Hendrik Voogd, 1795 - Italianate Landscape na Pines - ọmarịcha nka
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Kedu ihe ndị otu curator nke Rijksmuseum state about this 18th century work of art made by Hendrik Voogd? (© - Rijksmuseum - Rijksmuseum)
In 1788 the financial support of an Amsterdam art patron allowed Hendrik Voogd to travel to Rome, where he joined the colony of international artists. This painting, the artist’s earliest known work, is a good example of his speciality: the campagna landscape around Rome, dotted with ancient remains, painted in a cool, clear light.
About the painting painted by the Dutch artist Hendrik Voogd
na 1795 Hendrik Voogd painted the painting. Today, this piece of art is included in the art collection of Rijksmuseum in Amsterdam, Netherlands. Ihe osise a, nke bụ nke ngalaba ọha a na-enye ya site n'ikike nke Rijksmuseum.The creditline of the artwork is the following: . Further, the alignment of the digital reproduction is landscape and has an image ratio of 1.2: 1, which implies that the length is 20% longer than the width. Hendrik Voogd was a painter of Dutch nationality, whose artistic style can mainly be classified as Rococo. The European painter lived for a total of 71 afọ - amuru n'ime 1768 na Amsterdam, North Holland, Netherlands na nwụrụ na 1839.
Họrọ nhọrọ ihe onwunwe gị
Nchịkọta nhọrọ ndetu ngwaahịa na-enye gị ohere ịhọrọ nha na akụrụngwa nke gị. Anyị na-ahapụ gị ka ịhọrọ nha na akụrụngwa ọkacha mmasị gị n'etiti nhọrọ nhazi ngwaahịa ndị a:
- Kwaaji: A printed canvas, which shall not be mistaken with a painting on a canvas, is an image printed from an industrial printer. It generates a distinctive look of three-dimensionality. Furthermore, a canvas makes a cosy, comfy look. The great advantage of canvas prints is that they are relatively low in weight, meaning that it is easy and straightforward to hang the Canvas print without the help of additional wall-mounts. Canvas prints are suited for all kinds of walls.
- Mbipụta aluminom (aluminium dibbond): Aluminium Dibond prints are prints on metal with an impressive depth. The bright and white parts of the original work of art shine with a silk gloss, however without glow. The colors of the print are bright and vivid in the highest definition, the fine details are clear and crisp.
- Akwụkwọ mmado na ihe kwaaji: The poster print is a UV printed canvas paper with a fine surface structure, that reminds the original work of art. Please keep in mind, that depending on the size of the canvas poster print we add a white margin 2-6cm round about the artwork in order to facilitate the framing.
- Bipụta na iko acrylic na-egbuke egbuke: The print on acrylic glass, often labelled as a print on plexiglass, transforms your favorite artwork into brilliant décor. The work of art will be manufactured with state-of-the-art UV print technology. This creates the effect of intense, sharp color tones. With an acrylic glass fine art print contrasts plus granular painting details become more exposed with the help of the very subtle gradation.
Ozi omenkà Contextal
aha: | Hendrik Voogd |
A makwaara dịka: | hendrik de voogd, Hendrik Voogd, Voogd Hendrik, Voogt Hendrik, Voogd |
okike onye nka: | nwoke |
Obodo onye nka: | Dutch |
Ọrụ nke onye na-ese ihe: | onye na-ese ihe |
Mba onye si: | mba netherland |
Otu nka: | nna ukwu ochie |
Ụdị nka: | Rococo |
Afọ ọnwụ: | 71 afọ |
Afọ ọmụmụ: | 1768 |
Ebe omuma: | Amsterdam, North Holland, Netherlands |
Afọ ọnwụ: | 1839 |
Ebe ọnwụ: | Rome, Rome Province, Lazio, Italy |
Data ndabere gbasara ọrụ nka pụrụ iche
Aha nke ọrụ nka: | "Italianate Landscape with Pines" |
Nhazi nka nka: | sere |
Okwu mkpokọta: | nka ochie |
Narị afọ nka: | 18th narị afọ |
Afọ okike: | 1795 |
Afọ nka: | gbara afọ 220 |
Egosiputara na: | Rijksmuseum |
Ebe ebe ngosi nka: | Amsterdam, Netherlands |
Ibe weebụ: | Rijksmuseum |
Ụdị nka nka: | ngalaba ọha |
Site n'aka: | Rijksmuseum |
Product nkọwa
Nkewa ngwaahịa: | ọrụ mgbidi |
Mmeputakwa: | dijitalụ mmeputakwa |
Usoro nhazi: | UV kpọmkwem obibi |
Ihe ngosi: | German mmepụta |
Ụdị ngwaahịa: | a na-achọ |
A na-atụ aro iji ngwaahịa eme ihe: | Ụlọ ihe osise nka, ihe ndozi ụlọ |
Nhazi nka nka: | usoro odida obodo |
Njikwa oyiyi: | ( Ogologo: obosara) 1.2: 1 |
Oke onyonyo pụtara: | ogologo bụ 20% ogologo karịa obosara |
Akụrụngwa ị nwere ike ịhọrọ: | ígwè ebipụta (aluminium dibond), acrylic glass print (nwere ezigbo mkpuchi iko), mbipụta akwa akwa, mbipụta akwụkwọ mmado (akwụkwọ kwaaji) |
Mbipụta kanvas (akwa akwa na etiti ihe ndọtị) dị iche iche: | 60x50cm - 24x20", 120x100cm - 47x39" |
Mbipụta iko acrylic (nwere ezigbo mkpuchi iko) dị iche iche: | 60x50cm - 24x20", 120x100cm - 47x39" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 60x50cm - 24x20", 120x100cm - 47x39" |
Nhọrọ ebipụta aluminom: | 60x50cm - 24x20", 120x100cm - 47x39" |
Igwe onyonyo: | enweghị etiti |
Ederede iwu: We do what we can in order to depict our art products with as many details as possible and to display them visually in our shop. At the same time, the tone of the print materials and the print result might vary to a certain extent from the representation on your device's screen. Depending on your settings of your screen and the condition of the surface, not all color pigments are printed as realistically as the digital version on this website. Considering that all art reproductions are printed and processed manually, there might also be minor discrepancies in the motif's size and exact position.
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