Eziokwu na-adọrọ mmasị banyere ụdị nka nke eserese daisy
Nke a kariri 150 masterpiece dị afọ na aha daisy was painted by the symbolist painter Jan Toorop in 1868. The artwork can be viewed in in the Rijksmuseum's nchịkọta dijitalụ na Amsterdam, Netherlands. Site n'ikike nke - Rijksmuseum (ikike - ngalaba ọha).Akụkọ nke ọrụ nka bụ ihe ndị a: . Ọzọkwa, alignment bụ Eserese na a akụkụ ruru nke 9: 16, meaning that the length is 45% shorter than the width. The artist, painter, graphic artist, postage stamp designer Jan Toorop was an artist, whose style can mainly be classified as Symbolism. The painter lived for a total of 70 years and was born in the year 1858 in Purworejo, Jawa Tengah, Indonesia and deceased in 1928 in Hague, The, South Holland, Netherlands.
Họrọ ngwa ngwaahịa ọkacha mmasị gị
In the dropdown selection right next to the product you can choose a material and a sizeaccording to your personal preferences. Therefore, we allow you to choose among the following options:
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): The print on acrylic glass, which is often referred to as a plexiglass print, makes your favorite artwork into magnificient décor. The major benefit of an acrylic glass fine art print is that sharp contrasts and granular image details will be recognizeable thanks to the very subtle gradation. Our real glass coating protects your chosen art replica against light and heat for many decades.
- Kwaaji: The canvas print is a printed canvas mounted on a wood frame. It creates a sculptural impression of three-dimensionality. Canvas prints are relatively low in weight. That means, it is quite simple to hang up the Canvas print without extra wall-mounts. A canvas print is suited for all types of walls.
- Aluminom dibond (ọkpụkpụ ọla): An Aluminium Dibond print is a material with a true depth. The Aluminium Dibond Print is the excellent start to fine prints made on aluminum. The colors are luminous and bright in the highest definition, fine details of the print appear clear and crisp.
- Mbipụta akwụkwọ mmado (akwa akwa akwa): The poster is a printed sheet of canvas paper with a granular texture on the surface, that resembles the original version of the work of art. Please note, that depending on the size of the poster print we add a white margin of approximately 2-6cm around the artwork, which facilitates the framing with your custom frame.
Nkwupụta iwu: We try all that we can to depict the products as accurately as possible and to display them visually in our shop. Still, the pigments of the printing material and the printing can vary slightly from the presentation on the monitor. Depending on the screen settings and the nature of the surface, not all color pigments can be printed 100% realistically. Given that all our fine art prints are printed and processed by hand, there might as well be slight discrepancies in the motif's exact position and the size.
Ngwaahịa a
Bipụta ụdị ngwaahịa: | ọmarịcha nka |
Usoro mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV ozugbo (mbipụta dijitalụ) |
Ihe ngosi: | emere na Germany |
Stockdị ngwaahịa: | na mmepụta ihe |
A na-atụ aro iji ngwaahịa eme ihe: | ihe ndozi mgbidi, mkpokọta nka (mmeputakwa) |
Ndozi onyonyo a: | nhazi ihe osise |
Ụdị anya: | 9: 16 ogologo ruo obosara |
Oke onyonyo pụtara: | ogologo bụ 45% mkpụmkpụ karịa obosara |
Ụdị dị iche iche dị: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta kanvas, mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: | 50x90cm - 20x35" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 50x90cm - 20x35" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 50x90cm - 20x35" |
Aluminium dibond ebipụta (ihe aluminium) dị iche iche: | 50x90cm - 20x35" |
Nhazi mbipụta nka: | agunyeghi |
Ozi ahaziri na mpempe nka
Aha nke ọrụ nka: | "Daisy" |
Nhazi nka: | sere |
Category: | nkà nke oge a |
Narị afọ nka: | 19th narị afọ |
Ekepụtara: | 1868 |
Afọ nka: | ihe karịrị 150 afọ |
Ụlọ ihe ngosi nka: | Rijksmuseum |
Ebe ebe ngosi nka: | Amsterdam, Netherlands |
ibe weebụ: | Rijksmuseum |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | Rijksmuseum |
Nchịkọta ihe nkiri
aha: | Jan Toorop |
Aha ndi ozo: | Toorop Jan, Johannes Theodorus Toorop, טורופ יאן, Toorop Jean Theodoro, Jan Toorop, Jean Theodoor Toorop, Toorop Jean Theodoor, Jan Theodoor Toorop, Toorop Jan Theodoor |
okike onye nka: | nwoke |
Obodo onye nka: | Dutch |
Ọrụ: | graphic artist, painter, postage stamp designer, artist |
Country: | mba netherland |
nhazi ọkwa: | omenkà nke oge a |
Ụdị nka: | Akara |
Nwụrụ na afọ nke: | 70 afọ |
Afọ ọmụmụ: | 1858 |
Ebe amụrụ onye: | Purworejo, Jawa Tengah, Indonesia |
Nwuru: | 1928 |
Obodo ọnwụ: | Hague, The, South Holland, Netherlands |
© nwebiisinka site na - Artprinta.com
Nkọwa ihe osise sitere na webụsaịtị ihe ngosi nka (© - Rijksmuseum - Rijksmuseum)
This woman, whose face is partially hidden by stylized white cyclamen, was long identified as Marguérite Helfrich. The facial features, however, differ from those in other prints and drawings of her. The sitter could also be Marguérite Hallmann. Toorop met her in Brussels while visiting one of the salons held by the Art Nouveau artists’ group La Libre Esthétique.