Rembrandt van Rijn, 1633 - Bellona - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
What does the The Metropolitan Museum of Art write about the 17th century artwork painted by Rembrandt van Rijn? (© Copyright - by The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)
Typical of Rembrandt’s domestication of ancient myth, this depiction of the Roman goddess of war may have reflected the Dutch readiness for conflict during the Eighty Years’ War with Spain. Rather than reaching for an idealized source in ancient sculpture, Rembrandt based his depiction of the deity on a contemporary woman. The glittering surfaces of Bellona’s armor and fearsome shield allowed the young painter to give a bravura display of his skill.
Ozi ọrụ nka
Iberibe aha nka: | "Bellona" |
Nhazi nke ihe nka: | sere |
Okwu nche anwụ: | nka ochie |
oge: | 17th narị afọ |
Emepụtara n'afọ: | 1633 |
Ogologo afọ nka nka: | gbara afọ 380 |
Ọkara nke ihe osise izizi: | mmanụ na kwaaji |
Akụkụ izizi: | 50 x 38 3/8 na (127 x 97,5 cm) |
Ụlọ ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, mkpokọta Friedsam, Arịrịọ nke Michael Friedsam, 1931 |
Ebe E Si Nweta: | Nchịkọta Friedsam, Arịrịọ nke Michael Friedsam, 1931 |
Banyere omenka
Aha onye nka: | Rembrandt van Rijn |
Gender: | nwoke |
Nationality: | Dutch |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Country: | mba netherland |
nhazi ọkwa: | nna ukwu ochie |
Ụdị nka: | Baroque |
Afọ ọnwụ: | 63 afọ |
Afọ ọmụmụ: | 1606 |
Ebe omuma: | Leiden |
Afọ nwụrụ: | 1669 |
Ebe ọnwụ: | Amsterdam |
Banyere edemede a
Ụdị edemede: | mmepụta nka |
Usoro mmeghari: | dijitalụ mmeputakwa |
Production usoro: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Mmalite nke ngwaahịa a: | Germany |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Ngwaahịa were: | ụlọ mmepụta ihe nka, foto mgbidi |
Nhazi nka nka: | usoro eserese |
Njikwa oyiyi: | 3: 4 |
Oke onyonyo pụtara: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Nhọrọ ihe onwunwe: | Mpempe akwụkwọ mmado (akwụkwọ kwaaji), mbipụta kanvas, mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) nhọrọ nha: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Nhọrọ nke mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nha aluminom dibond (ihe aluminom) nha: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Igwe onyonyo: | mbipụta nka na-enweghị isi |
Ngwa ngwaahịa ndị ahịa anyị nwere ike ịhọrọ
Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Nhọrọ ndị a dị maka n'otu n'otu:
- Akwụkwọ mmado na ihe kwaaji: The Artprinta poster print is a printed canvas with a granular surface finish. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin between 2-6cm around the print motif in order to facilitate the framing with a custom frame.
- Mbipụta iko acrylic na-egbuke egbuke: A glossy print on acrylic glass, often named a UV print on plexiglass, will convert the original artwork into brilliant wall décor. In addition to that, it offers a viable alternative option to dibond and canvas art prints. The plexiglass with real glass coating protects your custom fine art print against sunlight and heat for decades.
- Aluminom dibond mbipụta (ọla): An Aluminium Dibond print is a print with a true depth effect - for a modern impression and a non-reflective surface. This UV print on aluminium is the most popular entry-level product and is a truly sophisticated way to showcase fine art prints, since it draws attention on the image.
- Mbipụta kanvas: A UV printed canvas stretched on a wood stretcher frame. A canvas creates the special effect of three dimensionality. Besides, canvas print creates a familiar, enjoyable appearance. Canvas Prints have the advantage of being relatively low in weight, which means that it is easy to hang up your Canvas print without the help of any wall-mounts. Hence, canvas prints are suitable for any kind of wall.
Nkọwapụta ngwaahịa zuru ezu
In 1633 onye omenkà Rembrandt van Rijn kere kpochapụwo nka nka Bellona. Ihe gafere 380 afọ mbụ version jikoro size nke 50 x 38 3/8 na (127 x 97,5 cm) e jikwa ya see ya mmanụ na kwaaji. N'ịga n'ihu, agụnyere ihe osise a n'ime Ụlọ ihe ngosi nka nke Metropolitan digital collection located in New York City, New York, United States of America. With courtesy of The Metropolitan Museum of Art, New York, The Friedsam Collection, Bequest of Michael Friedsam, 1931 (ikike ngalaba ọha). The creditline of the artwork is the following: The Friedsam Collection, Bequest of Michael Friedsam, 1931. Besides this, the alignment is Eserese ya na oke nke 3: 4, meaning that the length is 25% shorter than the width. Rembrandt van Rijn was a male painter, whose artistic style can be classified as Baroque. The European painter lived for a total of 63 afọ - born in the year 1606 in Leiden and died in 1669 in Amsterdam.
Ihe dị mkpa: We try whatever we can in order to depict our products with as many details as we can and to illustrate them visually. Nevertheless, the colors of the print materials, as well as the printing can vary marginally from the representation on the monitor. Depending on your screen settings and the quality of the surface, not all colors are printed 100% realistically. Bearing in mind that all our art reproductions are processed and printed manually, there might as well be slight discrepancies in the motif's size and exact position.
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