Juan de Zurbarán, 1650 - Ifuru na mkpụrụ n'ime nnukwu efere China - mbipụta nka mara mma

Họrọ ngwa ngwaahịa ịchọrọ

Maka ngwaahịa ọ bụla anyị na-enye nha na ihe dị iche iche. Nhọrọ ndị a dị maka n'otu n'otu:

• Mbipụta kwaaji: The canvas print, which should not be confused with a real artwork painted on a canvas, is a digital image printed from a UV direct printing machine. It makes the typical impression of three-dimensionality. Canvas Prints have the advantage of being low in weight, which implies that it is easy to hang the Canvas print without the use of extra wall-mounts. Therefore, canvas prints are suited for all types of walls.
• Metal (aluminium debond mbipụta): An Aluminium Dibond print is a material with an outstanding depth effect. The bright sections of the original artpiece shimmer with a silky gloss, however without any glare. The UV print on aluminium is one of the most demanded entry-level products and is a truly modern way to display fine art reproductions, as it draws focus on the replica of the artwork.
• Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): The acrylic glass print, which is often labelled as a an art print on plexiglass, will convert the artwork into gorgeous wall decoration and is a good alternative to aluminium and canvas fine art prints. The work of art will be printed with the help of modern UV direct printing machines. This makes intense, stunning colors. With a glossy acrylic glass art print contrasts plus granular details become visible thanks to the granular gradation of the picture. The real glass coating protects your selected art replica against sunlight and external influences for between four and six decades.
• Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster print is a printed canvas with a nice texture on the surface. Please keep in mind, that depending on the size of the poster we add a white margin of approximately 2-6cm around the print motif, which facilitates the framing with your custom frame.

Ozi dị mkpa: We try the best we can in order to depict the products as accurate as possible and to demonstrate them visually. However, the colors of the printed materials, as well as the printing can differ to a certain extent from the representation on the screen. Depending on your settings of your screen and the condition of the surface, not all color pigments are printed one hundret percent realistically. Bearing in mind that the are printed and processed manually, there might also be slight variations in the exact position and the size of the motif.

Nkọwa nke ngwaahịa a

Ọ bụ ya kere ọrụ nka Juan de Zurbaran. Ejiri nha nke a rụọ ihe osise a: 82,6 × 108,6 cm (32 1/2 × 42 3/4 na) e tekwara ya na ọkara mmanụ na kwaaji. Ọ na-gụnyere na dijitalụ collection nke Ụlọ ọrụ Art Chicago. Anyị nwere obi ụtọ na-ezo aka na ọrụ nka, nke bụ nke ngalaba ọha a na-enye ya site n'ikike nke Ụlọ ọrụ Art Chicago. Tụkwasị na nke ahụ, ihe nkiri ahụ nwere kreditline: Ụgwọ nke ụlọ ọrụ Wirt D. Walker Fund. What is more, the alignment of the digital reproduction is in landscape format with a ratio of 4 : 3, meaning that ogologo bụ 33% ogologo karịa obosara. Juan de Zurbarán was a male painter, whose artistic style can be classified as Baroque. The artist lived for a total of 29 afọ, amuru na 1620 ma nwụọ na 1649.

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