Joseph-Marie (l'Aîné) Vien, 1748 - eze nwanyị sultana - ọmarịcha nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
This over 270 year-old piece of art called queen sultana mere site Joseph-Marie (l'Aîné) Vien. Ụdị mbụ ahụ tụrụ nha nke Ogologo: 29,5 cm, obosara: 22,5 cm e jikwa nkà na-ese ihe Mmanụ, Akwụkwọ. Artpiece dị n'ime Petit Palais - Musée des Beaux-arts de la Ville de Paris nchịkọta. Site n'ikike nke - Petit Palais Paris (ikikere: ngalaba ọha).: . Kedu ihe ọzọ, nhazi ahụ bụ Eserese ma nwee oke onyonyo nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.
What does the Petit Palais - Musée des Beaux-arts de la Ville de Paris state about the artwork painted by Joseph-Marie (l'Aîné) Vien? (© - nke Petit Palais dere - Musée des Beaux-arts de la Ville de Paris - www.petitpalais.paris.fr)
This portrait is one of the residents of the Académie de France in Rome in his disguise Masquerade organized in 1748. The young man, dressed in Sultana, wears a turban impressive topped with feathers. This would involve the painter Louis Le Lorrain (1715-1759), first prize for painting in 1739.
The three painted studies of the Petit Palais were performed on the occasion of organized Masquerade by residents of the Académie de France in Rome during carnival 1748.Le theme of this event, lord of the caravan to Mecca, had was proposed by JM Vien. Drawings and engravings by boarders preserve the memory. Thus, there are 29 engravings Vien each representing a costumed character, a resident of disguised Academy.
Lorrain, Louis-Joseph
Portrait, Turban, Jewelry, Feather, costume party, costume - travesty, Orientalism, Sultan - Sultan
Ozi ahaziri na nka
Aha eserese: | "queen sultana" |
Nhazi: | sere |
Nhazi nka: | nka ochie |
Time: | 18th narị afọ |
Ekepụtara: | 1748 |
Afọ nka: | ihe karịrị 270 afọ |
Ihe osise izizi: | Mmanụ, Akwụkwọ |
Akụkụ izizi (ọrụ nka): | Ogologo: 29,5 cm, obosara: 22,5 cm |
Ụlọ ihe ngosi nka / mkpokọta: | Petit Palais - Musée des Beaux-arts de la Ville de Paris |
Ebe ngosi nka: | Paris, France |
Ibe weebụ: | Petit Palais - Musée des Beaux-arts de la Ville de Paris |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | Petit Palais Paris |
Onye na-ese ihe
Aha onye nka: | Joseph-Marie (l'Aîné) Vien |
Ọrụ: | onye na-ese ihe |
Otu nka: | nna ukwu ochie |
Ebe amụrụ onye: | Montpellier |
Obodo ọnwụ: | Paris |
Nhọrọ ihe enwere ike
Nchịkọta nhọrọ ngwaahịa na-enye gị ohere ịhọrọ ngwa na nha nke nhọrọ gị. Họrọ nha na ihe kacha amasị gị n'ime nhọrọ ndị a:
- Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster is a UV printed canvas with a fine surface structure. A poster print is suited for placing your art print in a custom-made frame. Please keep in mind, that depending on the size of the poster print we add a white margin between 2-6cm around the print motif to facilitate the framing with a custom frame.
- Mpempe iko acrylic na-egbuke egbuke: An acrylic glass print, which is often named as a plexiglass print, makes your favorite artwork into brilliant home decoration. Besides, the acrylic print forms a good alternative to dibond and canvas fine art prints. The acrylic glass protects your selected art print against light and heat for between 4 and six decades.
- Mbipụta kwaaji: A canvas print is a printed cotton canvas stretched on a wooden frame. A canvas has the exclusive impression of three-dimensionality. How do I hang a canvas on the wall? Canvas prints are relatively low in weight, which means that it is easy to hang your Canvas print without the support of additional wall-mounts. Canvas prints are suited for any kind of wall.
- Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a material with an impressive effect of depth - for a modern look and non-reflective surface. The Aluminium Dibond Print is your perfect introduction to the sophisticated world of fine art replicas made on aluminum.
Ngwaahịa a
Ụdị ngwaahịa: | ezi nka mmeputakwa |
Usoro mmeghari: | dijitalụ mmeputakwa |
Produzọ mmepụta: | UV kpọmkwem obibi |
Production: | arụpụtara na Germany |
Ụdị ngwaahịa: | a na-achọ |
Ihe eji eme atụmatụ: | nchịkọta nka (mmeputakwa), imewe ụlọ |
Nhazi: | nhazi ihe osise |
Oke akụkụ onyonyo: | ogologo ruo obosara 3: 4 |
Ntụgharị nkọwa akụkụ akụkụ: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Nhọrọ akụrụngwa: | ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Kanvas n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Mbipụta aluminom (aluminium dibond ihe) nha dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Igwe onyonyo: | mmeputakwa na-enweghị isi |
Nkwupụta iwu: We try our utmost to describe our products as precisely as possible and to illustrate them visually on the respective product detail pages. Nevertheless, the tone of the printed materials, as well as the print result may diverge to a certain extent from the image on your monitor. Depending on the screen settings and the condition of the surface, not all color pigments will be printed as realistically as the digital version on this website. Given that our art reproductions are processed and printed manually, there may also be slight differences in the size and exact position of the motif.
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