Joseph Mallord William Turner, 1800 - Ihe otiti nke ise nke Egypt - mbipụta nka mara mma

Additional description from Indianapolis Museum of Art (© - by Indianapolis Museum of Art - Analọ ihe nkiri nka nke Indianapolis)

Gallery label: This dark, tempestuous painting marks the rise of Turner as a full-fledged Romantic painter. Relying on vast scale, dynamic movement, and dramatic subject, his composition appeals primarily to the emotions to communicate its message. Turner's motive for painting this canvas, which he exhibited at the Royal Academy in 1800, may have been a desire to impress British critics and viewers with his ability to handle serious themes. However, it does appear that the young painter mistitled his picture, as this canvas actually depicts the seventh plague of Egypt, when Moses stretched his arms toward heaven, and thunder, hail and fire rained on the pharaoh and his people.

Indianapolis Museum of Art Gift in memory of Evan F. Lilly

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• Mbipụta akwụkwọ mmado (akwa akwa akwa): Our poster print is a printed canvas paper with a slightly rough finish on the surface. It is optimally qualified for framing your fine art print with the help of a customized frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin of something between 2-6cm round about the painting to facilitate the framing with a custom frame.
• Mbipụta aluminom (aluminium dibbond): This is a metal print made on aluminium dibond with an impressive depth effect. For our Aluminium Dibond option, we print the chosen artpiece right onto the aluminium surface.
• Mbipụta kanvas: A printed canvas material stretched on a wood frame. Further, a canvas print generates a homelike and warm appearance. A printed canvas of this masterpiece will let you turn your fine art print into a large size artwork like you know from galleries. A canvas print has the advantage of being low in weight. That means, it is easy and straightforward to hang up your Canvas print without the help of any wall-mounts. Because of thata canvas print is suited for all kinds of walls.
• Mbipụta enyo acrylic: A glossy acrylic glass print, which is sometimes referenced as a UV print on plexiglass, will transform the original artwork into gorgeous home decoration. Above all, the acrylic fine art print makes a good alternative to canvas or aluminium dibond art prints. The artwork will be custom-made with modern UV printing machines.

Summary of the modern art artwork titled The Fifth Plague of Egypt

The Fifth Plague of Egypt was created by Joseph Mallord William Turner in 1800. Emere ụdị eserese ahụ na nha: 48 x 72 n’ime e were kwa ihe-ọcha tee ya mmanụ na kwaaji. Ihe osise a bụ akụkụ nke mkpokọta Analọ ihe nkiri nka nke Indianapolis, nke bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị mma nke ụwa nwere nnukwu nchịkọta akụkọ ihe mere eme nke oge dị iche iche na ihe sitere n'akụkụ niile nke ụwa .. Site n'ikike nke - Analọ ihe nkiri nka nke Indianapolis (public domain license).Furthermore, the work of art has the creditline: . In addition to that, the alignment of the digital reproduction is in landscape format with a side ratio of 3: 2, meaning that the length is 50% longer than the width. The painter Joseph Mallord William Turner was an artist from the United Kingdom, whose style can be classified as Romanticism. The British painter was born in 1775 in London, Greater London, England, United Kingdom and deceased at the age of 76 in the year 1851 in Chelsea, London, Greater London, England, United Kingdom, neighborhood.

Ederede iwu dị mkpa: We try everythig possible in order to depict the products with as many details as possible and to display them visually. Although, some pigments of the print products and the imprint may differ to a certain extent from the representation on your device's screen. Depending on your screen settings and the condition of the surface, color pigments might not be printed 100% realistically. In view of the fact that all our are printed and processed manually, there might also be minor differences in the size and exact position of the motif.

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