Nicolaes Maes, 1656 - The Lacemaker - ọmarịcha nka

Kedu ụdị akwụkwọ nka nka na-amasị gị?

N'ime ndetu ndetu ngwaahịa ị nwere ike họrọ nha na akụrụngwa nke gị. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:

• Mbipụta ọla (aluminium dibbond): This is a metal print manufactured on aluminium dibond material with an impressive effect of depth. A direct Aluminium Dibond Print is your best introduction to reproductions with aluminum.
• Mbipụta enyo acrylic: The acrylic glass print, often labelled as a plexiglass print, will turn your favorite original into brilliant wall decoration. Your artwork is being manufactured thanks to the help of state-of-the-art UV direct print machines. This makes vibrant, deep color shades. The major advantage of an acrylic glass fine art copy is that sharp contrasts as well as small artwork details become exposed due to the very fine tonal gradation.
• Poster (akwa akwa akwa): The poster is a UV printed sheet of flat cotton canvas with a fine structure on the surface, that reminds the actual masterpiece. It is qualified for putting the fine art print with the help of a custom-made frame. Please bear in mind, that depending on the size of the canvas poster print we add a white margin of approximately 2-6 cm around the work of art, which facilitates the framing with your custom frame.
• Mbipụta kwaaji: The printed canvas material stretched on a wood stretcher frame. A canvas generates the particular look of three-dimensionality. How do I hang a canvas print on my wall? Canvas Prints have the advantage of being low in weight, which means that it is easy and straightforward to hang your Canvas print without extra wall-mounts. Because of thata canvas print is suited for any kind of wall.

Ihe dị mkpa: We try the best we can to depict the products as closely as possible and to display them visually. Still, the pigments of the print products and the imprint might vary slightly from the representation on the device's monitor. Depending on your screen settings and the nature of the surface, not all color pigments can be printed as realistically as the digital version on this website. Bearing in mind that all art reproductions are processed and printed manually, there might also be minor variations in the size and exact position of the motif.

Ozi izizi gbasara nka sitere na webụsaịtị ihe ngosi nka (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)

Painted slightly after the artist’s Young Woman Peeling Apples, this scene reveals Maes’s increasing interest in anecdotal, domestic detail as he moved further out of Rembrandt’s shadow. Here, he shows a young mother absorbed in the meticulous work of lace-making, while her baby looks boldly out at the viewer from his high chair. As in many of Maes’s other works, the color red—on the mother’s bodice, baby’s hat, and tablecloth—provides a unifying element.

Ọ bụ onye na-ese ihe mere ihe osise a Nicolaes Maes n’afọ 1656. The version of the artwork measures the following size: 17 3/4 x 20 3/4 na (45,1 x 52,7 cm). Oil on canvas was applied by the European painter as the medium of the painting. Today, the artpiece can be viewed in in the digital art collection of The Metropolitan Museum of Art, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of - The Metropolitan Museum of Art, New York, The Friedsam Collection, Bequest of Michael Friedsam, 1931 (ikike ngalaba ọha). Ebe kredit nke ọrụ nka: Nchịkọta Friedsam, Arịrịọ nke Michael Friedsam, 1931. Ọzọkwa, nhazi nke mmepụta dijitalụ bụ odida obodo and has a ratio of 1.2 : 1, which implies that the length is 20% longer than the width. Nicolaes Maes was a painter, whose art style was primarily Baroque. The Dutch artist was born in the year 1634 na Dordrecht, South Holland, Netherlands na nwuru anwu mgbe ọ dị afọ 59 n'afọ 1693.

Data ndabere na mpempe nka izizi

Banyere akụkọ

Ozi izugbe na onye na-ese ihe

© echekwabara ikike nwebiisinka, Artprinta (www.artprinta.com)