Rembrandt van Rijn, 1632 - Mwepu nke Europe - mbipụta nka mara mma

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What does the The J. Paul Getty Museum state about this 17th century artwork made by Rembrandt van Rijn? (© Nwebiisinka - Ụlọ ihe ngosi nka J. Paul Getty - Ụlọ ihe ngosi nka nke J. Paul Getty)

In the Metamorphoses, the ancient Roman poet Ovid told a story about the god Jupiter, who disguised himself as a white bull in order to seduce the princess Europa away from her companions and carry her across the sea to the distant land that would bear her name.

During his long career Rembrandt rarely painted mythological subjects. Here he conveys a narrative story through dramatic gesture and visual effects. Bewildered, Europa grasps the bull's horn, digs her fingers into his neck, and turns back to look at her companions on the water's edge. One young woman falls to the ground and raises her arms in alarm, dropping the flower garland intended for the bull's neck into her lap, while her friend clasps her hands in consternation and watches helplessly. The carriage driver above rises to his feet and stares at the departing princess in horror. In the background, a city shrouded in mist extends along the horizon, perhaps serving as an allusion to the ancient city of Tyre as well as to contemporary Amsterdam.The dark thicket of trees to the right contrasts with the pink and blue regions of the sea and sky. Sunlight breaks through the clouds and reflects off the water, but the sky behind the trees is dark and foreboding.

A master of visual effects, Rembrandt took pleasure in describing the varied textures of sumptuous costumes and glittering gold highlights on the carriage and dresses.

Ihe osise The Abduction of Europa created by the Baroque painter Rembrandt van Rijn ka akwụkwọ nka ọhụrụ gị

The nka ochie ihe nka kere site na Dutch onye na-ese ihe Rembrandt van Rijn in 1632. The version of the masterpiece had the size: 64,6 x 78,7 cm and was painted with the medium oil on single oak panel. Besides, this artpiece is in the the collection of The J. Paul Getty Museum in Los Angeles, California, United States of America. The classic art ngalaba ọha a na-enye masterpiece site n'ikike nke Ụlọ ihe ngosi nka nke J. Paul Getty.: . Furthermore, alignment of the digital reproduction is landscape and has a side ratio of 4 : 3, meaning that ogologo bụ 33% ogologo karịa obosara. Rembrandt van Rijn was a male painter from the Netherlands, whose style can be classified as Baroque. The Baroque painter lived for a total of 63 years and was born in 1606 in Leiden and passed away in the year 1669.

Nhọrọ ihe dị

Maka ngwaahịa ọ bụla anyị na-enye ihe dị iche iche dị iche iche na nha. Nhọrọ ndị a dị maka n'otu n'otu:

  • Bipụta na iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often referred to as a print on plexiglass, will turn your favorite original artwork into beautiful home decoration. With an acrylic glass fine art print sharp contrasts and also smaller image details become more recognizeable thanks to the very fine tonal gradation. Our acrylic glass protects your custom art replica against light and heat for between 40-60 years.
  • Akwụkwọ mmado na ihe kwaaji: Our poster print is a printed flat canvas paper with a slightly rough texture on the surface. It is used for putting your fine art print with the help of a custom-made frame. Please bear in mind, that depending on the size of the poster print we add a white margin between 2-6cm round about the work of art in order to facilitate the framing with your custom frame.
  • Mbipụta kanvas: The printed canvas material stretched on a wood frame. Your printed canvas of this work of art will let you turn your new art print into a large collection piece. Canvas prints are relatively low in weight, which means that it is easy to hang your Canvas print without extra wall-mounts. Canvas prints are suited for all types of walls.
  • Mbipụta nke aluminom: This is a metal print manufactured on aluminium dibond material with a true depth, creating a modern look thanks to a surface , which is non-reflective. The bright and white parts of the work of art shimmer with a silky gloss, however without glare.

Banyere omenka

Aha onye nka: Rembrandt van Rijn
okike onye nka: nwoke
Obodo onye nka: Dutch
Ọrụ nke onye na-ese ihe: onye na-ese ihe
Obodo obibi: mba netherland
nhazi ọkwa: nna ukwu ochie
styles: Baroque
Nwụrụ na afọ nke: 63 afọ
Amụrụ n'afọ: 1606
Ebe omuma: Leiden
Nwụrụ n'afọ: 1669
Nwuru na (ebe): Amsterdam

Ozi ndabere na ọrụ nka mbụ

Akụkụ nka: "The Abduction of Europa"
nhazi ọkwa: sere
Okwu mkpokọta: nka ochie
oge: 17th narị afọ
Emepụtara na: 1632
Ogologo afọ nka nka: karịa afọ 380
Usoro nka izizi: oil on single oak panel
Nha ihe osise izizi: 64,6 x 78,7 cm
Ụlọ ihe ngosi nka: Ụlọ ihe ngosi nka nke J. Paul Getty
Ebe ngosi nka: Los Angeles, California, Njikota Obodo Amerika
Dị n'okpuru: Ụlọ ihe ngosi nka nke J. Paul Getty
License: ngalaba ọha
Site n'aka: Ụlọ ihe ngosi nka nke J. Paul Getty

Nkọwapụta ngwaahịa

Bipụta ngwaahịa: ọmarịcha nka
Usoro mmeghari: mmeputakwa n'ụdị dijitalụ
Produzọ mmepụta: UV kpọmkwem obibi
Mmalite ngwaahịa: emepụtara na Germany
Ụdị ngwaahịa: na mmepụta ihe
A na-atụ aro iji ngwaahịa eme ihe: foto mgbidi, mgbidi gallery
Nhazi nke ihe nka: usoro odida obodo
Oke akụkụ onyonyo: 4: 3 - ( Ogologo: obosara)
Nkọwa nke oke ihe onyonyo a: ogologo bụ 33% ogologo karịa obosara
Nhọrọ dị: Mpempe iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kwaaji.
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha dị iche iche: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Nhọrọ ebipụta aluminom: 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35"
Igwe onyonyo: biko chere na mmeputakwa a enweghi etiti

Ederede iwu dị mkpa: We try what we can in order to depict our products with as many details as possible and to demonstrate them visually. At the same time, the tone of the printed materials and the print result might diverge slightly from the representation on your device's monitor. Depending on the screen settings and the nature of the surface, not all colors will be printed one hundret percent realistically. Considering that all our art reproductions are processed and printed manually, there might also be slight differences in the motif's exact position and the size.

© Nwebiisinka - ikike ọgụgụ isi nke - Artprinta (www.artprinta.com)

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