Francesco Bartolozzi, 1785 - Francesco dAgeno - mbipụta nka mara mma
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwapụta edemede
In 1785 Francesco Bartolozzi painted the classic art artwork titled Francesco dAgeno. The version of the work of art had the following dimensions: Sheet: 6 1/4 × 4 1/4 in (15,9 × 10,8 cm) and was painted on the medium etching and stipple engraving; second state of two. What is more, the artpiece is part of the Ụlọ ihe ngosi nka nke Metropolitan nchịkọta dijitalụ, nke dị na New York City, New York, Njikota Obodo Amerika. Site n'ikike nke: Ụlọ ihe ngosi nka nke Metropolitan, New York, Harris Brisbane Dick Fund, 1917 (ikike ngalaba ọha). Creditline of the artwork: Harris Brisbane Dick Fund, 1917. What is more, the alignment of the digital reproduction is portrait and has an image ratio of 2: 3, nke pụtara na ogologo bụ 33% mkpụmkpụ karịa obosara. The printmaker Francesco Bartolozzi was a European artist, whose style was mainly Rococo. The Rococo painter was born in 1728 na Florence, Firenze n'ógbè, Tuscany, Italy na nwụrụ anwụ na afọ nke 87 n'afọ 1815.
Akụrụngwa ị nwere ike iburu
Anyị na-enye ụdị nha na ihe dị iche iche maka ngwaahịa ọ bụla. Nhọrọ ndị a dị maka n'otu n'otu:
- Ihe odide acrylic glass: A glossy print on acrylic glass, which is sometimes referenced as a print on plexiglass, will convert the artwork into décor. Your favorite work of art is custom-made with the help of modern UV direct printing machines. Our real glass coating protects your chosen art print against light and external influences for many years.
- Mbipụta nke aluminom: Aluminium Dibond prints are prints on metal with an outstanding depth effect. A direct Aluminium Dibond Print is your excellent start to the sophisticated world of art prints with aluminum. The bright sections of the original work of art shine with a silky gloss but without any glare. The direct print on Aluminum Dibond is one of the most popular entry-level products and is a modern way to display artworks, as it puts 100% of the viewer’s attention on the artwork.
- Mbipụta kwaaji: The UV printed canvas applied on a wood frame. It generates the distinctive effect of three dimensionality. A canvas print has the advantage of being relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without any wall-mounts. Hence, canvas prints are suitable for all kinds of walls.
- Poster (akwa akwa akwa): Our poster print is a printed flat canvas paper with a slight structure on the surface. Please bear in mind, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6cm around the painting, which facilitates the framing with a custom frame.
Important information: We try our best to describe the art products with as many details as possible and to display them visually on the product detail pages. Nonetheless, the colors of the printing material and the imprint can vary to a certain extent from the representation on the screen. Depending on your settings of your screen and the quality of the surface, colors might not be printed 100% realistically. Bearing in mind that all our fine art prints are printed and processed by hand, there might also be slight variations in the size and exact position of the motif.
Ozi ihe ahaziri ahazi
Bipụta ngwaahịa: | mmepụta nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Production usoro: | UV kpọmkwem obibi |
Nlụpụta: | German mere |
Ụdị ngwaahịa: | na mmepụta ihe |
Ojiji ngwaahịa: | Ụlọ ihe ngosi nka, ụlọ mmepụta ihe nka |
Ndozi onyonyo: | usoro eserese |
Oke akụkụ: | 2:3- (ogologo: obosara) |
Pụtara nha akụkụ onyonyo: | ogologo bụ 33% mkpụmkpụ karịa obosara |
Akwa ngwaahịa dị: | ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Canvas dị n'elu ihe nrịbama (mbipụta kanvas) nha dị iche iche: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47", 100x150cm - 39x59" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Nhọrọ mbipụta aluminom: | 20x30cm - 8x12", 40x60cm - 16x24", 60x90cm - 24x35", 80x120cm - 31x47" |
Nhazi nke nnomi nka: | na-enweghị etiti |
Ozi ndabere nka
Aha nka: | "Francesco dAgeno" |
Nhazi nka nka: | sere |
Okwu mkpokọta: | nka ochie |
Time: | 18th narị afọ |
Afọ okike: | 1785 |
Ogologo afọ nka nka: | ihe karịrị afọ 230 |
Agba na: | etching and stipple engraving; second state of two |
Akụkụ nke nka nka izizi: | Mpempe akwụkwọ: 6 1/4 × 4 1/4 inch (15,9 × 10,8 cm) |
Ụlọ ihe ngosi nka / mkpokọta: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
E Nwere na: | Museumlọ ihe ngosi nka nke Obodo |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | Ụlọ ihe ngosi nka nke Metropolitan, New York, Harris Brisbane Dick Fund, 1917 |
Ebe kredit nke ọrụ nka: | Harris Brisbane Dick Fund, 1917 |
Tebụl nchịkọta ihe nkiri
Aha onye nka: | Francesco Bartolozzi |
Aha ndi ozo: | Francisco Bartolozzi, Bartholozzi, Bartolozzi Francisco, Bartolozzi R.A., F. Bartolozzi, Bartolozzi F., Bartolozzi Francesco, Bartolozzi, Francesco Bartolozzi, Bartolozzi Frao., Bartolozzi R. A., François Bartolozzi |
Gender: | nwoke |
Obodo onye nka: | Italian |
Ọrụ: | onye na-ebi akwụkwọ |
Obodo onye nka: | Italy |
Otu nka: | nna ukwu ochie |
Ụdị nka: | Rococo |
Akwụsị: | 87 afọ |
Amụrụ n'afọ: | 1728 |
Amụrụ na (ebe): | Florence, mpaghara Firenze, Tuscany, Italy |
Nwụrụ n'afọ: | 1815 |
Obodo ọnwụ: | Lisbon, Lisboa, Portugal |
© Nwebiisinka nke, Artprinta.com (Artprinta)
What does the The Metropolitan Museum of Art state about this work of art painted by Francesco Bartolozzi? (© Nwebiisinka - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)
Bartolozzi's print is based on a miniature by Cosway, the latter derived from an oil painting by Gainsborough. This second state appeared in "Prose e rime del Signor Francesco d'Ageno, ultimamente Ministro della Repubblica di Genova alla Corte della Gran Bretagna, raccolte e pubblicate da Girolamo Tonioli" (Prose and Verse by Francesco d'Ageno, lately minister of the Republic of Genoa to the court of Great Britain, edited by Girolama Tonioli), published London, 1790, by Dennett Jaques.