Rembrandt van Rijn, 1630 - Ndị njem na-ezu ike (Ndị fọdụrụ na ụgbọ elu banye Egypt) - mbipụta nka mara mma.

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The nka ochie eserese a na-akpọ Travellers Resting (The Rest on the Flight into Egypt) e kere site n'aka nna ukwu baroque Rembrandt van Rijn in 1630. The original version measures the size: height: 38 cm width: 33,7 cm | height: 15 in width: 13,3 in. Oil on paper on panel was used by the artist as the medium of the painting. The original painting has the following inscription: bears signature: Rembrandt. f.. Nowadays, this artpiece is in the the Mauritshuis's digital art collection, which is located in Hague, South Holland, Netherlands. The nka ochie artpiece, nke bụ akụkụ nke ngalaba ọha a na-enye ya site n'ikike nke Maurithuis, Hague. Ebe kredit nke ọrụ nka: Chevalier Antoine de la Roque, Paris; his sale, Paris, April 1745 (Lugt 619), no. 65 (as Rembrandt School; to ‘Nelson’ for 96 livres, together with Rembrandt’s 'The Artist at his Studio', Boston, Museum of Fine Arts, acc. no. 38.1838); Susan Elizabeth Buller, Countess of Morton, Old Hall (Suffolk); her sale, London, 27 April 1850 (Lugt 19829), no. 13 (as Rembrandt; 16 pounds, 5 shillings and 6 pennies); W. Howgate, Leeds, in or before 1894; purchased, 1894 (for 620 guilders); on long-term loan to Museum De Lakenhal, Leiden (inv. no. B 1493), since 2009. Ọzọkwa, itinye n'ọnọdụ dị na eserese format na nwere akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The painter Rembrandt van Rijn was a European artist from the Netherlands, whose art style can mainly be classified as Baroque. The Dutch artist lived for a total of 63 afọ and was born in the year 1606 in Leiden and died in 1669.

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Maka ngwaahịa ọ bụla anyị na-enye ụdị nha na ihe dị iche iche. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:

• Mbipụta aluminom (aluminium dibbond): These are metal prints on aluminium dibond with an impressive depth effect. The Direct Print on Aluminum Dibond is the perfect introduction to fine art replicas on aluminum. Colors are luminous and vivid, fine details are clear and crisp.
• Mbipụta kwaaji: A UV printed canvas stretched on a wooden stretcher frame. It has a typical impression of three dimensionality. The great advantage of canvas prints is that they are relatively low in weight, which means that it is easy to hang up the Canvas print without extra wall-mounts. A canvas print is suitable for all types of walls.
• Mbipụta enyo acrylic: An acrylic glass print, which is often labelled as a print on plexiglass, will convert your favorite artwork into magnificient décor. Further, it forms a good alternative option to aluminium and canvas fine art replicas. The artwork will be manufactured with state-of-the-art UV print machines. With an acrylic glass fine art print sharp contrasts and also smaller image details become recognizeable because of the fine gradation in the picture. Our real glass coating protects your custom art replica against sunlight and heat for many years to come.
• Mpempe akwụkwọ ederede (akwa akwa akwa): Our poster is a UV printed canvas with a slight finish on the surface, which resembles the original masterpiece. It is perfectly qualified for putting your art print using a personal frame. Please keep in mind, that depending on the size of the poster print we add a white margin of approximately 2-6cm round about the print motif, which facilitates the framing with your custom frame.

Ihe dị mkpa: We try our utmost to depict our art products as accurately as we can and to display them visually in our shop. At the same time, the tone of the print materials, as well as the printing may differ to a certain extent from the representation on the screen. Depending on the settings of your screen and the quality of the surface, color pigments can unfortunately not be printed one hundret percent realistically. In view of the fact that all art prints are printed and processed by hand, there might also be slight deviations in the size and exact position of the motif.

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Supplemental information from the museum's website (© Copyright - Mauritshuis - Maurithuis)

Chevalier Antoine de la Roque, Paris; his sale, Paris, April 1745 (Lugt 619), no. 65 (as Rembrandt School; to ‘Nelson’ for 96 livres, together with Rembrandt’s 'The Artist at his Studio', Boston, Museum of Fine Arts, acc. no. 38.1838); Susan Elizabeth Buller, Countess of Morton, Old Hall (Suffolk); her sale, London, 27 April 1850 (Lugt 19829), no. 13 (as Rembrandt; 16 pounds, 5 shillings and 6 pennies); W. Howgate, Leeds, in or before 1894; purchased, 1894 (for 620 guilders); on long-term loan to Museum De Lakenhal, Leiden (inv. no. B 1493), since 2009