Sir Joshua Reynolds, 1765 - Nwanyị Sarah Bunbury na-achụ àjà nye amara - ọmarịcha nka.

29,99 €

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Supplemental information by Art Institute Chicago website (© - nke Art Institute Chicago - Ụlọ ọrụ Art Chicago)

Lady Sarah Bunbury was famous as the society beauty who attracted the attention of the future King George III when she was only fifteen. George was persuaded to marry a German princess instead of her, and a year after the royal marriage, Lady Sarah wed Sir Charles Bunbury in a match that lasted only a short while. In this portrait, Sir Joshua Reynolds—the first president of the Royal Academy and a champion of the importance of classical artistic models—conferred upon her a flattering honorary citizenship in the ancient world. Dressed in a loose, vaguely Roman costume and surrounded by the art and artifacts of antiquity, Lady Sarah is cast as a devotee of the Three Graces, symbols of generosity and the mythical companions of Venus, the Roman goddess of love and beauty. Lady Sarah pours a libation into a smoking tripod, and one of the Graces seems to offer her a wreath, as if inviting the aristocratic beauty to join their number. As an academician, Reynolds valued historical subjects, but as a practicing painter, he made his living largely through portraiture. In this and other grand portraits, he found a way of combining the requirements of his patrons with the prestige of the classical tradition.

"Lady Sarah Bunbury Sacrificing to the Graces"dị ka akwụkwọ nka nke gị

Ọ bụ ndị kere ihe osise a nwoke Onye omenkà Britain Sir Joshua Reynolds in 1765. Nke kariri 250 afọ mbụ e kere eke jikoro size nke 242,6 × 151,5 cm (95 1/2 × 59 3/4 na) ma kpụrụ ya na ọkara mmanụ na kwaaji. Ọrụ nka a gụnyere na Ụlọ ọrụ Art nke Chicago mkpokọta nka. Site n'ikike nke Ụlọ ọrụ Art Chicago (nwere ikike: ngalaba ọha). Ihe kredit nke ọrụ nka bụ nke a: Mazị na Oriakụ WW Kimball mkpokọta. N'elu nke ahụ, nhazigharị dị na eserese format na nha onyonyo nke 2: 3, nke pụtara na ogologo bụ 33% mkpụmkpụ karịa obosara. Sir Joshua Reynolds was a painter, whose artistic style was primarily Rococo. The European painter was born in the year 1723 ma nwụọ mgbe ọ dị afọ 69 na 1792.

Họrọ ihe ngwaahịa gị

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Nchịkọta nkenke nke onye na-ese ihe

Ihe nkiri: Sir Joshua Reynolds
Gender: nwoke
Obodo onye nka: British
Ọrụ: onye na-ese ihe
Country: United Kingdom
Otu nka: nna ukwu ochie
styles: Rococo
Akwụsị: 69 afọ
Afọ ọmụmụ: 1723
Afọ ọnwụ: 1792

Nkọwa ọrụ nka

Aha nke eserese ahụ: "Lady Sarah Bunbury Sacrificing to the Graces"
Nhazi nka: sere
Okwu mkpokọta: nka ochie
oge: 18th narị afọ
Emepụtara na: 1765
Afọ nka: karịa afọ 250
Usoro izizi: mmanụ na kwaaji
Nha izizi (ọrụ nka): 242,6 × 151,5 cm (95 1/2 × 59 3/4 na)
Ụlọ ihe ngosi nka / ebe: Ụlọ ọrụ Art Chicago
Ebe ebe ngosi nka: Chicago, Illinois, Njikota Obodo Amerika
Weebụsaịtị nke ihe ngosi nka: Ụlọ ọrụ Art Chicago
Ụdị ikike nka: ngalaba ọha
Site n'aka: Ụlọ ọrụ Art Chicago
Ebe kredit nke ọrụ nka: Mazị na Oriakụ WW Kimball mkpokọta

Banyere ngwaahịa

Ụdị ngwaahịa: ezi nka mmeputakwa
Usoro mmeghari: dijitalụ mmeputakwa
Production usoro: mbipụta dijitalụ
Mmalite nke ngwaahịa a: arụpụtara na Germany
Ụdị ngwaahịa: na mmepụta ihe
Ojiji ngwaahịa: ime ụlọ, nka mgbidi
Ndepụta: usoro eserese
Ụdị anya: 2: 3
Oke akụkụ pụtara: ogologo bụ 33% mkpụmkpụ karịa obosara
Nhọrọ ihe dị: ígwè obibi akwụkwọ (aluminium dibond), akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ.
Nhọrọ nke Canvas Mbipụta (akwa akwa na etiti ihe ndọtị): 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59"
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59"
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47"
Ụdị mbipụta Dibond (ihe alumnium) dị iche iche: 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47"
Nhazi nke nnomi nka: na-enweghị etiti

Ozi dị mkpa: We try what we can in order to describe the products with as many details as possible and to display them visually on the various product detail pages. Nonetheless, the tone of the printed materials, as well as the printing can diverge to a certain extent from the image on the screen. Depending on your screen settings and the quality of the surface, colors can unfortunately not be printed as exactly as the digital version depicted here. Given that all our art prints are printed and processed manually, there might as well be minor deviations in the size and exact position of the motif.

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