Sir Joshua Reynolds, 1765 - Nwanyị Sarah Bunbury na-achụ àjà nye amara - ọmarịcha nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Supplemental information by Art Institute Chicago website (© - nke Art Institute Chicago - Ụlọ ọrụ Art Chicago)
Lady Sarah Bunbury was famous as the society beauty who attracted the attention of the future King George III when she was only fifteen. George was persuaded to marry a German princess instead of her, and a year after the royal marriage, Lady Sarah wed Sir Charles Bunbury in a match that lasted only a short while. In this portrait, Sir Joshua Reynolds—the first president of the Royal Academy and a champion of the importance of classical artistic models—conferred upon her a flattering honorary citizenship in the ancient world. Dressed in a loose, vaguely Roman costume and surrounded by the art and artifacts of antiquity, Lady Sarah is cast as a devotee of the Three Graces, symbols of generosity and the mythical companions of Venus, the Roman goddess of love and beauty. Lady Sarah pours a libation into a smoking tripod, and one of the Graces seems to offer her a wreath, as if inviting the aristocratic beauty to join their number. As an academician, Reynolds valued historical subjects, but as a practicing painter, he made his living largely through portraiture. In this and other grand portraits, he found a way of combining the requirements of his patrons with the prestige of the classical tradition.
"Lady Sarah Bunbury Sacrificing to the Graces"dị ka akwụkwọ nka nke gị
Ọ bụ ndị kere ihe osise a nwoke Onye omenkà Britain Sir Joshua Reynolds in 1765. Nke kariri 250 afọ mbụ e kere eke jikoro size nke 242,6 × 151,5 cm (95 1/2 × 59 3/4 na) ma kpụrụ ya na ọkara mmanụ na kwaaji. Ọrụ nka a gụnyere na Ụlọ ọrụ Art nke Chicago mkpokọta nka. Site n'ikike nke Ụlọ ọrụ Art Chicago (nwere ikike: ngalaba ọha). Ihe kredit nke ọrụ nka bụ nke a: Mazị na Oriakụ WW Kimball mkpokọta. N'elu nke ahụ, nhazigharị dị na eserese format na nha onyonyo nke 2: 3, nke pụtara na ogologo bụ 33% mkpụmkpụ karịa obosara. Sir Joshua Reynolds was a painter, whose artistic style was primarily Rococo. The European painter was born in the year 1723 ma nwụọ mgbe ọ dị afọ 69 na 1792.
Họrọ ihe ngwaahịa gị
The product dropdown menu ofers you the opportunity to select your favorite material and size. The following sizes and materials are the options we offer you for individualization:
- Bipụta na iko acrylic na-egbuke egbuke (nke nwere ezigbo mkpuchi iko): An print on acrylic glass, often referred to as a print on plexiglass, will convert your favorite original work of art into beautiful home décor. Further, the acrylic art print offers a great alternative to canvas or aluminium dibond fine art prints. Your favorite artwork will be custom-made with modern UV print technology. It makes sharp, vivid colors.
- Akwụkwọ mmado ebipụtara (ihe kwaaji): The Artprinta poster print is a printed flat canvas paper with a slightly roughened structure on the surface, which reminds the original version of the artwork. The printed poster is optimally suited for framing your art copy in a customized frame. Please keep in mind, that depending on the absolute size of the poster we add a white margin of approximately 2-6cm around the painting in order to facilitate the framing.
- Mbipụta kanvas: The canvas print, not to be mistaken with a real painting on a canvas, is a digital copy printed from a UV direct printer. Hanging your canvas print: Canvas prints are relatively low in weight, meaning that it is quite simple to hang your Canvas print without the support of additional wall-mounts. Because of thatcanvas prints are suitable for any type of wall.
- Aluminom dibond (ọkpụkpụ ọla): These are metal prints on aluminium dibond with a true effect of depth. The bright and white sections of the original artwork shine with a silky gloss but without any glare. The colors are bright and vivid, the details of the print are clear and crisp, and there’s a matte look that you can literally feel.
Nchịkọta nkenke nke onye na-ese ihe
Ihe nkiri: | Sir Joshua Reynolds |
Gender: | nwoke |
Obodo onye nka: | British |
Ọrụ: | onye na-ese ihe |
Country: | United Kingdom |
Otu nka: | nna ukwu ochie |
styles: | Rococo |
Akwụsị: | 69 afọ |
Afọ ọmụmụ: | 1723 |
Afọ ọnwụ: | 1792 |
Nkọwa ọrụ nka
Aha nke eserese ahụ: | "Lady Sarah Bunbury Sacrificing to the Graces" |
Nhazi nka: | sere |
Okwu mkpokọta: | nka ochie |
oge: | 18th narị afọ |
Emepụtara na: | 1765 |
Afọ nka: | karịa afọ 250 |
Usoro izizi: | mmanụ na kwaaji |
Nha izizi (ọrụ nka): | 242,6 × 151,5 cm (95 1/2 × 59 3/4 na) |
Ụlọ ihe ngosi nka / ebe: | Ụlọ ọrụ Art Chicago |
Ebe ebe ngosi nka: | Chicago, Illinois, Njikota Obodo Amerika |
Weebụsaịtị nke ihe ngosi nka: | Ụlọ ọrụ Art Chicago |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | Ụlọ ọrụ Art Chicago |
Ebe kredit nke ọrụ nka: | Mazị na Oriakụ WW Kimball mkpokọta |
Banyere ngwaahịa
Ụdị ngwaahịa: | ezi nka mmeputakwa |
Usoro mmeghari: | dijitalụ mmeputakwa |
Production usoro: | mbipụta dijitalụ |
Mmalite nke ngwaahịa a: | arụpụtara na Germany |
Ụdị ngwaahịa: | na mmepụta ihe |
Ojiji ngwaahịa: | ime ụlọ, nka mgbidi |
Ndepụta: | usoro eserese |
Ụdị anya: | 2: 3 |
Oke akụkụ pụtara: | ogologo bụ 33% mkpụmkpụ karịa obosara |
Nhọrọ ihe dị: | ígwè obibi akwụkwọ (aluminium dibond), akwụkwọ mmado (akwụkwọ kwaaji), mbipụta enyo acrylic (nke nwere ezigbo mkpuchi iko), mbipụta akwụkwọ. |
Nhọrọ nke Canvas Mbipụta (akwa akwa na etiti ihe ndọtị): | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59" |
Mpempe iko acrylic (nwere ezigbo mkpuchi iko) nha: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Ụdị mbipụta Dibond (ihe alumnium) dị iche iche: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Nhazi nke nnomi nka: | na-enweghị etiti |
Ozi dị mkpa: We try what we can in order to describe the products with as many details as possible and to display them visually on the various product detail pages. Nonetheless, the tone of the printed materials, as well as the printing can diverge to a certain extent from the image on the screen. Depending on your screen settings and the quality of the surface, colors can unfortunately not be printed as exactly as the digital version depicted here. Given that all our art prints are printed and processed manually, there might as well be minor deviations in the size and exact position of the motif.
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