Jean Bernard, 1815 - Nwamba ọdụ, aka ekpe - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Tebụl nka nka
Aha nke eserese ahụ: | "Sitting cat, left" |
Nhazi nka nka: | sere |
Otu izugbe: | nkà nke oge a |
Narị afọ nka: | 19th narị afọ |
Year: | 1815 |
Ogologo afọ nka nka: | 200 afọ |
Egosiputara na: | Rijksmuseum |
Ebe ngosi nka: | Amsterdam, Netherlands |
Webụsaịtị ihe ngosi nka: | Rijksmuseum |
License: | ngalaba ọha |
Site n'aka: | Rijksmuseum |
Ozi omenka
Ihe nkiri: | Jean-Bernard |
Aha ndi ozo: | Bernard Jan, Jan Bernard, Jean II Bernard, Bernard Jean II, Bernard Jean, Jean Bernard |
Gender: | nwoke |
Obodo onye nka: | French |
Ọrụ nke onye na-ese ihe: | drawer, eserese, watercolorist, wdg |
Mba onye si: | France |
Nhazi nke onye nka: | omenkà nke oge a |
Afọ ọnwụ: | 68 afọ |
Afọ ọmụmụ: | 1765 |
Amụrụ na (ebe): | Amsterdam, North Holland, Netherlands |
Nwụrụ n'afọ: | 1833 |
Nwụrụ na (ebe): | Amsterdam, North Holland, Netherlands |
Tebụl ngwaahịa
Nkewa bipụta: | ọmarịcha nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro nhazi: | Mbipụta UV ozugbo |
Ihe ngosi: | emepụtara na Germany |
Ụdị ngwaahịa: | a na-achọ |
Eji ngwaahịa a chọrọ: | ihe ndozi ụlọ, ime ụlọ |
Ndozi onyonyo a: | nhazi ihe osise |
Oke akụkụ onyonyo: | 3: 4 |
Nkọwa: | ogologo bụ 25% mkpụmkpụ karịa obosara |
Nhọrọ akụrụngwa: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ. |
Nhọrọ nke akwa akwa n'elu etiti ihe ndọtị (mbipụta akwa akwa): | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47", 120x160cm - 47x63" |
Ụdị akwụkwọ mmado (akwụkwọ kwaaji) dị iche iche: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Ụdị nha ebipụta aluminom: | 30x40cm - 12x16", 60x80cm - 24x31", 90x120cm - 35x47" |
Igwe onyonyo: | adịghị |
Họrọ ụdị ihe dị iche iche
Maka ngwaahịa ọ bụla anyị na-enye nha & ihe dị iche iche. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:
- Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are metal prints with an outstanding depth - for a modern look and non-reflective surface. This UV print on aluminium is the most popular entry-level product and is a sophisticated way to display artworks, because it draws focus on the replica of the artwork.
- Mbipụta kwaaji: The canvas direct print is a printed cotton canvas stretched on a wooden frame. It produces a plastic look of three-dimensionality. What is more, printed canvas creates a cosy and appealing atmosphere. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang your Canvas print without extra wall-mounts. Therefore, canvas prints are suited for all types of walls.
- Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster is a UV printed canvas paper with a slightly rough surface structure, that resembles the actual masterpiece. Please bear in mind, that depending on the absolute size of the poster print we add a white margin between 2-6cm round about the artwork, which facilitates the framing.
- Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko n'elu): A glossy acrylic glass print, often referred to as a plexiglass print, will convert the original work of art into stunning home decoration. Your own copy of the artwork is made with state-of-the-art UV printing technology. It makes impressive and rich colors. With an acrylic glass fine art print sharp contrasts and minor artwork details become more visible thanks to the fine tonal gradation.
Ihe nka Sitting cat, left kere site na nwoke French painter Jean Bernard in the year 1815. Furthermore, the piece of art is in the the Rijksmuseum's mkpokọta. Site n'ikike nke: Rijksmuseum (ikikere: ngalaba ọha).Kridi n'obi nke artpiece bụ ndị a: . Na mgbakwunye na nke a, nhazi ahụ dị na Eserese format na nwere akụkụ ruru nke 3: 4, nke pụtara na ogologo bụ 25% mkpụmkpụ karịa obosara.
Ozi dị mkpa: We try our utmost to describe our products as exact as possible and to illustrate them visually. However, the tone of the print materials and the imprint might vary marginally from the presentation on the device's monitor. Depending on the settings of your screen and the quality of the surface, color pigments can unfortunately not be printed one hundret percent realistically. In view of the fact that all the fine art prints are printed and processed by hand, there may also be slight discrepancies in the motif's size and exact position.
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