François Boucher, 1751 - Bath nke Venus - mbipụta nka mara mma

Ozi nkowa mgbakwunye by the museum (© Nwebiisinka - nke National Gallery of Art - Nnukwu osisi nke Art)

In Enlightenment France the dedicated search to define truth engendered a re–evaluation of the natural. The belief that it was right to follow nature, and that the pursuit of pleasure was natural, influenced the prevailing conception of the nude. François Boucher, who became the first painter to Louis XV, fully explored his century's interest in the relationship between the rational and the sensual.

In The Bath of Venus, the mythological goddess has lost any allusions to classical history painting and is offered up to the viewer as an object of physical beauty. Venus, located in a lush garden setting, coyly attempts to restrain a pouting Cupid as two putti point to the scene in mocking disapproval. Boucher's success in communicating the charm and sensuality of the nude lies in his mastery of color and fluid brushstrokes. Venus is rendered in porcelain tones, delicately accented in pink, her body highlighted against luscious blue velvet and silk. The two white doves at her feet contrast a thick impasto surface with the transparent water and cool greens and blues of the foliage. The painting exemplifies the rococo love of asymmetric lines and sinuous curves, artfully arranged to seduce both the eye and the mind of the beholder.

The Bath of Venus by the Rococo artist François Boucher as your new art copy

Ihe nka narị afọ nke 18 a The Bath of Venus kere site na rococo painter François Boucher in 1751. Ihe okike izizi tụrụ nha: 107 x 84,8 cm (42 1/8 x 33 3/8 na). Mmanụ na kwaaji was applied by the European painter as the technique for the masterpiece. This artwork belongs to the digital art collection of Nnukwu osisi nke Art in Washington D.C., United States of America. With courtesy of: National Gallery of Art, Washington (ikike ngalaba ọha).: . Ọzọkwa, itinye n'usoro mmepụta dijitalụ dị Eserese format ma nwee oke onyonyo nke 3: 4, nke na-egosi nke ahụ ogologo bụ 25% mkpụmkpụ karịa obosara. The painter François Boucher was a European artist from France, whose style can be attributed primarily to Rococo. The artist was born in the year 1703 na nwụrụ anwụ na afọ nke 67 n'afọ 1770.

Nweta nhọrọ ihe ebipụta nka kacha amasị gị

The product dropdown menu ofers you the opportunity to pick your individual material and size. The following options are available for individualization:

• Akwụkwọ mmado ebipụtara (akwa akwa akwa): Our poster is a printed flat cotton canvas paper with a slightly roughened surface texture. It is particularly suited for framing your art replica with the help of a personal frame. Please note, that depending on the absolute size of the poster print we add a white margin of something between 2-6cm round about the painting to facilitate the framing with your custom frame.
• Aluminom dibond mbipụta (ọla): These are metal prints on alu dibond material with an impressive depth effect, which creates a contemporary impression with a non-reflective surface. The Direct Print on Aluminum Dibond is your perfect introduction to fine replicas with aluminum. For your Print On Aluminum Dibond, we print your selected artpiece onto the surface of the aluminum material. The colors are luminous in the highest definition, the details appear crisp, and you can really perceive a matte appearance of the product.
• Mbipụta kwaaji: The printed canvas, not to be confused with a canvas painting, is a digital replica applied onto cotton canvas fabric. A canvas generates a particular effect of three dimensionality. Canvas prints are relatively low in weight, which implies that it is easy to hang up your Canvas print without extra wall-mounts. A canvas print is suited for any kind of wall.
• Mbipụta enyo acrylic: The print on acrylic glass, often referenced as a print on plexiglass, will convert your favorite original into wall decoration. In addition, the acrylic glass art print is a viable alternative option to canvas or aluminium dibond prints. The artwork is being printed with the help of modern UV print machines. The great benefit of an acrylic glass print is that contrasts and also smaller painting details become identifiable with the help of the delicate gradation. The acrylic glass protects your custom art print against light and heat for many more years.

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Ozi dị mkpa: We try everythig possible in order to depict our art products with as many details as possible and to illustrate them visually. Still, some tone of the print products and the print result may differ marginally from the image on your device's monitor. Depending on the screen settings and the nature of the surface, not all color pigments will be printed as realisitcally as the digital version. Considering that our fine art prints are processed and printed by hand, there might also be slight differences in the motif's exact position and the size.

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