Jan Weenix, 1650 - Geelvoorhoofd parkiet (Bolborhyuchus aurifrons) - mbipụta nka mara mma.

Ngwa ihe ị nwere ike họrọ:

Maka mbipụta nka ọ bụla anyị na-enye ihe dị iche iche & nha. Ka ị kwekọọ n'ihe ị chọrọ nke ọma, ị nwere ike họrọ n'ime nhọrọ nhazi ngwaahịa ndị a:

• Mbipụta aluminom (aluminium dibbond): These are metal prints on aluminium dibond material with an outstanding depth. A direct Aluminium Dibond Print is your best start to art prints on aluminum. For our Direct Aluminium Dibond option, we print the selected artpiece right onto the surface of the white-primed aluminum. The white & bright parts of the original artpiece shimmer with a silk gloss, however without the glow. The colors are luminous and vivid, the fine details of the print are crisp and clear, and there’s a matte appearance that you can literally feel.
• Mpempe akwụkwọ ederede (akwa akwa akwa): The poster print is a printed canvas paper with a nice surface structure. A poster is ideally suited for framing the art replica in a custom-made frame. Please note, that depending on the size of the poster we add a white margin between 2-6cm around the painting, which facilitates the framing with a custom frame.
• Mbipụta kwaaji: The canvas print, not to be mistaken with a canvas painting, is a digital image printed from an industrial printing machine. The canvas generates a lively and positive atmosphere. Your printed canvas of this artpiece will let you turn your very own fine art print into a large collection piece like you would see in a gallery. Canvas Prints have the advantage of being relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without extra wall-mounts. Because of thatcanvas prints are suitable for all kinds of walls.
• Ugogbe acrylic ebipụtara: The acrylic glass print, often named a plexiglass print, changes the original work of art into amazing wall décor. With an acrylic glass fine art print contrasts plus granular color details become recognizeable thanks to the precise tonal gradation.

Ozi dị mkpa: We try our utmost to describe our art products as precisely as possible and to exhibit them visually on the different product detail pages. Nonetheless, the tone of the printed materials and the imprint might diverge slightly from the representation on the screen. Depending on your settings of your screen and the condition of the surface, color pigments can unfortunately not be printed as realistically as the digital version shown here. Considering that the are processed and printed manually, there might also be minor deviations in the motif's exact position and the size.

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In 1650 Jan Weenix mere ihe osise a na-akpọ "Geelvoorhoofd parkiet (Bolborhyuchus aurifrons)". Ihe osise a bụ nke mkpokọta nka Rijksmuseum. Site n'ikike nke - Rijksmuseum (ngalaba ọha): . Ọzọkwa, itinye n'ọnọdụ Eserese format with a side ratio of 3 : 4, which means that the length is 25% shorter than the width. The painter Jan Weenix was an artist, whose style can primarily be classified as Baroque. The Dutch artist was born in 1641 in Amsterdam, North Holland, Netherlands and passed away at the age of 78 na 1719 na Amsterdam, North Holland, Netherlands.

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