Pieter de Molijn, 1629 - Okirikiri ala nwere ụlọ - mbipụta nka mara mma.

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• Poster (akwa akwa akwa): A poster is a UV printed sheet of flat canvas with a slightly rough structure on the surface, which resembles the original work of art. Please keep in mind, that depending on the absolute size of the poster we add a white margin 2-6 cm around the work of art to facilitate the framing.
• Aluminom dibond (ọkpụkpụ ọla): This is a metal print manufactured on aluminium dibond with an outstanding depth. For our Direct Aluminium Dibond option, we print the favorite artpiece on the surface of the white-primed aluminum material. The bright parts of the artwork shine with a silk gloss, however without any glare. The colors of the print are luminous and vivid, the details are clear and crisp.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): An print on acrylic glass, which is often referenced as a print on plexiglass, will change the artwork into home decoration. The work of art will be printed with modern UV direct print machines. The plexiglass with real glass coating protects your selected art replica against light and external influences for several decades.
• Kwaaji: The canvas direct print is a printed cotton canvas stretched on a wood stretcher. The great advantage of canvas prints is that they are relatively low in weight, which means that it is quite simple to hang the Canvas print without the use of additional wall-mounts. A canvas print is suitable for all kinds of walls.

Ihe dị mkpa: We try everything in order to describe our art products as exact as possible and to display them visually on the different product detail pages. Nevertheless, the tone of the print products, as well as the imprint may vary marginally from the presentation on your device's monitor. Depending on your screen settings and the quality of the surface, color pigments might not be printed as exactly as the digital version shown here. Given that all the art reproductions are printed and processed by hand, there may also be slight discrepancies in the size and exact position of the motif.

What does the original description of the The Metropolitan Museum of Art say about the 17th century artwork created by Pieter de Molijn? (© - Ụlọ ihe ngosi nka nke obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Born in London, Molijn joined the painter's guild at Haarlem in 1616. Together with his slightly younger contemporaries Jan van Goyen and Salomon van Ruysdael he established the new tonal landscape style that became characteristic of the Haarlem school. Molijn's best work dates from around 1626–29. This picture illustrates his deft application of Baroque compositional devices to local topography.

Ozi ngwaahịa nka

Ihe osise Landscape with a Cottage e kere ya Pieter de Molijn n’afọ 1629. The over 390 years old original version was made with the size of 14 3/4 x 21 3/4 in (37,5 x 55,2 cm). Mmanụ na osisi was used by the European painter as the medium of the masterpiece. Today, this artwork is included in the Ụlọ ihe ngosi nka nke Metropolitan art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The classic art masterpiece, which belongs to the ngalaba ọha is included, courtesy of The Metropolitan Museum of Art, New York, Gift of Henry G. Marquand, 1895. : Gift of Henry G. Marquand, 1895. E wezụga nke ahụ, nhazi ahụ bụ odida obodo na nwere akụkụ ruru nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara.

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