Frederic Remington, 1890 - The Advance-Guard, ma ọ bụ àjà ndị agha (The Ambush) - ọmarịcha akwụkwọ nka.

63,99 €

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Nkọwa ihe osise sitere na Art Institute Chicago (© - nke Art Institute Chicago - www.artic.edu)

Born in Canton, New York, and later a student at the Yale School of Art in New Haven, Connecticut, and the Art Students League in New York City, Frederic Remington gained widespread distinction for his heroic and mythic visions of life in the American West. Remington lived in Montana and Kansas, working as a ranch hand in the early 1880s. He traveled across the West and Southwest, where he observed Native American customs, ranch life, and soldiers on horseback patrolling the frontier. Capturing the individuality and self-determination of these populations with a superb sense of drama, Remington romanticized the vanishing life of the Old West in bronze sculptures, magazine illustrations, etchings, and oil paintings.

Ozi ndabere na nka pụrụ iche

Aha nka: "The Advance-Guard, or The Military Sacrifice (The Ambush)"
Nhazi: sere
Nhazi nka: nkà nke oge a
Century: 19th narị afọ
Year: 1890
Afọ nka: ihe karịrị 130 afọ
Usoro izizi: mmanụ na kwaaji
Nha ihe osise izizi: 87,3 × 123,1 cm (34 3/8 × 48 1/2 na)
Akara mbinye aka: signed, lower left: "Frederic Remington/1890"
Ụlọ ihe ngosi nka / mkpokọta: Ụlọ ọrụ Art Chicago
Ebe ebe ngosi nka: Chicago, Illinois, Njikota Obodo Amerika
website: Ụlọ ọrụ Art Chicago
Ụdị nka nka: ngalaba ọha
Site n'aka: Ụlọ ọrụ Art Chicago
kreditline ọrụ nka: George F. Harding mkpokọta

Tebụl nyocha nke onye na-ese ihe

Aha onye nka: Frederic Remington
Aha ndị ọzọ: Remington, Remington Frederic, Frederic Sackrider Remington, Frederic Remington, remington frederick, Remington Frederic Sackrider, frederick remington, remington f., f. remington
Gender: nwoke
Obodo onye nka: American
Ọrụ onye na-ese ihe: sculptor, painter, illustrator, writer
Country: United States
Nkewa onye nka: omenkà nke oge a
Afọ ọnwụ: 48 afọ
Afọ ọmụmụ: 1861
Ebe omuma: Canton, Saint Lawrence County, New York steeti, Njikota Obodo Amerika
Nwụrụ n'afọ: 1909
Ebe ọnwụ: Ridgefield, Fairfield County, Connecticut, Njikota Obodo Amerika

Banyere ihe

Nkewa ngwaahịa: ọrụ mgbidi
Mmeputakwa: mmeputakwa n'ụdị dijitalụ
Usoro mmepụta: Mbipụta UV ozugbo
Nlụpụta: German mmepụta
Ụdị ngwaahịa: mmepụta ihe na-achọ
Eji ngwaahịa a chọrọ: nka mgbidi, mkpokọta nka (mmeputakwa)
Ndozi onyonyo a: usoro odida obodo
Oke akụkụ onyonyo: 1.4: 1 - ogologo: obosara
Ntụgharị nkọwa akụkụ: ogologo bụ 40% ogologo karịa obosara
Nhọrọ ihe dị: ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta iko acrylic (nwere ezigbo mkpuchi iko)
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): 70x50cm - 28x20", 140x100cm - 55x39"
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: 70x50cm - 28x20", 140x100cm - 55x39"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: 70x50cm - 28x20"
Mpempe akwụkwọ Dibọn (ihe alumnium): 70x50cm - 28x20", 140x100cm - 55x39"
Igwe onyonyo: biko mara na mmeputakwa a enweghi etiti

Ngwa ngwaahịa a na-ahọpụta

Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

  • Mbipụta kwaaji: The canvas direct print is a printed cotton canvas stretched on a wooden stretcher. It creates a sculptural impression of three dimensionality. A canvas print has the advantage of being relatively low in weight, which implies that it is quite simple to hang the Canvas print without the use of extra wall-mounts. A canvas print is suited for any kind of wall.
  • Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, which is sometimes described as a an art print on plexiglass, makes an original work of art into great décor. The artwork will be manufactured with the help of state-of-the-art UV direct print machines. With an acrylic glass art print contrasts and small painting details will be more identifiable with the help of the precise gradation of the picture. Our real glass coating protects your selected art print against light and external influences for many years.
  • Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster print is a printed canvas with a granular finish on the surface. A poster is suited for putting your art replica in a special frame. Please bear in mind, that depending on the size of the poster print we add a white margin of something between 2-6cm round about the artwork in order to facilitate the framing with your custom frame.
  • Mbipụta aluminom (aluminium dibbond): Aluminium Dibond prints are prints on metal with an impressive effect of depth. The UV print on Aluminum Dibond is the most popular entry-level product and is a modern way to showcase fine art prints, because it draws attention on the whole artwork.

The Advance-Guard, or The Military Sacrifice (The Ambush) is a work of art painted by Frederic Remington. The version of the painting had the following size: 87,3 × 123,1 cm (34 3/8 × 48 1/2 na). Oil on canvas was applied by the American painter as the medium of the painting. The artwork has the following inscription: signed, lower left: "Frederic Remington/1890". Ọzọkwa, ihe osise a gụnyere na Ụlọ ọrụ Art nke Chicago mkpokọta, nke dị na Chicago, Illinois, Njikota Obodo Amerika. We are glad to mention that the public domain work of art is provided with courtesy of Art Institute Chicago. : George F. Harding mkpokọta. N'elu nke ahụ, nhazi a na-abanye odida obodo format na nwere akụkụ ruru nke 1.4: 1, nke pụtara na ogologo bụ 40% ogologo karịa obosara.

Disclaimer: We try all that we can in order to describe our art products as accurate as possible and to demonstrate them visually on the various product detail pages. However, the colors of the print materials, as well as the imprint may diverge somehwat from the image on the monitor. Depending on your screen settings and the condition of the surface, colors may not be printed 100% realistically. Given that the fine art prints are printed and processed by hand, there might also be minor variations in the size and exact position of the motif.

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