Rembrandt van Rijn, 1632 - Eserese nke nwoke - mbipụta nka mara mma

Nbipụta nka mara mma nke onwe gị

Nke a gafee 380 afọ masterpiece akpọrọ Eserese nke nwoke onye omenkà Dutch mere ya Rembrandt van Rijn n’afọ 1632. The 380 years old version of the masterpiece was painted with the size Oval, 29 3/4 x 20 1/2 inch (75,6 x 52,1 cm). Oil on wood was applied by the Dutch artist as the technique for the painting. It forms part of the digital art collection of Museumlọ ihe ngosi nka nke Obodo - Ụlọ ihe ngosi nka bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị ukwuu na nke kachasị mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka na-agbatị puku afọ ise nke omenala ụwa, site na prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa .. Site n'ikike nke: The Metropolitan Museum of Art, New York, Gift of Mrs. Lincoln Ellsworth, in memory of Lincoln Ellsworth, 1964 (ọha na eze). The creditline of the artwork is: Gift of Mrs. Lincoln Ellsworth, in memory of Lincoln Ellsworth, 1964. Moreover, alignment is portrait with a side ratio of 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. The painter Rembrandt van Rijn was an artist, whose artistic style can mainly be attributed to Baroque. The Dutch painter was born in 1606 na Leiden ma nwụọ mgbe ọ dị afọ 63 n'afọ 1669.

What does the original description of the The Metropolitan Museum of Art say about this 17th century work of art painted by Rembrandt van Rijn? (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

Painted just after Rembrandt’s arrival in Amsterdam, this well-preserved portrait reveals the talent that enabled the young artist to quickly make a name for himself in the Dutch Republic’s largest and most artistically competitive city. The oval format was fashionable at the time, and the linen folds of the man’s ruff offered Rembrandt the chance to display his signature vigorous brushwork. Nothing is known about the man’s identity, and the inscription giving his age as forty is most likely by a later hand.

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• Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a material with an impressive effect of depth. The Direct Print on Aluminum Dibond is the ideal introduction to art replicas on alu.
• Akwụkwọ mmado na ihe kwaaji: The poster print is a printed flat cotton canvas with a slight surface structure. A poster print is suited for putting your fine art print using a custom-made frame. Please bear in mind, that depending on the size of the poster print we add a white margin of approximately 2-6cm round about the print, which facilitates the framing with a custom frame.
• Mbipụta kwaaji: The canvas direct print is a printed cotton canvas mounted on a wood frame. Besides, canvas produces a charming and enjoyable feeling. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without additional wall-mounts. Canvas prints are suitable for any kind of wall.
• Mbipụta enyo acrylic: An print on acrylic glass, which is sometimes denoted as a print on plexiglass, transforms the artwork into lovely décor. In addition to that, the acrylic glass art print is a great alternative option to aluminium or canvas prints. Your own copy of the work of art will be custom-made with modern UV direct print technology. Our acrylic glass protects your chosen fine art print against light and external influences for many more years to come.

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