Martin Johnson Heade, 1859 - Na-abịaru nso Thunder Storm - mbipụta nka mara mma

Additional information on the original artwork by The Metropolitan Museum of Art (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Heade became a good friend of the acclaimed landscape painter Frederic Church (1826–1900), but he worked on the periphery of the Hudson River School. He specialized not in dramatic wilderness subjects, as many of the school did, but preferred more prosaic marshlands and coastal settings. Even when he painted storms, as here, he portrayed not the actual tempest, but its tense preamble of blackening sky and eerily illumined terrain. This painting was based on a sketch of an approaching storm that Heade witnessed on Rhode Island's Narragansett Bay about 1858. The image became the basis for a more elaborate and synthetic version of the subject painted in 1868 (Amon Carter Museum, Fort Worth, Texas).

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• Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): An print on acrylic glass, which is sometimes referenced as a plexiglass print, transforms your favorite artwork into stunning wall décor and forms a great alternative to dibond and canvas prints. The artwork will be custom-made with the help of state-of-the-art UV print technology. With an acrylic glass fine art print contrasts as well as granular details will be more visible due to the very fine gradation. The real glass coating protects your selected fine art print against sunlight and heat for decades.
• Mbipụta kanvas: The printed canvas, which should not be mistaken with an artwork painted on a canvas, is a digital replica applied on a cotton canvas fabric. Canvas prints are relatively low in weight, which implies that it is easy to hang the Canvas print without the support of additional wall-mounts. Canvas prints are suitable for all types of walls.
• Mbipụta nke aluminom: These are metal prints on aluminium dibond with an outstanding depth. A non-reflective surface creates a modern look. A direct Aluminium Dibond Print is the ideal introduction to art replicas made on aluminum. For the Direct Aluminium Dibond print, we print your work of art right onto the surface of the aluminum. Colors are luminous and bright, details of the print are clear and crisp. This print on aluminium is the most popular entry-level product and is a truly contemporary way to showcase fine art reproductions, since it draws attention on the replica of the artwork.

Nkọwapụta ngwaahịa zuru ezu

Approaching Thunder Storm was created by Martin Johnson Heade. The original version was painted with the exact size: 28 x 44in (71,1 x 111,8cm) Framed: 42 1/2 × 58 3/8 × 5 in (108 × 148,3 × 12,7 cm) and was painted with the medium mmanụ na kwaaji. Ọ gụnyere na Ụlọ ihe ngosi nka nke Metropolitan mkpokọta nka. Nke a ngalaba ọha artpiece gụnyere na nkwanye ùgwù nke The Metropolitan Museum of Art, New York, Gift of Erving Wolf Foundation and Mr. and Mrs. Erving Wolf, in memory of Diane R. Wolf, 1975. Furthermore, the work of art has the creditline: Gift of Erving Wolf Foundation and Mr. and Mrs. Erving Wolf, in memory of Diane R. Wolf, 1975. Moreover, alignment of the digital reproduction is in odida obodo format ma nwee akụkụ nke 3: 2, nke pụtara na ogologo bụ 50% ogologo karịa obosara. Martin Johnson Heade was a male painter, traveller, whose style was mainly Realism. The Realist painter lived for a total of 85 years, born in 1819 in Lumberville, Bucks county, Pennsylvania, United States and passed away in the year 1904 in Saint Augustine, Saint Johns county, Florida, United States.

Nkwupụta iwu: We try in order to describe the art products as clearly as possible and to exhibit them visually in our shop. At the same time, the pigments of the printing material, as well as the printing might diverge marginally from the image on your device's screen. Depending on your screen settings and the quality of the surface, not all color pigments are printed one hundret percent realistically. Because all are printed and processed manually, there may also be minor deviations in the motif's size and exact position.

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