Frederic Remington, 1890 - The Advance-Guard, ma ọ bụ àjà ndị agha (The Ambush) - ọmarịcha akwụkwọ nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwa ihe osise sitere na Art Institute Chicago (© - nke Art Institute Chicago - www.artic.edu)
Born in Canton, New York, and later a student at the Yale School of Art in New Haven, Connecticut, and the Art Students League in New York City, Frederic Remington gained widespread distinction for his heroic and mythic visions of life in the American West. Remington lived in Montana and Kansas, working as a ranch hand in the early 1880s. He traveled across the West and Southwest, where he observed Native American customs, ranch life, and soldiers on horseback patrolling the frontier. Capturing the individuality and self-determination of these populations with a superb sense of drama, Remington romanticized the vanishing life of the Old West in bronze sculptures, magazine illustrations, etchings, and oil paintings.
Ozi ndabere na nka pụrụ iche
Aha nka: | "The Advance-Guard, or The Military Sacrifice (The Ambush)" |
Nhazi: | sere |
Nhazi nka: | nkà nke oge a |
Century: | 19th narị afọ |
Year: | 1890 |
Afọ nka: | ihe karịrị 130 afọ |
Usoro izizi: | mmanụ na kwaaji |
Nha ihe osise izizi: | 87,3 × 123,1 cm (34 3/8 × 48 1/2 na) |
Akara mbinye aka: | signed, lower left: "Frederic Remington/1890" |
Ụlọ ihe ngosi nka / mkpokọta: | Ụlọ ọrụ Art Chicago |
Ebe ebe ngosi nka: | Chicago, Illinois, Njikota Obodo Amerika |
website: | Ụlọ ọrụ Art Chicago |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | Ụlọ ọrụ Art Chicago |
kreditline ọrụ nka: | George F. Harding mkpokọta |
Tebụl nyocha nke onye na-ese ihe
Aha onye nka: | Frederic Remington |
Aha ndị ọzọ: | Remington, Remington Frederic, Frederic Sackrider Remington, Frederic Remington, remington frederick, Remington Frederic Sackrider, frederick remington, remington f., f. remington |
Gender: | nwoke |
Obodo onye nka: | American |
Ọrụ onye na-ese ihe: | sculptor, painter, illustrator, writer |
Country: | United States |
Nkewa onye nka: | omenkà nke oge a |
Afọ ọnwụ: | 48 afọ |
Afọ ọmụmụ: | 1861 |
Ebe omuma: | Canton, Saint Lawrence County, New York steeti, Njikota Obodo Amerika |
Nwụrụ n'afọ: | 1909 |
Ebe ọnwụ: | Ridgefield, Fairfield County, Connecticut, Njikota Obodo Amerika |
Banyere ihe
Nkewa ngwaahịa: | ọrụ mgbidi |
Mmeputakwa: | mmeputakwa n'ụdị dijitalụ |
Usoro mmepụta: | Mbipụta UV ozugbo |
Nlụpụta: | German mmepụta |
Ụdị ngwaahịa: | mmepụta ihe na-achọ |
Eji ngwaahịa a chọrọ: | nka mgbidi, mkpokọta nka (mmeputakwa) |
Ndozi onyonyo a: | usoro odida obodo |
Oke akụkụ onyonyo: | 1.4: 1 - ogologo: obosara |
Ntụgharị nkọwa akụkụ: | ogologo bụ 40% ogologo karịa obosara |
Nhọrọ ihe dị: | ígwè obibi akwụkwọ (aluminium dibond), ebipụta canvas, mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 70x50cm - 28x20", 140x100cm - 55x39" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: | 70x50cm - 28x20", 140x100cm - 55x39" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 70x50cm - 28x20" |
Mpempe akwụkwọ Dibọn (ihe alumnium): | 70x50cm - 28x20", 140x100cm - 55x39" |
Igwe onyonyo: | biko mara na mmeputakwa a enweghi etiti |
Ngwa ngwaahịa a na-ahọpụta
Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:
- Mbipụta kwaaji: The canvas direct print is a printed cotton canvas stretched on a wooden stretcher. It creates a sculptural impression of three dimensionality. A canvas print has the advantage of being relatively low in weight, which implies that it is quite simple to hang the Canvas print without the use of extra wall-mounts. A canvas print is suited for any kind of wall.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, which is sometimes described as a an art print on plexiglass, makes an original work of art into great décor. The artwork will be manufactured with the help of state-of-the-art UV direct print machines. With an acrylic glass art print contrasts and small painting details will be more identifiable with the help of the precise gradation of the picture. Our real glass coating protects your selected art print against light and external influences for many years.
- Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster print is a printed canvas with a granular finish on the surface. A poster is suited for putting your art replica in a special frame. Please bear in mind, that depending on the size of the poster print we add a white margin of something between 2-6cm round about the artwork in order to facilitate the framing with your custom frame.
- Mbipụta aluminom (aluminium dibbond): Aluminium Dibond prints are prints on metal with an impressive effect of depth. The UV print on Aluminum Dibond is the most popular entry-level product and is a modern way to showcase fine art prints, because it draws attention on the whole artwork.
The Advance-Guard, or The Military Sacrifice (The Ambush) is a work of art painted by Frederic Remington. The version of the painting had the following size: 87,3 × 123,1 cm (34 3/8 × 48 1/2 na). Oil on canvas was applied by the American painter as the medium of the painting. The artwork has the following inscription: signed, lower left: "Frederic Remington/1890". Ọzọkwa, ihe osise a gụnyere na Ụlọ ọrụ Art nke Chicago mkpokọta, nke dị na Chicago, Illinois, Njikota Obodo Amerika. We are glad to mention that the public domain work of art is provided with courtesy of Art Institute Chicago. : George F. Harding mkpokọta. N'elu nke ahụ, nhazi a na-abanye odida obodo format na nwere akụkụ ruru nke 1.4: 1, nke pụtara na ogologo bụ 40% ogologo karịa obosara.
Disclaimer: We try all that we can in order to describe our art products as accurate as possible and to demonstrate them visually on the various product detail pages. However, the colors of the print materials, as well as the imprint may diverge somehwat from the image on the monitor. Depending on your screen settings and the condition of the surface, colors may not be printed 100% realistically. Given that the fine art prints are printed and processed by hand, there might also be minor variations in the size and exact position of the motif.
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