Rembrandt van Rijn, 1658 - Sọl na David - ọmarịcha nka

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The masterpiece was painted by the male painter Rembrandt van Rijn. Ihe osise a tụrụ nha - elu: 130 cm obosara: 164,5 cm | elu: 51,2 n'obosara: 64,8 inch and was painted with the techinque of oil on canvas. This artpiece belongs to the Ndị Maurithuis digital collection, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. With courtesy of Mauritshuis, The Hague (nwere ikike: ngalaba ọha). Creditline of the artwork: Victor de Riquet, Duke of Caraman, Paris, before 1830; Didot de Saint-Marc Collection, Paris, 1835-1863; Alphonse Audry, Paris, 1863-1869; [Alexis-Joseph] Febure, Paris, c.1870; Durand-Ruel Gallery, Paris; Albert, Baron von Oppenheim, Cologne, 1876; Philippe George, Ay near Epernay, before 1890; Durand-Ruel Gallery, Paris, 1890-1898; Abraham Bredius, The Hague, 1898-1946 (on long-term loan to the Mauritshuis since 1898); bequest of Abraham Bredius, 1946. On top of that, alignment of the digital reproduction is in odida obodo format na a akụkụ ruru nke 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara. The painter Rembrandt van Rijn was a European artist from the Netherlands, whose art style was mainly Baroque. The European artist lived for 63 afọ, amuru na afo 1606 na Leiden wee nwụọ na 1669 na Amsterdam.

(© Nwebiisinka - nke Mauritshuis - Maurithuis)

Victor de Riquet, Duke of Caraman, Paris, before 1830; Didot de Saint-Marc Collection, Paris, 1835-1863; Alphonse Audry, Paris, 1863-1869; [Alexis-Joseph] Febure, Paris, c.1870; Durand-Ruel Gallery, Paris; Albert, Baron von Oppenheim, Cologne, 1876; Philippe George, Ay near Epernay, before 1890; Durand-Ruel Gallery, Paris, 1890-1898; Abraham Bredius, The Hague, 1898-1946 (on long-term loan to the Mauritshuis since 1898); bequest of Abraham Bredius, 1946

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• Bipụta na iko acrylic na-egbuke egbuke: The acrylic glass print, which is sometimes described as a plexiglass print, transforms the original into décor. Beyond that, it offers a good alternative option to dibond or canvas fine art prints. With an acrylic glass art print sharp contrasts and granular artwork details become exposed thanks to the fine gradation. The plexiglass with real glass coating protects your custom art print against light and heat for between 4 and six decades.
• Aluminom dibond (ọkpụkpụ ọla): This is a metal print made on alu dibond material with an impressive depth. Its non-reflective surface structure creates a fashionable look. For your Print On Aluminum Dibond, we print your favorite artwork right on the surface of the white-primed aluminum composite. The bright & white parts of the original artwork shimmer with a silky gloss, however without the glare. The colors are luminous, details of the print appear crisp and clear.
• Mbipụta kanvas: A canvas print is a printed canvas stretched on a wood stretcher. A canvas produces a exclusive impression of three-dimensionality. Besides, printed canvas produces a lovely and warm impression. Canvas prints are relatively low in weight, which means that it is quite simple to hang up your Canvas print without additional wall-mounts. A canvas print is suited for any kind of wall.
• Akwụkwọ mmado ebipụtara (ihe kwaaji): The poster print is a UV printed cotton canvas paper with a slightly rough texture on the surface. A poster print is optimally suited for placing your fine art print with a special frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of approximately 2-6 cm round about the print, which facilitates the framing.

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Important legal note: We try our best to depict our products as accurate as it is possible and to display them visually in our shop. Nevertheless, the colors of the print materials, as well as the printing might vary marginally from the representation on the screen. Depending on the settings of your screen and the nature of the surface, not all colors are printed as realistically as the digital version on this website. Bearing in mind that the fine art prints are printed and processed manually, there may as well be minor differences in the motif's exact position and the size.

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