Jules Pascin, 1916 - Okirikiri ala, Ụlọ na Osisi - ọmarịcha nka

Kedu nke ga-abụ ihe ebipụta nka kacha amasị gị?

Maka ngwaahịa ọ bụla anyị na-enye ihe dị iche iche & nha. Ị nwere ike ịhọrọ nha na ihe kachasị amasị gị n'ime nhọrọ ndị a:

• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often referred to as a plexiglass print, makes the artwork into beautiful home decoration and offers a great alternative option to aluminium or canvas prints. Your favorite artwork is being custom-made with the help of modern UV direct printing machines. The acrylic glass protects your chosen art replica against light and heat for many years.
• Mpempe akwụkwọ (ihe kwaaji): The poster is a UV printed sheet of flat cotton canvas with a slightly rough structure on the surface. Please note, that depending on the absolute size of the canvas poster print we add a white margin of something between 2-6cm round about the print motif, which facilitates the framing with your custom frame.
• Mbipụta kanvas: A canvas print is a printed canvas stretched on a wooden stretcher. A canvas of your favorite work of art will let you turn your own into a large size artwork like you would see in a gallery. Canvas prints are relatively low in weight, which means that it is easy to hang up your Canvas print without additional wall-mounts. Canvas prints are suitable for any kind of wall.
• Mbipụta aluminom (aluminium dibbond): An Aluminium Dibond print is a print with a true effect of depth - for a modern look and non-reflective surface structure. A direct Direct Print on Aluminum Dibond is your perfect start to fine art replicas on aluminum. This print on aluminium is the most popular entry-level product and is a truly contemporary way to showcase fine art prints, because it puts the viewer’s focus on the artwork.

Nkwupụta iwu: We do our utmost to describe our products in as much detail as possible and to showcase them visually. Nonetheless, the tone of the printing material and the print result can vary to a certain extent from the representation on your device's screen. Depending on your screen settings and the quality of the surface, color pigments may not be printed as exactly as the digital version. Considering that the art prints are printed and processed manually, there may as well be minor differences in the motif's exact position and the size.

Kedu ụdị ngwaahịa anyị na-eweta?

Ihe karịrị 100 afọ mpempe nka e sere site na onye ngosipụta onye na-ese ihe Jules Pascin. Nke kariri 100 a na-ese ihe ochie na nha: N'ozuzu: 8 3/8 x 11 1/8 na (21,3 x 28,3 cm). Watercolor and pastel on wove paper was applied by the North American painter as the medium of the artpiece. Nowadays, the artwork belongs to the Barnes Foundation's digital collection in Philadelphia, Pennsylvania, Njikota Obodo Amerika. a nkà nke oge a ngalaba ọha A na-etinye mpempe nka na nkwanye ùgwù nke Site n'ikike nke Barnes Foundation, Merion na Philadelphia, Pennsylvania.: . N'elu nke ahụ, nhazi bụ odida obodo ya na oke nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. Jules Pascin was a painter from United States, whose style can be attributed mainly to Expressionism. The Expressionist artist lived for 45 afọ - amuru n'ime 1885 na Vidin, Vidin, Bulgaria ma nwụọ na 1930.

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