Giovanni Battista Tiepolo, 1725 - Agha nke Vercellae - ọmarịcha nka

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N’afọ 1725 Giovanni Battista Tiepolo painted this work of art "The Battle of Vercellae". The more than 290 years old original measures the size of Irregular painted surface, 162 x 148 3/8 in (411,5 x 376,9 cm) and was painted with mmanụ na kwaaji. E wezụga nke a, artpiece bụ nke Ụlọ ihe ngosi nka nke Metropolitan nchịkọta, nke bụ otu n'ime ụlọ ngosi ihe ngosi nka kachasị ukwuu na nke kachasị mma n'ụwa, nke gụnyere ihe karịrị nde abụọ ọrụ nka na-agbatị puku afọ ise nke omenala ụwa, site na prehistory ruo ugbu a na site n'akụkụ ọ bụla nke ụwa. nka ochie public domain masterpiece is supplied with courtesy of The Metropolitan Museum of Art, New York, Rogers Fund, 1965. The creditline of the artpiece is: Rogers Fund, 1965. Besides this, the alignment is Eserese na a akụkụ ruru nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Giovanni Battista Tiepolo was a painter, printmaker, whose style can mainly be classified as Rococo. The Rococo artist was born in 1696 in Venice, Venezia province, Veneto, Italy and passed away at the age of 74 N'afọ 1770 na Madrid, mpaghara Madrid, Comunidad de Madrid, Spain.

Ozi nka nka izizi sitere na The Metropolitan Museum of Art (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

This painting is from a series of ten magnificent canvases painted to decorate the main room of Ca’ Dolfin, Venice. The battle has been tentatively identified as the great victory of Gaius Marius over the fierce Teutonic tribes in Lombardy in 101 B.C. The tribe of the Cimbri had crossed the Alps near Trent and invaded the Veneto, whose mild climate and delicacies reputedly sapped their strength. Their defeat saved Rome from conquest.

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Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:

• Mbipụta akwụkwọ mmado (akwa akwa akwa): A poster is a printed sheet of cotton canvas with a slightly roughened structure on the surface. A poster print is suited for putting your art replica using a custom frame. Please keep in mind, that depending on the size of the poster we add a white margin of something between 2 - 6cm around the print, which facilitates the framing with your custom frame.
• Mbipụta kwaaji: A canvas direct print is a printed cotton canvas stretched on a wood stretcher. It has a plastic impression of three-dimensionality. The canvas print makes a cosy and appealing look. Canvas prints are relatively low in weight, which means that it is easy to hang the Canvas print without the use of extra wall-mounts. Because of thatcanvas prints are suitable for all kinds of walls.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, which is often referred to as a plexiglass print, changes your favorite original work of art into wonderful décor and forms a distinct alternative option to aluminium and canvas art prints.
• Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are metal prints with a true depth. For your Aluminium Dibond option, we print the chosen artwork on the aluminium composite white-primed surface. The bright and white sections of the work of art shine with a silky gloss, however without any glow.

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Ederede iwu dị mkpa: We try our best to depict our art products in as much detail as possible and to illustrate them visually on the various product detail pages. At the same time, the pigments of the printed materials and the printing might diverge to a certain extent from the image on the screen. Depending on your screen settings and the nature of the surface, color pigments might not be printed 100% realistically. Given that our art reproductions are printed and processed manually, there might as well be slight differences in the size and exact position of the motif.

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