Rembrandt van Rijn, 1651 - The Gust of Wind - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwa zuru oke sitere na webụsaịtị ihe ngosi nka (© - nke Statens Museum for Kunst (National Gallery of Denmark) - www.smk.dk)
Drawing. Pen, brown ink and brownish wash on parchment.
This drawing is not signed. Nor is it dated. Even so, no scholars of Dutch art have ever questioned that it was made by Rembrandt around the mid-17th century.
How can we know that the drawing is made by Rembrandt? Everything supports this theory: the mood, the style, the manner of the line, even though the brown ink has been applied to parchment, a highly unusual medium for the artist.
Among the approximately 1100 drawings attributed, more or less accurately, to Rembrandt, only four others were made on parchment. One of these (housed in Amsterdam) shows a view of the river Amstel seen from Blauwbrug. Like this drawing it has rounded top corners, but it is both longer and wider.
The two drawings share common features in terms of both technique and style, so it seems natural to view them as companion pieces: the open, light river landscape offset against the dense, dark group of trees that close around the cottages by the stream; morning and night.
The making of the drawing Before Rembrandt composed his nocturne featuring the unequal struggle between light and darkness, he must have toned his parchment with a light brown wash that conjures up an illusion of a cloudy sky at sunset. He then drew the scene itself.
Occasionally he would brighten up the darkest areas by scratching at the ink with the tip of his brush handle, laying bare the parchment below and allowing fresh bursts of light to break through – as though a breath of wind passes through the landscape.
Nkọwa ngwaahịa
The nka ochie work of art was painted by the baroque artist Rembrandt van Rijn. It belongs to the art collection of Statens Museum for Kunst (National Gallery of Denmark). We are delighted to reference that this ngalaba ọha work of art is being provided with courtesy of National Gallery of Denmark.The creditline of the artwork is: . In addition to this, the alignment is landscape with a ratio of 16 : 9, which means that the length is 78% longer than the width. Rembrandt van Rijn was a painter of Dutch nationality, whose art style was mainly Baroque. The painter lived for a total of 63 years, born in 1606 in Leiden and died in 1669 in Amsterdam.
Ihe ndị a na-ahọrọ
In the product dropdown selection you can choose a material and a size of your choice. Therefore, we allow you to choose among the following options:
- Mbipụta akwụkwọ mmado (akwa akwa akwa): The Artprinta poster print is a printed canvas with a slightly rough surface texture. Please note, that depending on the absolute size of the poster we add a white margin of something between 2-6cm around the artwork to facilitate the framing with your custom frame.
- Mbipụta kanvas: The printed canvas stretched on a wooden stretcher frame. Also, a printed canvas makes a homelike and warm impression. A canvas print has the advantage of being relatively low in weight, which means that it is easy and straightforward to hang the Canvas print without any wall-mounts. Hence, canvas prints are suitable for any type of wall in your house.
- Ihe odide acrylic glass: An acrylic glass print, which is often described as a print on plexiglass, will change your favorite original work of art into brilliant décor. What is more, the acrylic fine art print makes a viable alternative option to dibond and canvas fine art prints. Our acrylic glass protects your selected art replica against sunlight and heat for between 4 and 6 decades.
- Mbipụta aluminom (aluminium dibbond): An Aluminium Dibond print is a material with an impressive depth effect. The non-reflective surface structure make a fashionable look. The Direct Print on Aluminum Dibond is your ideal introduction to art prints manufactured on aluminum. Colors are bright and luminous, fine details are clear and crisp, and you can really feel the matte appearance of the surface. The UV print on Aluminum Dibond is the most popular entry-level product and is a truly modern way to showcase art, since it draws focus on the replica of the artwork.
Tebụl ozi omenkà
Ihe nkiri: | Rembrandt van Rijn |
Gender: | nwoke |
Obodo onye nka: | Dutch |
Ọrụ: | onye na-ese ihe |
Country: | mba netherland |
nhazi ọkwa: | nna ukwu ochie |
Ụdị nka: | Baroque |
Nwụrụ anwụ: | 63 afọ |
Afọ ọmụmụ: | 1606 |
Ebe omuma: | Leiden |
Afọ ọnwụ: | 1669 |
Ebe ọnwụ: | Amsterdam |
Nkọwa nka ahaziri
Aha ọrụ nka: | "The Gust of Wind" |
Nhazi nka nka: | sere |
Otu izugbe: | nka ochie |
Narị afọ nka: | 17th narị afọ |
Emepụtara n'afọ: | 1651 |
Afọ nka: | gbara afọ 360 |
Egosiputara na: | Statens Museum maka Kunst (National Gallery nke Denmark) |
Ebe ngosi nka: | Copenhagen, Denmark |
Weebụsaịtị ihe ngosi nka: | Statens Museum maka Kunst (National Gallery nke Denmark) |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | National Gallery nke Denmark |
Banyere akụkọ
Ụdị ngwaahịa: | ezi nka mmeputakwa |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Ihe ngosi: | emere na Germany |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Ngwaahịa were: | Ụlọ ihe osise nka, ihe ndozi ụlọ |
Ndepụta: | nhazi odida obodo |
Oke akụkụ: | ogologo: obosara 16:9 |
Akụkụ akụkụ pụtara: | ogologo bụ 78% ogologo karịa obosara |
Nhọrọ dị: | mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 90x50cm - 35x20", 180x100cm - 71x39" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 90x50cm - 35x20" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 90x50cm - 35x20" |
Mbipụta nke aluminom (ihe aluminom): | 90x50cm - 35x20" |
Nhazi nke nka nka: | enweghị etiti |
Legal disclaimer: We try all that we can to depict the products in as much detail as possible and to illustrate them visually. Please bear in mind that the pigments of the printed materials, as well as the printing might differ to a certain extent from the image on the device's monitor. Depending on your settings of your screen and the quality of the surface, not all color pigments are printed as realistically as the digital version shown here. Because all art reproductions are printed and processed by hand, there might as well be slight discrepancies in the motif's exact position and the size.
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