Rembrandt van Rijn, 1700 - Ọmụmụ nwanyị ochie - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwapụta nka dị ka enyere site na ụlọ ngosi nka (© Nwebiisinka - Mauritshuis - www.mauritshuis.nl)
De Angelis sale, Brussels, 15 September 1763, lot 10; Boijmans sale, Utrecht, 31 August 1811, lot 79; C.J.H. Franssen, Grubbenvorst, 1890; Abraham Bredius, The Hague, 1890-1946 (on long-term loan to the Mauritshuis, since 1890); bequest of Abraham Bredius, 1946
Iberibe ozi ndabere nka
Akụkụ nka: | "Study of an Old Woman" |
Nhazi: | sere |
Okwu nche anwụ: | nka ochie |
Century: | 18th narị afọ |
Emepụtara n'afọ: | 1700 |
Afọ nka: | ihe karịrị 320 afọ |
Usoro izizi: | mmanụ na panel |
Akụkụ nke nka nka izizi: | elu: 18,4 cm obosara: 14 cm |
Egosiputara na: | Maurithuis |
Ebe ebe ngosi nka: | Hague, South Holland, Netherlands |
website: | Maurithuis |
Ikikere nke ihe osise: | ngalaba ọha |
Site n'aka: | Maurithuis, Hague |
kreditline ọrụ nka: | De Angelis sale, Brussels, 15 September 1763, lot 10; Boijmans sale, Utrecht, 31 August 1811, lot 79; C.J.H. Franssen, Grubbenvorst, 1890; Abraham Bredius, The Hague, 1890-1946 (on long-term loan to the Mauritshuis, since 1890); bequest of Abraham Bredius, 1946 |
Nchịkọta dị mkpirikpi nke onye na-ese ihe
Aha onye nka: | Rembrandt van Rijn |
okike nke onye nka: | nwoke |
Nationality: | Dutch |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Mba onye si: | mba netherland |
Otu nka: | nna ukwu ochie |
Ụdị nke onye na-ese ihe: | Baroque |
Ndụ: | 63 afọ |
A mụrụ: | 1606 |
Ebe amụrụ onye: | Leiden |
Nwuru: | 1669 |
Nwuru na (ebe): | Amsterdam |
Ozi ihe ahaziri ahazi
Bipụta ngwaahịa: | ezi nka mmeputakwa |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | UV kpọmkwem obibi |
Mmalite nke ngwaahịa a: | German mmepụta |
Ụdị ngwaahịa: | na mmepụta ihe |
Eji ngwaahịa a chọrọ: | ụlọ mmepụta ihe nka, ụlọ akwụkwọ nka |
Ndozi onyonyo a: | nhazi ihe osise |
Oke akụkụ: | 3: 4 |
Nkọwa: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Nhọrọ ihe: | Mbipụta iko acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nhọrọ Dibond (ihe alumnium) nhọrọ: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Nhazi mmeputa nka nka: | agunyeghi |
Họrọ ihe ị chọrọ
Anyị na-enye ụdị dị iche iche nha na ihe maka ngwaahịa ọ bụla. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:
- Mbipụta akwụkwọ mmado (ihe kwaaji): Our poster is a printed sheet of flat canvas with a slightly roughened structure on the surface. A printed poster is particularly suited for framing your fine art print in a special frame. Please note, that depending on the absolute size of the poster print we add a white margin of approximately 2-6cm around the print to facilitate the framing with a custom frame.
- Ugogbe acrylic ebipụtara: The print on acrylic glass, which is often referred to as a UV print on plexiglass, transforms your favorite original artwork into stunning home decoration. Above all, it is a great alternative to dibond or canvas fine art prints. Your favorite work of art is made with modern UV print technology. The great advantage of an acrylic glass fine art print is that contrasts as well as artwork details become more identifiable with the help of the fine tonal gradation in the picture.
- Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a material with an impressive depth effect. Its non-reflective surface creates a fashionable impression. The Direct Print on Aluminum Dibond is the best introduction to the sophisticated world of art prints produced with aluminum. The bright & white parts of the artpiece shimmer with a silky gloss but without glow. This direct UV print on aluminium is the most popular entry-level product and is an extremely contemporary way to showcase fine art prints, because it puts 100% of the viewer’s attention on the image.
- Kwaaji: The canvas print is a printed canvas stretched on a wood stretcher. The advantage of canvas prints is that they are relatively low in weight. This means, it is easy to hang up the Canvas print without any wall-mounts. That is why, canvas prints are suitable for all kinds of walls.
Summary of the art print "Study of an Old Woman"
Ọmụmụ Nwanyị Agadi ka nwoke sere ya Dutch painter Rembrandt van Rijn. The beyond 320 year old original had the size - height: 18,4 cm width: 14 cm | height: 7,2 in width: 5,5 in. Mmanụ na panel was used by the Dutch painter as the medium of the piece of art. The artwork is included in the digital collection of Mauritshuis, which the Mauritshuis is home to the best artworks of Dutch painting of the seventeenth century. The nka ochie masterpiece, nke bụ nke ngalaba ọha a gụnyere ya na nkwanye ùgwù nke Maurithuis, Hague. Ebe kredit nke ọrụ nka: De Angelis sale, Brussels, 15 September 1763, lot 10; Boijmans sale, Utrecht, 31 August 1811, lot 79; C.J.H. Franssen, Grubbenvorst, 1890; Abraham Bredius, The Hague, 1890-1946 (on long-term loan to the Mauritshuis, since 1890); bequest of Abraham Bredius, 1946. Ọzọkwa, itinye n'ọnọdụ nke mmepụta dijitalụ bụ Eserese ma nwee oke nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara. Rembrandt van Rijn was a male painter, whose artistic style can be attributed mainly to Baroque. The Baroque artist was born in the year 1606 in Leiden and passed away at the age of 63 in 1669 in Amsterdam.
Ederede iwu dị mkpa: We try our utmost in order to describe the art products as accurate as possible and to showcase them visually on the various product detail pages. At the same time, the colors of the printed materials, as well as the printing can vary slightly from the image on your screen. Depending on your screen settings and the quality of the surface, color pigments may not be printed 100% realistically. Bearing in mind that all the fine art prints are processed and printed manually, there may as well be minor discrepancies in the size and exact position of the motif.
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