Georges Seurat, 1882 - Onye na-akọ ubi - mbipụta nka mara mma

Nkọwa nka nka izizi dị ka ụlọ ngosi nka weputara (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)

Although Seurat is best known for his scenes of urban life, many of his paintings of 1881–84 depict rural laborers and landscapes. He initially favored an earth-toned palette reminiscent of the work of earlier painters of the countryside, such as Jean-François Millet. However, the bright hues of this picture reflect Seurat’s growing interest in Impressionist techniques and his reading of treatises on color, especially the American Ogden Rood’s Modern Chromatics (published in English in 1879, and in French in 1881).

What you should know this artwork by the Pointilist painter named Georges Seurat

In 1882 Georges Seurat made the 19th century work of art Onye na-akọ ubi. Nke kariri 130 Original dị afọ nwere nha: 6 1/4 x 9 3/4 na (15,9 x 24,8 cm). Mmanụ na osisi was applied by the European painter as the technique for the work of art. What is more, the piece of art can be viewed in in the collection of Museumlọ ihe ngosi nka nke Obodo. Nkà ọgbara ọhụrụ ngalaba ọha a na-enye ihe osise site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Arịrịọ nke Miss Adelaide Milton de Groot (1876–1967), 1967. Creditline of the artwork: Bequest of Miss Adelaide Milton de Groot (1876–1967), 1967. On top of that, alignment is in odida obodo format ya na oke onyonyo nke 3: 2, which means that the length is 50% longer than the width. Georges Seurat was a male painter, drawer, whose style can mainly be classified as Pointillism. The French artist lived for a total of 32 afọ, born in the year 1859 in Paris, Ile-de-France, France and deceased in the year 1891.

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N'ime ndetu ndetu dị n'akụkụ akụkọ ị nwere ike ịhọrọ nha na ihe gị n'otu n'otu. Nha na ihe ndị a bụ nhọrọ anyị na-enye gị maka nkeonwe:

• Mbipụta kwaaji: A printed canvas, not to be mistaken with a painting on a canvas, is a digital replica applied on a canvas fabric. A canvas creates a unique impression of three dimensionality. Furthermore, a printed canvas creates a nice and pleasing impression. Canvas prints are relatively low in weight, which means that it is quite simple to hang up your Canvas print without the help of additional wall-mounts. Hence, a canvas print is suited for any kind of wall in your house.
• Mbipụta nke aluminom: Aluminium Dibond prints are metal prints with a true depth effect. The non-reflective surface structure creates a fashionable look. The Aluminium Dibond Print is the perfect start to fine art replicas manufactured with aluminum. For our Print On Aluminum Dibond, we print the chosen work of art on the aluminium white-primed surface. The UV print on Aluminum Dibond is the most popular entry-level product and is an extremely modern way to display fine art reproductions, as it draws focus on the image.
• Mbipụta akwụkwọ mmado (ihe kwaaji): A poster print is a printed canvas paper with a slight surface structure. It is excellently qualified for framing your art replica with the help of a special frame. Please note, that depending on the absolute size of the poster print we add a white margin 2-6cm round about the artwork in order to facilitate the framing with a custom frame.
• Mbipụta enyo acrylic: An print on acrylic glass, often described as a plexiglass print, will turn your favorite original work of art into brilliant décor. The work of art is manufactured with state-of-the-art UV direct print machines. It creates sharp and rich colors. The major upside of a plexiglass fine art print is that contrasts and small painting details will be more recognizeable because of the precise gradation in the picture. The plexiglass protects your custom fine art print against light and external influences for between 40-60 years.

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Ederede iwu dị mkpa: We try what we can in order to depict our art products as precisely as possible and to illustrate them visually on the respective product detail pages. At the same time, the colors of the printing material, as well as the printing can differ somehwat from the presentation on the device's screen. Depending on your screen settings and the nature of the surface, colors may not be printed as realisitcally as the digital version shown here. Because the fine art prints are printed and processed by hand, there might also be minor differences in the motif's size and exact position.

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