Gilbert Stuart, 1785 - Captain John Gell - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwapụta edemede
a 18th narị afọ piece of art with the title "Captain John Gell" was made by the American onye na-ese ihe Gilbert Stuart. The version of the masterpiece has the following size: 94 1/2 x 58 1/2 in (240 x 148,6 cm) and was painted with oil on canvas. This piece of art is in the the Ụlọ ihe ngosi nka nke Metropolitan mkpokọta nka, nke dị na New York City, New York, Njikota Obodo Amerika. Obi dị anyị ụtọ ịkọ na ngalaba ọha masterpiece gụnyere, n'ikike nke The Metropolitan Museum of Art, New York, Purchase, Dorothy Schwartz Gift, Joseph Pulitzer Bequest, and 2000 Benefit Fund, 2000. Also, the work of art has the creditline: Purchase, Dorothy Schwartz Gift, Joseph Pulitzer Bequest, and 2000 Benefit Fund, 2000. On top of that, alignment is in Eserese format with a side ratio of 2 : 3, which implies that the length is 33% shorter than the width. The painter Gilbert Stuart was a North American artist, whose style can primarily be classified as Rococo. The Rococo painter lived for 73 afọ a mụrụ na 1755 na North Kingstown, Washington County, Rhode Island, United States ma nwụọ n'afọ 1828 na Boston, Suffolk County, Massachusetts, United States.
Nhọrọ ihe
Nchịkọta nhọrọ ndetu ngwaahịa na-enye gị ohere ịhọrọ akụrụngwa yana nha dabere na mmasị gị. Anyị na-ahapụ gị ka ịhọrọ n'ime ụdị ndị a:
- Mbipụta ọla (aluminium dibbond): Aluminium Dibond prints are metal prints with a true depth. For our Direct Print On Aluminum Dibond, we print your chosen artwork on the aluminium white-primed surface.
- Mbipụta kanvas: A canvas print, which should not be confused with a real artwork painted on a canvas, is a digital image applied directly on cotton canvas. Canvas prints are relatively low in weight, which implies that it is easy to hang the Canvas print without the use of additional wall-mounts. Canvas prints are suited for all kinds of walls.
- Mbipụta akwụkwọ mmado (akwa akwa akwa): A poster print is a UV printed canvas paper with a granular surface finish. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of around 2 - 6cm around the artwork to facilitate the framing with a custom frame.
- Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, often named a fine art print on plexiglass, changes the original artwork into wonderful décor and forms a good alternative option to canvas and dibond fine art replicas. The great advantage of an acrylic glass fine art copy is that contrasts as well as artwork details will be more identifiable due to the fine gradation in the picture.
Nkwupụta iwu: We try whatever we can to describe our products in as much detail as possible and to demonstrate them visually. Nevertheless, the tone of the print products, as well as the imprint may diverge marginally from the image on your device's screen. Depending on the screen settings and the quality of the surface, not all color pigments are printed 100% realistically. Given that our art prints are processed and printed by hand, there might also be slight variations in the exact position and the size of the motif.
Product nkọwa
Bipụta ngwaahịa: | mmepụta nka |
Usoro mmeputakwa: | mmeputakwa n'ụdị dijitalụ |
Usoro mmepụta: | Mbipụta UV ozugbo |
Nlụpụta: | Germany |
Ụdị ngwaahịa: | a na-achọ |
Ngwaahịa were: | mgbidi mma, art mmeputakwa gallery |
Nhazi nke ihe nka: | usoro eserese |
Oke akụkụ onyonyo: | 2: 3 ogologo: obosara |
Akụkụ onyonyo pụtara: | ogologo bụ 33% mkpụmkpụ karịa obosara |
Nhọrọ akụrụngwa: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nke nwere ezigbo mkpuchi iko), mbipụta ọla (aluminium dibond), mbipụta kwaaji |
Canvas dị n'elu ihe nrịbama (mbipụta kanvas) nha dị iche iche: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha: | 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Aluminium dibond ebipụta (ihe aluminium) dị iche iche: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
ụba: | agunyeghi |
Data nka ahaziri
Aha nke eserese ahụ: | "Captain John Gell" |
Nhazi nka: | sere |
Otu sara mbara: | nka ochie |
Century: | 18th narị afọ |
Emepụtara na: | 1785 |
Afọ nka: | 230 afọ |
Ọkara nke ihe osise izizi: | mmanụ na kwaaji |
Nha nke ihe nka izizi: | 94 1/2 x 58 1/2 na (240 x 148,6 cm) |
Ụlọ ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
E Nwere na: | Museumlọ ihe ngosi nka nke Obodo |
Licensedị ikike: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Purchase, Dorothy Schwartz Gift, Joseph Pulitzer Bequest, and 2000 Benefit Fund, 2000 |
Ebe kredit nke ọrụ nka: | Purchase, Dorothy Schwartz Gift, Joseph Pulitzer Bequest, and 2000 Benefit Fund, 2000 |
Banyere onye na-ese ihe
Aha onye nka: | Gilbert Stuart |
A makwaara dịka: | American Stewart, Stuart Gilbert Charles, Stewart, G. Stuart, Gilbert Stuart, Stewart Gilbert, stuart g., American Stuart, Stuart Gilbert, Stuart |
okike nke onye nka: | nwoke |
Nationality: | American |
Ọrụ: | onye na-ese ihe |
Country: | United States |
Otu nka: | nna ukwu ochie |
styles: | Rococo |
Nwụrụ na afọ nke: | 73 afọ |
Amụrụ n'afọ: | 1755 |
Ebe omuma: | North Kingstown, Washington County, Rhode Island, Njikota Obodo Amerika |
Afọ ọnwụ: | 1828 |
Nwuru na (ebe): | Boston, Suffolk County, Massachusetts, Njikota Obodo Amerika |
Nwebiisinka © | www.artprinta.com (Artprinta)
Ozi nka nka izizi sitere na The Metropolitan Museum of Art (© - Ụlọ ihe ngosi nka nke obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
In 1785 the British naval officer John Gell (1738–1806) had just completed his duty on the seventy-gun Monarca, which he had commanded in a series of battles against the French. For this portrait, Stuart used as a model Sir Joshua Reynolds’s heroic "Commodore Augustus Keppel" (1752; National Maritime Museum, Greenwich, UK). In homage to Reynolds, Stuart employed a combination of fine and slapdash brushwork, conveying an image of both heroism and naturalism. He exhibited "Captain John Gell" at London’s Royal Academy of Arts in 1785, when the British portraitist John Hoppner commented that it was “admirably well-painted without trickery to dazzle the eye or mislead the judgment.”