Jan van Goyen, 1627 - Sandy Road nwere ụlọ ọrụ ugbo - mbipụta nka mara mma

Original artwork information from the museum's website (© Copyright - by The Metropolitan Museum of Art - www.metmuseum.org)

Painted in Leiden in 1627, this small panel is one of the earliest examples of a diagonal design that the artist would use until about 1640. Although Van Goyen worked in Haarlem only when he studied with Esaias van de Velde (1617–18), his tonal manner was well known to Haarlem painters such as Salomon van Ruysdael and Pieter de Molijn.

Mpempe akwụkwọ nka ọhụụ nkeonwe gị

Ọ bụ ndị kere ihe nka Baroque artist Jan van Goyen in the year 1627. The original measures the size: 12 1/8 x 16 1/4 in (30,8 x 41,3 cm). Oil on wood was used by the European artist as the technique for the masterpiece. Nowadays, this artpiece belongs to the Ụlọ ihe ngosi nka nke Metropolitan mkpokọta nka dị na New York City, New York, Njikota Obodo Amerika. With courtesy of The Metropolitan Museum of Art, New York, Bequest of Myra Mortimer Pinter, 1972 (ikike ngalaba ọha). : Bequest of Myra Mortimer Pinter, 1972. Further, the alignment is landscape with a ratio of 4: 3, which implies that the length is 33% longer than the width. Jan van Goyen was a art dealer, painter of Dutch nationality, whose art style can mainly be assigned to Baroque. The European painter lived for a total of 60 afọ, amuru na 1596 in Leyden, South Holland, Netherlands and deceased in 1656 in Hague, The, South Holland, Netherlands.

Họrọ ihe ị ga-ekwu

Maka mbipụta nka ọ bụla anyị na-enye nha na ihe dị iche iche. Ị nwere ike ịhọrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta enyo acrylic: The print on acrylic glass, which is sometimes named as a UV print on plexiglass, will change your favorite original artwork into lovely wall décor. The work of art is custom-made thanks to modern UV direct print machines. With an acrylic glass art print contrasts as well as color details will be more recognizeable due to the very fine gradation of the print.
• Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a material with an impressive depth effect. The bright parts of the original artwork shine with a silky gloss but without glow. The colors of the print are luminous, fine details of the print are crisp and clear, and you can really notice the matte appearance of the surface.
• Kwaaji: A canvas print, which should not be mistaken with a painting on a canvas, is a digital copy printed directly on cotton canvas. The great advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang up the Canvas print without the help of extra wall-mounts. A canvas print is suitable for all types of walls.
• Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster is a UV printed sheet of canvas paper with a slightly rough surface texture, which reminds the actual masterpiece. The printed poster is excellently qualified for putting your fine art print with the help of a customized frame. Please note, that depending on the absolute size of the canvas poster print we add a white margin 2-6 cm round about the artwork, which facilitates the framing with your custom frame.

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Disclaimer: We try whatever we can in order to describe the products as clearly as we can and to illustrate them visually in our shop. Nonetheless, the tone of the printing material and the printing may differ slightly from the presentation on your device's monitor. Depending on your settings of your screen and the condition of the surface, colors can unfortunately not be printed one hundret percent realistically. Because the are processed and printed by hand, there may as well be minor deviations in the motif's size and exact position.

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