Jeremiah Theus, 1772 - Oriakụ John Dart - ọmarịcha nka

Nkọwapụta akụkọ

Ihe nka nka karịrị afọ 240 Mrs. John Dart e sere ya Jeremaya Theus in 1772. Ụdị ihe osise ahụ nwere nha ndị a: 30 x 25 n'ime (76,2 x 63,5 cm). Mmanụ na kwaaji was used by the artist as the medium of the artpiece. Besides, the work of art is in the the digital art collection of Museumlọ ihe ngosi nka nke Obodo, nke bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị ukwuu na nke kachasị mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka nke gbara puku afọ ise nke omenala ụwa, site na prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa. nka ochie ngalaba ọha A na-enye mpempe nka site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Onyinye Edgar William na Bernice Chrysler Garbisch, 1967. Ọzọkwa, ihe osise a nwere kreditline ndị a: Onyinye nke Edgar William na Bernice Chrysler Garbisch, 1967. Ọzọkwa, nhazi nke mmepụta dijitalụ bụ Eserese ma nwee akụkụ nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Jeremiah Theus was a male painter of American nationality, whose style can mainly be attributed to Rococo. The Rococo artist lived for 58 afọ - amuru n'ime 1716 in Chur, Graubunden, Switzerland and deceased in the year 1774 in Charleston, Charleston county, South Carolina, United States.

(© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)

Henrietta Isabella Sommers (1750–1783) was the daughter of Humphrey Sommers, a successful building contractor in Charleston, South Carolina. She was married to John Dart (67.268.1). The costume in this portrait was probably based on a print, since it is unlikely that Mrs. Dart possessed an ermine-trimmed robe. Theus undoubtedly painted the face from life and the clothing in his studio, with a mezzotint before him.

Data ndabere na artpiece

Nchịkọta dị mkpirikpi nke onye na-ese ihe

Nye iwu ngwaahịa ị ga-achọ idobe n'ụlọ gị

N'ime ndetu ndetu ngwaahịa ị nwere ike họrọ ihe na nha masịrị gị. Nhọrọ ndị a dị maka n'otu n'otu:

• Poster (akwa akwa akwa): A poster print is a printed canvas paper with a slight structure on the surface. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin 2-6cm round about the artwork in order to facilitate the framing with your custom frame.
• Mbipụta iko acrylic na-egbuke egbuke: A glossy print on acrylic glass, which is sometimes described as a plexiglass print, will convert the artwork into magnificient wall decoration. Your own version of the work of art is being made with state-of-the-art UV print machines. It makes rich, sharp print colors. With an acrylic glass fine art print contrasts and color details will be visible thanks to the precise tonal gradation. Our plexiglass with real glass coating protects your chosen fine art print against light and heat for many decades.
• Mbipụta kwaaji: A canvas print, not to be mistaken with a canvas painting, is a digital copy printed from an industrial printing machine. Additionally, a printed canvas produces a soft and warm impression. Canvas prints are relatively low in weight, meaning that it is easy to hang up your Canvas print without the support of additional wall-mounts. Canvas prints are suited for any kind of wall in your home.
• Mbipụta ọla (aluminium dibbond): Ndị a bụ mbipụta ọla na aluminom dibond nwere ezigbo mmetụta miri emi.

Ozi ederede

Ihe dị mkpa: We try everythig possible in order to depict the products as accurately as possible and to illustrate them visually. Nonetheless, the tone of the print materials and the imprint might diverge somehwat from the representation on the screen. Depending on your screen settings and the condition of the surface, not all colors are printed as realisitcally as the digital version shown here. Given that the art reproductions are printed and processed manually, there might as well be slight variations in the motif's exact position and the size.

© Nwebiisinka nke, Artprinta (www.artprinta.com)