John Frederick Kensett, 1860 - ọdọ mmiri Almy, Newport - mbipụta nka mara mma

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Ọrụ nka nke narị afọ nke 19 a Almy's Pond, Newport kere site na onye ihunanya artist John Frederick Kensett in 1860. The original version was made with the size - 12 5/8 x 22 1/8 na (32,06 x 56,19 cm) e jikwa ya see ya mmanụ na kwaaji. Besides, the piece of art belongs to the digital art collection of Ebe ngosi nka nke Los Angeles County, nke bụ ụlọ ngosi nka nka kachasị na ọdịda anyanwụ United States, yana nchịkọta ihe karịrị 142.000 ihe na-enye ìhè afọ 6.000 nke ngosipụta nka n'ofe ụwa. Site n'ikike nke Los Angeles County Museum of Art (www.lacma.org) (ikike - ngalaba ọha).In addition to that, the artpiece has the following creditline: . Besides, the alignment is landscape and has an image ratio of 16 : 9, meaning that ogologo bụ 78% ogologo karịa obosara. John Frederick Kensett was a painter of American nationality, whose artistic style was mainly Romanticism. The American painter was born in the year 1816 in Cheshire, New Haven county, Connecticut, United States and deceased at the age of 56 na 1872 na New York City, New York steeti, United States.

Nkọwapụta nka site na webụsaịtị ihe ngosi nka (© Nwebiisinka - Ụlọ ihe ngosi nka nke Los Angeles County - Ebe ngosi nka nke Los Angeles County)

This landscape came into the collection with the title An Inlet of Long Island Sound. The setting has recently been identified as Almy’s Pond, near Newport, Rhode Island. This low-lying area of the Rhode Island coast, with its rolling hills and salt marshes, was a popular site with American artists at mid-century and was painted by Martin Johnson Heade (1819-1904) and William Trost Richards (1833-1905) as well as Kensett. The numerous landscapes of the Newport vicinity listed in the sales catalogue of his estate indicate that Kensett often worked in the area. The museum’s painting may be one of the three Almy’s Pond scenes of similar size sold at auction in 1873 (New York, Association Hall, The Collection of Over Five Hundred Paintings and Studies by the Late John E. Kensett, nos. 366, 454, 559; another painting of the same subject and similar size believed to be one of these three is in the Terra Museum of American Art, Chicago). A very similar landscape painted around 1860 from the same vantage point that recently appeared on the art market (see Related Work) suggests that the museum’s canvas was painted about the same time. In the museum’s painting Kensett viewed the pond, which once was an inlet of the Rhode Island Sound, looking toward the nearby sound, indicated by the large sailboats in the distance. The topography well suited Kensett’s temperament for serene, open landscapes. The museum’s painting typifies the artist’s mature luminist images of the 1860s. It is a tranquil view of nature on a sunny day with a clear, almost cloudless sky dominating the horizontal composition. Little activity occurs. The cattle grazing do not disturb the harmony of the composition, allowing the viewer to attain a transcendental unity with nature; even Kensett’s thin, smooth brushwork keeps from intruding upon the illusion of contact with nature.

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• Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko n'elu): An print on acrylic glass, often labelled as a UV print on plexiglass, changes the artwork into amazing home décor. In addition to that, it forms a good alternative to dibond or canvas prints. Your favorite work of art is being custom-made with the help of state-of-the-art UV direct print technology. The acrylic glass protects your custom art print against light and heat for decades.
• Mbipụta aluminom (aluminium dibbond): An Aluminium Dibond print is a print with an impressive depth effect, which makes a modern look thanks to a non-reflective surface structure. For our Aluminium Dibond option, we print your selected artpiece right on the surface of the aluminum material. The colors of the print are vivid and luminous, the fine details are very clear. This direct UV print on aluminium is the most popular entry-level product and is a truly stylish way to showcase art reproductions, because it draws focus on the whole artwork.
• Kwaaji: The canvas direct print is a printed canvas mounted on a wood stretcher. It generates the distinctive look of three-dimensionality. A canvas print produces a cosy and comfy feeling. A canvas of this artwork will provide you with the unique opportunity of turning your fine art print into a large size work of art as you would see in a gallery. Canvas Prints have the advantage of being relatively low in weight, which implies that it is easy to hang the Canvas print without the support of any wall-mounts. A canvas print is suited for all kinds of walls.
• Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster print is a UV printed canvas with a slight finish on the surface. It is ideally qualified for framing the art print using a custom-made frame. Please bear in mind, that depending on the size of the poster we add a white margin 2-6cm around the painting, which facilitates the framing with your custom frame.

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Ihe dị mkpa: We try our utmost in order to describe our art products as exact as possible and to showcase them visually in our shop. Please keep in mind that the tone of the printed materials and the imprint might diverge to a certain extent from the presentation on the device's monitor. Depending on the settings of your screen and the nature of the surface, colors may not be printed 100% realistically. Considering that all the are printed and processed by hand, there may also be minor discrepancies in the size and exact position of the motif.

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