Bartholomeus van Bassen, 1651 - Ime ụlọ nke Nnukwu Ụlọ Nzukọ na Binnenhof na The Hague, n'oge Mgbakọ Ukwu nke United States-General na 1651 - ọmarịcha ihe osise.

(© Nwebiisinka - nke Mauritshuis - www.mauritshuis.nl)

George Bruyn, Amsterdam, 1724; Wouter Valckenier, Amsterdam, until 1784; his widow, Elizabeth Hooft, Amsterdam, until 1796; Diederik, Baron van Leyden, Amsterdam, 1804; Werner Wreesman, Amsterdam, 1816; Jean George Teissier, 1819; purchased, 1819; on long-term loan to the Rijksmuseum, Amsterdam (inv. no. SK-C-1350), kemgbe 1948

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• Kwaaji: The canvas print is a printed canvas stretched on a wood frame. Your canvas print of your favorite masterpiece will allow you to transform your fine art print into a large size artpiece like you would see in a gallery. The great advantage of canvas prints is that they are relatively low in weight. That means, it is quite simple to hang the Canvas print without the support of additional wall-mounts. A canvas print is suitable for all kinds of walls.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster is a printed canvas with a slightly rough surface structure, which reminds the original work of art. Please note, that depending on the absolute size of the poster print we add a white margin 2-6cm round about the print in order to facilitate the framing with a custom frame.
• Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with an impressive depth - for a modern impression and a non-reflective surface structure. A direct Aluminium Dibond Print is the ideal start to prints with aluminum. For the Print On Aluminum Dibond, we print your selected artwork right on the surface of the aluminum material. This print on Aluminum Dibond is the most popular entry-level product and is a stylish way to display fine art reproductions, because it puts all of the viewer’s focus on the replica of the artwork.
• Mbipụta enyo acrylic: A glossy acrylic glass print, which is sometimes referred to as a fine art print on plexiglass, will change your favorite artwork into beautiful décor. Your own version of the work of art will be custom-made with modern UV print machines. The great benefit of a plexiglass art print is that contrasts as well as details become identifiable with the help of the delicate gradation. The plexiglass protects your custom art replica against light and heat for many years to come.

Nchịkọta edemede

Nke a kariri 360 year old piece of art "Interior of the Great Hall on the Binnenhof in The Hague, during the Great Assembly of the States-General in 1651" was created by the Dutch onye na-ese ihe Bartholomeus van Bassen in 1651. The over 360 year-old original was painted with the absolute size: height: 52 cm width: 66 cm | height: 20,5 in width: 26 in. Oil on panel, copper on panel was applied by the painter as the technique for the work of art. "Inscription: CONCORDIA RES PARVÆ CRESCUNT" is the artpiece's original inscription. Furthermore, the artpiece belongs to the Mauritshuis's art collection. With courtesy of: Mauritshuis, The Hague (ikike ngalaba ọha). : George Bruyn, Amsterdam, 1724; Wouter Valckenier, Amsterdam, until 1784; his widow, Elizabeth Hooft, Amsterdam, until 1796; Diederik, Baron van Leyden, Amsterdam, 1804; Werner Wreesman, Amsterdam, 1816; Jean George Teissier, 1819; purchased, 1819; on long-term loan to the Rijksmuseum, Amsterdam (inv. no. SK-C-1350), since 1948. The alignment is in odida obodo format and has a side ratio of 4 : 3, which means that the length is 33% longer than the width. Bartholomeus van Bassen was a male painter, architect from the Netherlands, whose style can mainly be assigned to Baroque. The Baroque artist lived for a total of 72 afọ - amuru n'ime 1580 na Hague, The, South Holland, Netherlands wee nwụọ na 1652 na Hague, The, South Holland, Netherlands.

Ederede iwu dị mkpa: We try to depict the art products as closely as possible and to display them visually. Please bear in mind that the tone of the print products, as well as the imprint can vary somehwat from the image on your device's screen. Depending on the settings of your screen and the quality of the surface, colors can unfortunately not be printed as exactly as the digital version. Because all our art reproductions are printed and processed manually, there may also be minor differences in the motif's exact position and the size.

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