, 1917 - na a Okirikiri ala (na a Landscape) - ọmarịcha nka nka.

Nkọwapụta ngwaahịa zuru ezu

Nke a kariri 100 ihe nka afọ afọ aha ya in a Landscape (in a Landscape) nke nwoke na-ese ihe kere Pierre-Auguste Renoir in 1917. The more than 100 year old original had the following size: N'ozuzu: 32 x 24 1/8 na (81,3 x 61 cm) na e ji teknuzu nke mmanụ na kwaaji. Ihe nka a dị na nchịkọta nka dijitalụ nke Ntọala Barnes in Philadelphia, Pennsylvania, Njikota Obodo Amerika. Anyị nwere obi ụtọ ikwu na nke a masterpiece, nke bụ nke ngalaba ọha a na-enye ya site n'ikike nke Site n'ikike nke Barnes Foundation, Merion na Philadelphia, Pennsylvania.Additionally, the artwork has the following creditline: . What is more, the alignment of the digital reproduction is Eserese ma nwee oke onyonyo nke 3: 4, nke na-egosi nke ahụ ogologo bụ 25% mkpụmkpụ karịa obosara. Pierre-Auguste Renoir was a illustrator, painter, sculptor of French nationality, whose artistic style can mainly be classified as Impressionism. The Impressionist painter was born in 1841 in Limoges, Nouvelle-Aquitaine, France and died at the age of 78 na 1919.

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Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Ị nwere ike ịhọrọ nha na ihe kachasị amasị gị n'ime nhọrọ ndị a:

• Aluminom ihe eji eme ihe: Aluminium Dibond prints are metal prints with a true depth effect. The Direct Print on Aluminum Dibond is your perfect start to art prints on aluminum. For the Print On Aluminum Dibond, we print the artpiece on the aluminium composite white-primed surface. The colors are bright and vivid in the highest definition, details are very clear. This direct print on Aluminum Dibond is the most popular entry-level product and is an extremely modern way to showcase fine art reproductions, since it draws attention on the artwork.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, which is sometimes referenced as a UV print on plexiglass, will transform the original artwork into stunning home decoration. The work of art is custom-made thanks to state-of-the-art UV print technology. It makes impressive and vivid color tones. With an acrylic glass art print sharp contrasts and also small details become more identifiable with the help of the very subtle tonal gradation.
• Mbipụta kwaaji: A canvas print, which should not be confused with a painting on a canvas, is an image printed on a UV direct printing machine. It produces the unique effect of three dimensionality. What is more, printed canvas makes a charming and comfortable feeling. Your printed canvas of your favorite work of art will allow you to transform your into a large size collection piece. Canvas prints are relatively low in weight. That means, it is quite simple to hang your Canvas print without the use of any wall-mounts. That is why, a canvas print is suited for all kinds of walls.
• Mbipụta akwụkwọ mmado (ihe kwaaji): The poster is a printed canvas with a nice finish on the surface. It is used for placing the fine art print with a custom-made frame. Please keep in mind, that depending on the size of the poster print we add a white margin between 2-6cm around the painting, which facilitates the framing with a custom frame.

Ederede iwu: We try our best to depict our art products with as many details as it is possible and to illustrate them visually on the respective product detail pages. Nonetheless, the colors of the print products and the imprint can diverge marginally from the representation on the device's monitor. Depending on your screen settings and the nature of the surface, not all color pigments can be printed 100% realistically. In view of the fact that all the art reproductions are processed and printed manually, there might also be minor differences in the motif's exact position and the size.

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Original information about the artwork by the museum's website (© Copyright - by Barnes Foundation - Ntọala Barnes)

Renoir believed that appealing to the viewer's tactile sense was essential when painting the naked body. "A nude is not done until I feel I can reach out and touch it", he said. In this painting produced close to the end of his life, Renoir seems to insist on the physicality of his figure. Velvety flesh, created with layers of thin glazes, fills the canvas; the woman's body seems ready to spill into our space.