Jacob Maris, 1872 - Eserese nke Willem Matthijs Maris, violin - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi gbasara akụkọ a
E kere ọrụ nka site na Jacob Maris. Ụdị nke ọrụ nka na-atụle nha nke 404 mm × 566 mm. N'oge a, ọrụ nka nwere ike ile anya na Rijksmuseum's mkpokọta, nke dị na Amsterdam, Netherlands. Site n'ikike nke - Rijksmuseum (ikike ngalaba ọha).: . Ọzọkwa, nhazi nke mmepụta dijitalụ dị n'ime odida obodo format ya na oke nke 1.4: 1, nke pụtara na ogologo bụ 40% ogologo karịa obosara.
Họrọ ngwa ngwaahịa gị
The product dropdown menu provides you with the chance to pick your prefered size and material. The following sizes and materials are the options we offer you for individualization:
- Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster is a UV printed flat canvas with a slightly roughened structure on the surface. Please note, that depending on the absolute size of the poster print we add a white margin of around 2-6cm around the work of art, which facilitates the framing.
- Mbipụta kanvas: A canvas direct print is a printed cotton canvas stretched on a wood frame. Furthermore, a canvas print makes a nice and positive appearance. Canvas prints are relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without any wall-mounts. Canvas prints are suited for all types of walls.
- Mbipụta enyo acrylic: An print on acrylic glass, which is often described as a an art print on plexiglass, will change the artwork into beautiful décor. Furthermore, the acrylic fine art print makes a great alternative option to canvas and dibond prints. With an acrylic glass art print contrasts and minor color details become more exposed thanks to the subtle tonal gradation.
- Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are metal prints with a true depth effect. The Direct Print on Aluminum Dibond is your best introduction to fine prints with aluminum. For your Direct Print On Aluminum Dibond, we print the favorite artpiece on the aluminium white-primed surface. The white & bright sections of the original artwork shimmer with a silk gloss but without the glow.
Ozi omenkà Contextal
Aha onye nka: | Jacob Maris |
okike nke onye nka: | nwoke |
Nationality: | Dutch |
Ọrụ onye na-ese ihe: | onye na-ese ihe |
Mba onye si: | mba netherland |
Nkewa onye nka: | omenkà nke oge a |
Nwụrụ na afọ nke: | 62 afọ |
Amụrụ n'afọ: | 1837 |
Afọ ọnwụ: | 1899 |
Nkọwa ihe osise
Aha nka nka: | "Portrait of Willem Matthijs Maris, violin" |
Nchịkọta nke ọrụ nka: | sere |
Okwu mkpokọta: | nkà nke oge a |
Time: | 19th narị afọ |
Year: | 1872 |
Ogologo afọ nka nka: | 140 afọ |
Nha ihe osise izizi: | 404 mm × 566 mm |
Ụlọ ihe ngosi nka / ebe: | Rijksmuseum |
Ebe ebe ngosi nka: | Amsterdam, Netherlands |
Ebe nrụọrụ weebụ ihe ngosi nka: | www.rijksmuseum.nl |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Rijksmuseum |
Nkọwa ngwaahịa
Bipụta ngwaahịa: | nka nka |
Usoro mmeghari: | mmeputakwa n'ụdị dijitalụ |
Usoro mmepụta: | mbipụta dijitalụ |
Nlụpụta: | German mmepụta |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Eji ngwaahịa emebere: | ihe ndozi ụlọ, gallery mgbidi |
Ndozi onyonyo: | usoro odida obodo |
Ụdị anya: | 1.4:1- ogologo: obosara |
Pụtara nha onyonyo a: | ogologo bụ 40% ogologo karịa obosara |
Nhọrọ dị: | Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibbond) |
Mpempe akwa akwa (akwa akwa na etiti ihe ndọtị) nha: | 70x50cm - 28x20", 140x100cm - 55x39" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 70x50cm - 28x20", 140x100cm - 55x39" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 70x50cm - 28x20" |
Nha ebipụta aluminom: | 70x50cm - 28x20", 140x100cm - 55x39" |
Igwe onyonyo: | biko buru n'uche na mmeputakwa a enweghi etiti |
Disclaimer: We try everythig possible in order to describe the art products with as many details as possible and to showcase them visually on the respective product detail pages. However, the colors of the printing material and the printing might vary marginally from the representation on the device's monitor. Depending on your settings of your screen and the condition of the surface, colors might not be printed one hundret percent realistically. In view of the fact that all fine art prints are printed and processed manually, there may as well be slight deviations in the size and exact position of the motif.
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