Odilon Redon, 1890 - Isi ihe atụ - mbipụta nka mara mma

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Maka mbipụta nka ọ bụla anyị na-enye nha & ihe dị iche iche. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:

• Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, which is often referred to as a plexiglass print, changes the original into marvellous décor. Moreover, the acrylic glass print makes a good alternative option to canvas or aluminium dibond art prints. The work of art will be manufactured thanks to the help of state-of-the-art UV direct printing machines. This creates impressive, vivid color tones.
• Mbipụta kwaaji: The UV printed canvas stretched on a wooden frame. A canvas print has the advantage of being low in weight, which implies that it is quite simple to hang up the Canvas print without any wall-mounts. A canvas print is suited for any kind of wall.
• Aluminom dibond mbipụta (ọla): This is a metal print manufactured on aluminium dibond with an impressive effect of depth. The Direct Print on Aluminum Dibond is the ideal introduction to art replicas produced with alu. For your Direct Print On Aluminum Dibond, we print your artpiece right on the surface of the white-primed aluminum material.
• Mbipụta akwụkwọ mmado (ihe kwaaji): Our poster is a printed sheet of canvas with a slightly roughened texture on the surface. Please keep in mind, that depending on the absolute size of the poster print we add a white margin between 2-6cm around the artwork in order to facilitate the framing with your custom frame.

Nkwupụta iwu: We try what we can to describe our products as clearly as possible and to showcase them visually on the various product detail pages. However, the pigments of the print materials, as well as the printing might differ somehwat from the presentation on your monitor. Depending on your settings of your screen and the quality of the surface, not all colors will be printed as realisitcally as the digital version. In view of the fact that the art prints are printed and processed by hand, there might as well be slight differences in the motif's exact position and the size.

Ozi nka ndị ọzọ sitere na museum (© - site na Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

One of Redon's favorite themes of the 1880s and 1890s was a human head depicted in profile. This motif came from his representations of severed heads, often carried aloft on wings, published in the artist's first album of prints, Dans le rêve (1879). In these images, the separation of the head from the body symbolizes the spirit released from the material world. It also suggests a metaphor for abandoning physical reality for the inner realm of dreams, fantasy, and poetic reverie. This painting conveys the idea of inward-turning vision by framing the head in a series of collapsing rectangles. Redon isolated the head even further by painting a horizontal rectangle or "ledge" over the lower part of the figure's body, which originally extended to the bottom edge of the composition. Conservation analysis confirms that the figure is a woman wearing a helmet and holding a green staff in her right hand. However, her exact identity is not known, largely because after altering the crest and other aspects of the helmet, Redon abandoned the painting in an unresolved state.

Eziokwu na-adọrọ mmasị banyere mbipụta nka nke eserese Symbolic Head

Symbolic Head bụ ihe nka onye omenkà sere Odilon Redon. E ji nha ya see nke mbụ ya: Nhazi: 69 x 54,5 x 7,5 cm (27 3/16 x 21 7/16 x 2 15/16 na); Emebereghị: 53,3 x 38 cm (21 x 14 15/16 na). Mmanụ dị n'akwụkwọ a na-agbanye na akwaaji was used by the French painter as the medium of the artwork. The original artwork was inscribed with the information: signed lower left: odilon redon. Artpiece dị n'ime Ụlọ ihe ngosi nka nke Cleveland digital collection, which is one of the leading museums worldwide that builds, preserves, studies, and shares its outstanding collections of art from all periods and parts of the world, generating new scholarship and understanding, while serving as a social and intellectual hub for its community. With courtesy of The Cleveland Museum of Art (license - public domain). Creditline of the artwork: Gift of the Mildred Andrews Fund. Ọzọkwa, nhazi nke mmepụta dijitalụ bụ Eserese ma nwee oke nke 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara. The illustrator, painter, sculptor, printmaker, lithographer Odilon Redon was a European artist from France, whose style was mainly Symbolism. The French artist was born in 1840 ma gafee na afọ nke 76 na 1916.

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