Richard Parkes Bonington, 1825 - Lelee nso Rouen - ọmarịcha akwụkwọ nka

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The 19th narị afọ mere nka site na Richard Parkes Bonington. The 190 artpiece dị afọ nwere nha: 11 x 13 n'ime (27,9 x 33 cm). Mmanụ na igwe igwe was applied by the European painter as the technique for the artwork. It belongs to the art collection of Museumlọ ihe ngosi nka nke Obodo in New York City, New York, Njikota Obodo Amerika. Obi dị anyị ụtọ ịkpọ nke a ngalaba ọha A na-etinye ihe osise na nkwanye ùgwù nke The Metropolitan Museum of Art, New York, Ịzụta, Onyinye nke Joanne Toor Cummings, site mgbanwe, 2001. : Purchase, Gift of Joanne Toor Cummings, by exchange, 2001. What is more, the alignment is in odida obodo usoro na nwere ihe oyiyi ruru nke 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara. The painter, lithographer Richard Parkes Bonington was a European artist, whose artistic style can be classified as Romanticism. The artist was born in 1802 in Arnold, Nottinghamshire, England, United Kingdom and passed away at the age of 26 in the year 1828.

Nkọwapụta nka nka izizi sitere na webụsaịtị ihe ngosi nka (© Nwebiisinka - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

As Bonington was born in England but received his training in France—with Antoine-Jean Gros—his work enjoys a place in the history of both British and French art. This small view, painted from the bank of the Seine opposite Rouen, was probably made in the late summer or autumn of 1825. Bonington had recently returned from London, where he fell under the spell of Constable and Turner, and where he encountered Delacroix and other French Romantic painters.

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For every art print we offer different materials and sizes. Choose your favorite material and size between the subsequent options:

• Bipụta akwụkwọ mmado n'ihe kwaaji: The poster is a printed cotton canvas with a nice structure on the surface, that reminds the actual version of the work of art. Please note, that depending on the absolute size of the poster we add a white margin of something between 2-6 cm around the work of art to facilitate the framing.
• Kwaaji: A canvas print is a printed canvas stretched on a wooden stretcher. A canvas of your favorite artpiece will provide you with the chance to transform your art print into a large work of art. Canvas Prints have the advantage of being low in weight, meaning that it is easy and straightforward to hang up the Canvas print without extra wall-mounts. Hence, canvas prints are suited for any kind of wall.
• Mbipụta aluminom (aluminium dibbond): This is a metal print made on aluminium dibond with an outstanding effect of depth. A direct Direct Print on Aluminum Dibond is the perfect start to the sophisticated world of art prints with aluminum. For the Print On Aluminum Dibond, we print your chosen artpiece onto the aluminium white-primed surface.
• Glass acrylic ebipụtara nwere mmetụta na-egbuke egbuke: The acrylic glass print, often named a plexiglass print, will change the original artwork into wall décor. In addition to that, the acrylic glass fine art print is a viable alternative option to canvas and aluminidum dibond fine art replicas. The acrylic glass protects your custom art print against light and external influences for between 4 and 6 decades.

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Nkwupụta iwu: We do our utmost in order to depict our products with as many details as possible and to demonstrate them visually in our shop. Nevertheless, the tone of the print materials, as well as the print result may vary to a certain extent from the representation on your device's monitor. Depending on your settings of your screen and the condition of the surface, not all colors are printed one hundret percent realistically. Given that all our art reproductions are processed and printed by hand, there may also be slight differences in the motif's size and exact position.

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