Giovanni Battista Tiepolo, 1750 - Eserese maka ụlọ elu - mbipụta nka mara mma.

Original artwork information from the museum (© - The Cleveland Museum of Art - Velọ ihe ngosi nka nke Cleveland)

This small, quickly painted picture is typical of the sketches Tiepolo made as studies for larger compositions. When completed full-scale on a ceiling, works like these give the impression of a massive window, through which one can see angels or mythological beings floating among the clouds. Although we know from the work's shape that it was a study for a ceiling painting, it is not related to any of Tiepolo's finished architectural decorations. Tiepolo used such sketches to explore design problems, experiment with form and color, or give his clients an idea of how a finished project would look. With the help of a large workshop, which included two of his sons, Tiepolo completed a number of painted ceilings and decorative schemes across Europe.

Eziokwu na-adọrọ mmasị banyere mbipụta nka nke eserese a aha ya bụ "Sketch for a Ceiling"

The 18th narị afọ sere Sketch for a Ceiling kere site na nwoke onye na-ese ihe Giovanni Battista Tiepolo. Nke mbụ tụrụ nha: Nhazi: 51,5 x 43 x 6,5 cm (20 1/4 x 16 15/16 x 2 9/16 na); Edebereghị: 41 x 34 cm (16 1/8 x 13 3/8 na) e tekwara ya na ọkara mmanụ na kwaaji. Besides, this piece of art is included in the The Cleveland Museum of Art's collection. With courtesy of: Velọ ihe ngosi nka nke Cleveland (ọha na eze). : Nchịkọta Holden. Ọzọkwa, itinye n'ọnọdụ dị na eserese format ya na oke onyonyo nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. The painter, printmaker Giovanni Battista Tiepolo was an artist from Italy, whose style can be attributed primarily to Rococo. The Rococo artist lived for 74 afọ a mụrụ na 1696 in Venice, Venezia province, Veneto, Italy and deceased in the year 1770 in Madrid, Madrid province, Comunidad de Madrid, Spain.

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• Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): The print on acrylic glass, often named a plexiglass print, will turn the original into stunning wall décor. The artwork is being custom-made thanks to state-of-the-art UV direct print machines. With an acrylic glass art print contrasts plus smaller details will be more identifiable with the help of the very subtle gradation of the print.
• Aluminom dibond (ọkpụkpụ ọla): Aluminium Dibond prints are metal prints with a true depth. The non-reflective surface structure make a contemporary look. For the Direct Print On Aluminum Dibond, we print the chosen artwork right on the surface of the white-primed aluminum composite. Colors are luminous in the highest definition, the details of the print appear crisp, and there’s a matte look you can literally feel. The direct print on Aluminum Dibond is one of the most demanded entry-level products and is a truly contemporary way to display art reproductions, as it puts 100% of the viewer’s attention on the image.
• Mpempe akwụkwọ mmado ebipụtara na akwa akwa: A poster print is a UV printed canvas with a slightly rough finish on the surface, that resembles the actual work of art. A poster is suited for framing your fine art print in a custom-made frame. Please keep in mind, that depending on the size of the poster we add a white margin of around 2 - 6cm round about the work of art, which facilitates the framing with your custom frame.
• Mbipụta kanvas: The canvas print is a printed cotton canvas stretched on a wooden frame. A canvas print of your favorite artwork will let you turn your into a large collection piece. A canvas print has the advantage of being low in weight, which means that it is easy to hang up your Canvas print without the help of additional wall-mounts. Hence, canvas prints are suitable for any kind of wall.

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Ihe dị mkpa: We try our utmost to depict our art products as precisely as possible and to illustrate them visually in our shop. Nonetheless, the pigments of the print materials and the imprint can diverge to a certain extent from the presentation on the device's monitor. Depending on your settings of your screen and the quality of the surface, color pigments can unfortunately not be printed one hundret percent realistically. Since the are processed and printed by hand, there may as well be minor discrepancies in the exact position and the size of the motif.

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