Joseph Mallord William Turner, 1819 - Ben Arthur, Scotland (Liber Studiorum, akụkụ nke XIV, efere 69) - ọmarịcha akwụkwọ nka.

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Nkọwapụta ngwaahịa

Nke a gafee 200 years old painting was made by the British artist Joseph Mallord William Turner in 1819. The version of the masterpiece had the size: plate: 7 1/4 x 10 1/2 in (18,4 x 26,7 cm) sheet: 8 1/4 x 11 7/16 in (21 x 29,1 cm). Etching and mezzotint; second state of three (finberg) was applied by the British painter as the technique for the masterpiece. Furthermore, this artpiece belongs to the digital collection of The Metropolitan Museum of Art, which is located in New York City, New York, Njikota Obodo Amerika. a nkà nke oge a ngalaba ọha masterpiece na-gụnyere na nkwanye ùgwù nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Harris Brisbane Dick Fund, 1928. Creditline of the artwork: Harris Brisbane Dick Fund, 1928. Besides, the alignment is in landscape format ma nwee oke akụkụ nke 1.4: 1, nke pụtara na ogologo bụ 40% ogologo karịa obosara. The painter Joseph Mallord William Turner was an artist, whose style can mainly be classified as Romanticism. The British painter lived for 76 years and was born in 1775 na London, Greater London, England, United Kingdom na nwụrụ anwụ n'afọ 1851.

Họrọ nhọrọ akụrụngwa ngwaahịa

The product dropdown list ofers you the chance to choose your individual material and size. We allow you to pick your favorite size and material among the following product individualization options:

  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, which is sometimes labelled as a plexiglass print, will transform the artwork into amazing home decoration and forms a distinct alternative option to canvas or aluminium dibond art prints. Your favorite work of art is being custom-made with state-of-the-art UV direct print machines.
  • Kwaaji: The canvas direct print is a printed canvas mounted on a wood stretcher. A canvas print has the great advantage of being relatively low in weight, which implies that it is quite simple to hang up the Canvas print without extra wall-mounts. Hence, canvas prints are suitable for any type of wall.
  • Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster print is a UV printed canvas with a nice surface finish. A poster print is particularly suited for placing your fine art print in a custom-made frame. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of around 2-6cm around the work of art, which facilitates the framing with a custom frame.
  • Mbipụta aluminom (aluminium dibbond): An Aluminium Dibond print is a material with an impressive depth. The non-reflective surface creates a modern impression. For your Print On Aluminum Dibond, we print your work of art onto the aluminium white-primed surface. The colors are luminous in the highest definition, details of the print appear very clear, and the print has a a matte look that you can literally feel.

Ederede iwu: We do to depict our products with as many details as possible and to exhibit them visually. Although, the tone of the print products, as well as the printing might differ marginally from the presentation on your device's monitor. Depending on your settings of your screen and the nature of the surface, color pigments can unfortunately not be printed as realisitcally as the digital version. In view of the fact that the art prints are processed and printed manually, there may also be minor discrepancies in the exact position and the size of the motif.

Banyere ngwaahịa a

Bipụta ngwaahịa: nka nka
Usoro mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Ihe ngosi: arụpụtara na Germany
Ụdị ngwaahịa: na mmepụta ihe
A na-atụ aro iji ngwaahịa eme ihe: nka mgbidi, mgbidi gallery
Nhazi: usoro odida obodo
Oke akụkụ onyonyo: ogologo: obosara 1.4:1
Ntụgharị nkọwa akụkụ akụkụ: ogologo bụ 40% ogologo karịa obosara
Ụdị ihe dị iche iche: ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: 70x50cm - 28x20", 140x100cm - 55x39"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 70x50cm - 28x20", 140x100cm - 55x39"
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): 70x50cm - 28x20"
Nha aluminom dibond (ihe aluminom) nha: 70x50cm - 28x20", 140x100cm - 55x39"
ụba: biko buru n'uche na ebipụta nka enweghi etiti

Ozi ahaziri na mpempe nka

Aha nke eserese ahụ: "Ben Arthur, Scotland (Liber Studiorum, part XIV, plate 69)"
Nhazi nke ihe nka: sere
Otu sara mbara: nkà nke oge a
Century: 19th narị afọ
Afọ okike: 1819
Ogologo afọ nka nka: ihe karịrị afọ 200
Usoro izizi: etching and mezzotint; second state of three (finberg)
Nha nke ihe nka izizi: efere: 7 1/4 x 10 1/2 na (18,4 x 26,7 cm) mpempe akwụkwọ: 8 1/4 x 11 7/16 na (21 x 29,1 cm)
Ụlọ ihe ngosi nka / ebe: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Weebụsaịtị ihe ngosi nka: Museumlọ ihe ngosi nka nke Obodo
Licensedị ikike: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke Metropolitan, New York, Harris Brisbane Dick Fund, 1928
Ebe E Si Nweta: Harris Brisbane Dick Fund, 1928

Tebụl nchịkọta ihe nkiri

aha: Joseph Mallord William Turner
Aha ndị ọzọ: J.M.W. Turner R.A., טרנר ג׳וזף מאלור ויליאם, j. m. w. turner r. a., J.W.M. Turner RA, Turnor, Turner, Turner William, Turner R.A., טרנר ג'וזף מאלורד ויליאם, J. M. W. Turner R. A., J.M.W. (Joseph Mallord William) Turner, Turner RA, I.M.W. Turner, J. W. Turner, Tarner Tzozeph Mallornt Ouilliam, Tʻou-na Yüeh-se-fu Ma-lo-te Wei-lien, Tŭrnŭr Dzhouzef Mŭlord Uili︠a︡m, Terner Dzhozef Mallord Uilʹi︠a︡m, Turner J. M. W., J. M. W. Turner, W. Turner, Turner J M. W., Turner J.M.W., I.W.M. Turner RA, Turner James Mallord William, joseph m. w. turner, J.W.M. Turner R.A., Turner Joseph Mallord William, W. M. Turner R.A., turner j.m.w., Turner Joseph Mallord William, Tʻou-na, Joseph Mallord William Turner, J.M.W. Turner RA, j.m.w. turner, jmw turner, Turner J.M.W. (Joseph Mallord William)
okike nke onye nka: nwoke
Obodo onye nka: British
Ọrụ: onye na-ese ihe
Country: United Kingdom
Nhazi nke onye nka: omenkà nke oge a
styles: Ihunanya
Ndụ: 76 afọ
Afọ ọmụmụ: 1775
Obodo: London, Greater London, England, United Kingdom
Afọ nwụrụ: 1851
Obodo ọnwụ: Chelsea, London, Greater London, England, United Kingdom, agbataobi

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Ozi nka sitere na The Metropolitan Museum of Art (© - Ụlọ ihe ngosi nka nke obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Turner distilled his ideas about landscape In "Liber Studiorum" (Latin for Book of Studies), a series of seventy prints plus a frontispiece published between 1807 and 1819. To establish the compositions, he made brown watercolor drawings, then etched outlines onto copper plates. Professional engravers usually developed the tone under Turner's direction and Lupton here added mezzotint to describe a steep ravine next to the mountain known in Gaelic as Beinn Artair, one of the most impressive peaks in the Scottish Highlands. Dramatic shifts of light created by rapidly changing weather dramatizes the scene, while the letter "M" in the upper margin indicates Turner's category of Mountainous landscape.

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