Harmen Steenwijck, 1652 - Ndụ ka nwere azụ na mkpụrụ - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Ozi nka nka izizi si Rijksmuseum (© - site na Rijksmuseum - www.rijksmuseum.nl)
Still with four fish in a colander, a peach tree, a bucket, some berries and a cucumber. Pendant of SK-A-1528.
Data nka ahaziri
Aha nke eserese ahụ: | "Still Life with Fish and Fruit" |
Nhazi nka: | sere |
Otu izugbe: | nka ochie |
Time: | 17th narị afọ |
Emepụtara n'afọ: | 1652 |
Ogologo afọ nka nka: | ihe karịrị afọ 360 |
Ụlọ ihe ngosi nka: | Rijksmuseum |
Ebe ngosi nka: | Amsterdam, Netherlands |
Webụsaịtị ihe ngosi nka: | www.rijksmuseum.nl |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | Rijksmuseum |
Ozi omenka
Ihe nkiri: | Harmen Steenwijck |
Gender: | nwoke |
Obodo onye nka: | Dutch |
Ọrụ: | onye na-ese ihe |
Obodo obibi: | mba netherland |
Nkewa onye nka: | nna ukwu ochie |
Ụdị nke onye na-ese ihe: | Baroque |
Nwụrụ anwụ: | 44 afọ |
Afọ ọmụmụ: | 1612 |
Afọ ọnwụ: | 1656 |
Nkọwapụta ngwaahịa
Nkewa edemede: | mmepụta nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro mmepụta: | Mbipụta UV / dijitalụ |
Production: | arụpụtara na Germany |
Stockdị ngwaahịa: | mmepụta ihe na-achọ |
Ojiji ngwaahịa: | nka mgbidi, art mmeputakwa gallery |
Ndozi onyonyo a: | nhazi odida obodo |
Ụdị anya: | ogologo ruo obosara 1.2: 1 |
Pụtara nke akụkụ akụkụ: | ogologo bụ 20% ogologo karịa obosara |
Nhọrọ akwa: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta ọla (aluminium dibbond) |
Nhọrọ nha nha mbipụta kanvas (akwa akwa na etiti ihe ndọtị): | 60x50cm - 24x20", 120x100cm - 47x39" |
Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): | 60x50cm - 24x20", 120x100cm - 47x39" |
Nhọrọ nha nke akwụkwọ mmado (akwụkwọ kwaaji): | 60x50cm - 24x20", 120x100cm - 47x39" |
Aluminium dibond ebipụta (ihe aluminium) dị iche iche: | 60x50cm - 24x20", 120x100cm - 47x39" |
ụba: | enweghị etiti |
Họrọ ihe gị
We offer a range of various sizes and materials for every product. You can select your favorite size and material between the choices:
- Mbipụta kanvas: A canvas print is a printed canvas mounted on a wood stretcher. A canvas makes the exclusive effect of three dimensionality. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang up the Canvas print without extra wall-mounts. Because of thata canvas print is suitable for all kinds of walls.
- Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are prints on metal with an impressive depth. The Aluminium Dibond Print is the best start to the sophisticated world of fine prints made with aluminum. For our Aluminium Dibond print, we print the selected artpiece on the surface of the white-primed aluminum.
- Bipụta na enyo acrylic: An acrylic glass print, which is often described as a plexiglass print, will change an original artwork into décor. The artwork will be custom-made with the help of modern UV direct printing technology.
- Ebipụta akwụkwọ mmado na ihe akwa akwa: A poster print is a printed sheet of canvas paper with a slight surface structure. The poster is suited for framing the art print with the help of a special frame. Please note, that depending on the size of the poster print we add a white margin of approximately 2 - 6cm around the artwork to facilitate the framing with your custom frame.
Ama
The artpiece was created by the painter Harmen Steenwijck in 1652. E wezụga nke ahụ, enwere ike ịhụ ihe osise na n'ime Rijksmuseum's digital art collection, nke dị na Amsterdam, Netherlands. The nka ochie ọrụ nka, nke bụ akụkụ nke ngalaba ọha a na-enye ya site n'ikike nke Rijksmuseum.: . Kedu ihe ọzọ, nhazi ahụ bụ odida obodo ya na oke onyonyo nke 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara. The painter Harmen Steenwijck was an artist from the Netherlands, whose artistic style was mainly Baroque. The Dutch artist lived for a total of 44 afọ a mụrụ ya n'afọ 1612 wee nwụọ n'afọ 1656.
Ederede iwu: We try the best we can to describe our products as accurately as possible and to display them visually. Please bear in mind that some colors of the printed materials and the print result might vary to a certain extent from the presentation on the screen. Depending on the screen settings and the nature of the surface, colors might not be printed 100% realistically. Because the fine art prints are processed and printed manually, there might as well be minor discrepancies in the motif's exact position and the size.
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