Goya, 1778 - Onye egwu egwu kpuru (The Blind Guitar) - mbipụta nka mara mma

29,99 €

Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.

Ozi ndabere na oyiri nka nke eserese The blind guitarist (The Blind Guitar)

Ihe osise nka ochie a The blind guitarist (The Blind Guitar) bụ onye omenkà kere ya Goya in 1778. The 240 years old work of art was made with the size of Sheet: 14 in × 21 5/8 in (35,5 × 55 cm). Etching; working proof was used by the artist as the technique for the artpiece. It is part of the Ụlọ ihe ngosi nka nke Metropolitan digital collection, nke bụ otu n'ime ụwa kasị na kasị mma art ngosi ihe mgbe ochie, nke na-agụnye ihe karịrị nde abụọ ọrụ nka spanning puku afọ ise nke omenala ụwa, site prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa .. Site n'ikike nke - The Metropolitan Museum of Art, New York, Purchase, Jacob H. Schiff Bequest, 1922 (ọha na eze). Creditline of the artwork: Purchase, Jacob H. Schiff Bequest, 1922. Furthermore, alignment is in odida obodo format na a akụkụ ruru nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara.

Nhọrọ ihe enwere ike

Maka mbipụta nka ọ bụla dị mma anyị na-enye ihe dị iche iche na nha dị iche iche. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

  • Aluminom dibond mbipụta (ọla): These are metal prints on alu dibond with an impressive depth. A direct Aluminium Dibond Print is your best introduction to art replicas on aluminum. For our Aluminium Dibond print, we print your artpiece on the aluminium white-primed surface. The bright components of the original work of art shine with a silky gloss but without any glare.
  • Akwụkwọ mmado ebipụtara (akwa akwa akwa): The Artprinta poster is a printed canvas paper with a slightly roughened surface structure. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6 cm round about the painting, which facilitates the framing with your custom frame.
  • Glass acrylic ebipụtara (nke nwere ezigbo mkpuchi iko n'elu): The print on acrylic glass, which is often named as a print on plexiglass, changes the original into marvellous home decoration. The great upside of an acrylic glass fine art print is that contrasts and also minor details become identifiable due to the very fine gradation in the print. Our real glass coating protects your chosen fine art print against sunlight and heat for several decades.
  • Mbipụta kanvas: The canvas direct print is a printed canvas mounted on a wood stretcher. A printed canvas of your favorite masterpiece will allow you to transform your into a large artpiece as you know from galleries. Hanging a canvas print: Canvas Prints have the great advantage of being relatively low in weight. This means, it is easy and straightforward to hang up the Canvas print without the help of additional wall-mounts. Canvas prints are suited for all types of walls.

Nkwupụta iwu: We try everything in order to depict the art products as exact as possible and to exhibit them visually on the different product detail pages. Please bear in mind that the tone of the print products and the imprint might vary to a certain extent from the presentation on your device's screen. Depending on the settings of your screen and the nature of the surface, not all color pigments can be printed as exactly as the digital version. Because all the art prints are processed and printed manually, there may as well be minor differences in the motif's size and exact position.

Ozi ederede ahaziri

Ụdị ngwaahịa: mmepụta nka
Usoro mmeghari: mmeputakwa n'ụdị dijitalụ
Usoro mmepụta: Mbipụta UV ozugbo (mbipụta dijitalụ)
Mmalite ngwaahịa: emepụtara na Germany
Ụdị ngwaahịa: mmepụta ihe na-achọ
Ojiji ngwaahịa: foto mgbidi, mgbidi gallery
Nhazi onyonyo: nhazi odida obodo
Ụdị anya: 3: 2 (ogologo: obosara)
Ihe: ogologo bụ 50% ogologo karịa obosara
Nhọrọ dị: Mbipụta kwaaji, mbipụta ọla (aluminium dibond), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwụkwọ mmado (akwụkwọ kwaaji)
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31", 150x100cm - 59x39"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
Nhọrọ nha mbipụta aluminium dibond: 30x20cm - 12x8", 60x40cm - 24x16", 90x60cm - 35x24", 120x80cm - 47x31"
ụba: biko buru n'uche na nka nka enweghi fremu

Iberibe nkọwa nka

Aha ọrụ nka: "The blind guitarist (The Blind Guitar)"
Nhazi: sere
Okwu mkpokọta: nka ochie
Nhazi oge: 18th narị afọ
Afọ nka: 1778
Afọ nka: 240 afọ
Usoro izizi: etching; working proof
Nha izizi nka: Sheet: 14 in × 21 5/8 in (35,5 × 55 cm)
Ụlọ ihe ngosi nka / mkpokọta: Museumlọ ihe ngosi nka nke Obodo
Ebe ngosi nka: New York City, New York, Njikota Obodo Amerika
Weebụsaịtị ihe ngosi nka: www.metmuseum.org
Ikikere nke ihe osise: ngalaba ọha
Site n'aka: The Metropolitan Museum of Art, New York, Purchase, Jacob H. Schiff Bequest, 1922
kreditline ọrụ nka: Purchase, Jacob H. Schiff Bequest, 1922

Tebụl metadata omenkà

Aha onye nka: Goya
Gender: nwoke
Obodo onye nka: spanish
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Mba onye si: Spain
Otu nka: nna ukwu ochie
Akwụsị: 82 afọ
Afọ ọmụmụ: 1746
Nwụrụ n'afọ: 1828

© Copyright - ikike ọgụgụ isi nke | Artprinta.com

What does the website of the The Metropolitan Museum of Art write about this artwork from the painter Goya? (© Nwebiisinka - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

In the spring of 1778 Goya submitted an oil cartoon depcting the blind guitatist to the Royal Tapestry Factory of Santa Barbara in Madrid for it to be woven into a tapestry. Because of the complexity of the design it proved too difficult for the weavers to interpret and alterations had to be made. This etching - his largest ever and the only print after one of his own works - is thought to record his first design before he modified it. The modified cartoon is today in the Museo del Prado, Madrid. Goya recognized the ability of the etching medium to convey minute detail and in this print, he emphasises the different expressions of those surrounding the guitarist. Few impresions of this print are known. This is a working proof touched by the artist with graphite.

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