Nweta ihe ebipụta nka ị chọrọ
Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:
- Akwụkwọ mmado na ihe kwaaji: The poster is a printed flat canvas paper with a slightly roughened surface texture, which resembles the original artwork. Please keep in mind, that depending on the absolute size of the poster print we add a white margin 2 - 6cm around the painting in order to facilitate the framing with your custom frame.
- Metal (aluminium debond mbipụta): Aluminium Dibond prints are metal prints with an outstanding effect of depth. A direct Aluminium Dibond Print is your ideal start to art replicas with aluminum. The colors of the print are luminous and vivid, the details of the print appear crisp and clear, and you can literally feel the matte appearance of the art print surface. The UV print on aluminium is one of the most demanded entry-level products and is a contemporary way to display fine art prints, since it puts the viewer’s attention on the whole artwork.
- Kwaaji: A printed canvas applied on a wood frame. A canvas print has the advantage of being relatively low in weight, which implies that it is easy and straightforward to hang the Canvas print without the use of any wall-mounts. A canvas print is suitable for all kinds of walls.
- Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): The acrylic glass print, often referred to as a print on plexiglass, will turn your favorite original artwork into marvellous wall décor. Your own copy of the artwork is manufactured thanks to the help of state-of-the-art UV direct printing technology. With an acrylic glass art print contrasts and artwork details will be more exposed due to the delicate tonal gradation in the print.
Ihe dị mkpa: We try everythig possible in order to describe our products with as many details as possible and to showcase them visually in our shop. Although, the pigments of the print products and the print result can vary slightly from the presentation on your device's screen. Depending on your screen settings and the quality of the surface, not all color pigments can be printed one hundret percent realistically. Considering that our are printed and processed manually, there might as well be slight differences in the motif's size and exact position.
Nkọwa ndị ọzọ sitere na ihe ngosi nka (© Nwebiisinka - site Rijksmuseum - Rijksmuseum)
Still life on a table with a Persian rug. On a gilded silver schotele are candies and cookies, right a Chinese dish with peaches. Front a peeled lemon. Behind different glasses, to the right with a glass of beer, a nautilus cup in the middle.
Nkọwapụta edemede
The nka ochie ọrụ nka Ndụ Ebighị Ebi nke nwoke na-ese ihe kere Georg Hainz in 1666. Ọ bụ n'afọ Rijksmuseum's digital collection in Amsterdam, Netherlands. a ngalaba ọha a na-enye artpiece site n'ikike nke Rijksmuseum.In addition, the artwork has the following creditline: . Moreover, alignment of the digital reproduction is portrait and has a side ratio of 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The painter Georg Hainz was an artist, whose style can mainly be classified as Baroque. The artist lived for a total of 70 years - born in the year 1630 in Hamburg, Hamburg state, Germany and deceased in 1700.
Ozi ndabere ọrụ nka
Aha nka: | "Ndụ ka dị" |
nhazi ọkwa: | sere |
Otu sara mbara: | nka ochie |
Narị afọ nka: | 17th narị afọ |
Afọ nka: | 1666 |
Afọ nka: | ihe karịrị 350 afọ |
Ụlọ ihe ngosi nka: | Rijksmuseum |
Ebe ngosi nka: | Amsterdam, Netherlands |
Ebe nrụọrụ weebụ ihe ngosi nka: | Rijksmuseum |
License: | ngalaba ọha |
Site n'aka: | Rijksmuseum |
Nkọwa akụkọ ahaziri ahazi
Bipụta ụdị ngwaahịa: | ọrụ mgbidi |
Mmeputakwa: | dijitalụ mmeputakwa |
Produzọ mmepụta: | UV kpọmkwem obibi |
Mmalite nke ngwaahịa a: | German mere |
Stockdị ngwaahịa: | na mmepụta ihe |
Eji ngwaahịa a chọrọ: | mgbidi gallery, nka mgbidi |
Nhazi nka nka: | nhazi ihe osise |
Oke akụkụ: | 1: 1.2 |
Ntụgharị nkọwa akụkụ akụkụ: | ogologo bụ 20% mkpụmkpụ karịa obosara |
Ihe mmeputakwa dị: | Mbipụta iko acrylic (nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Mbipụta kanvas (akwa akwa n'elu etiti ihe ndọtị) ụdị nha dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 50x60cm - 20x24", 100x120cm - 39x47" |
Mbipụta akwụkwọ mmado (akwụkwọ kwaaji): | 50x60cm - 20x24", 100x120cm - 39x47" |
Aluminium dibond ebipụta (ihe aluminium) nha dị iche iche: | 50x60cm - 20x24", 100x120cm - 39x47" |
ụba: | na-enweghị etiti |
Nchịkọta dị mkpirikpi nke onye na-ese ihe
Ihe nkiri: | Georg Hainz |
Aha ndị ọzọ: | Hinsch, Johann Georg Hinsch, Hintzsch Johann Georg, Johann Hinsch, Hainz Georg, Hintzsch Georg, Hintsch, Hintz, J. G. Hintszch, J. G. Hinsch, J.G. Hintszch, J.G. Hinsch, Heintz, Hintzch Johann Georg, Jan Georg Hinz besten Zeit, Jan Georg Hinsch besten Zeit, Heintz Georg, J. Hinsch, G. Hins, Johann Georg Hintszch, J.G. Hinz besten Zeit, Georg Hintz, Johann Georg Hinz, Heintz Johann Georg, J.G. Hintzsch, Hainz Johann Georg, Hinz Johann Georg, G. Hinsch, George Hins, Georg Hinsch, J.G. Hinz, Jan Georg Hintsch, Georg Hainz, Gerog Hintz, Hinsch besten Zeit, v. Hinsch, Hinz Georg |
Gender: | nwoke |
Nationality: | German |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Country: | Germany |
Nkewa onye nka: | nna ukwu ochie |
Ụdị nka: | Baroque |
Oge ndu: | 70 afọ |
Afọ amụrụ: | 1630 |
Ebe amụrụ onye: | Hamburg, Hamburg State, Germany |
Nwuru: | 1700 |
Obodo ọnwụ: | Hamburg, Hamburg State, Germany |
© Nwebiisinka nke - www.artprinta.com (Artprinta)