Jean-Baptiste Greuze, 1767 - Aegina Jupiter letara - ọmarịcha nka.
Ụtụ gụnyere. Mbupu gbakọrọ na ndenye ọpụpụ.
Nkọwa ngwaahịa nka
The painting was painted by the male French artist Jean-Baptiste Greuze. The painting measures the size: 57 7/8 x 77 1/8 in (147 x 195,9 cm) and was painted with the Usoro oil on canvas. Nowadays, this artpiece belongs to the Ụlọ ihe ngosi nka nke Metropolitan art collection, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. The public domain piece of art is provided with courtesy of The Metropolitan Museum of Art, New York, Gift of Harry N. Abrams and Purchase, Joseph Pulitzer Bequest, Pfeiffer, Fletcher, and Rogers Funds, 1970. Ebe kredit nke ọrụ nka: Gift of Harry N. Abrams and Purchase, Joseph Pulitzer Bequest, Pfeiffer, Fletcher, and Rogers Funds, 1970. Nhazi nke mmepụta dijitalụ bụ odida obodo na nwere akụkụ ruru nke 4: 3, nke pụtara na ogologo bụ 33% ogologo karịa obosara. The painter Jean-Baptiste Greuze was an artist from France, whose art style can be attributed mainly to Rococo. The European artist was born in the year 1725 in Tournus, Bourgogne-Franche-Comte, France and passed away at the age of 80 na 1805.
Nweta nhọrọ akụrụngwa gị
Anyị na-enye ihe dị iche iche dị iche iche na nha maka ngwaahịa ọ bụla. Họrọ n'ime nhọrọ ngwaahịa ndị a ugbu a ka ị kwekọọ na mmasị gị na nha na akụrụngwa:
- Mpempe akwụkwọ (ihe kwaaji): The Artprinta poster is a UV printed cotton canvas with a nice structure on the surface. Please bear in mind, that depending on the absolute size of the poster print we add a white margin of around 2 - 6cm round about the print, which facilitates the framing.
- Mbipụta ọla (aluminium dibbond): Ndị a bụ mbipụta ọla na ihe aluminom dibond nwere mmetụta miri emi n'ezie.
- Mbipụta kwaaji: A canvas print, not to be mistaken with a canvas painting, is an image printed from an industrial printer. Your canvas print of this work of art will provide you with the unique opportunity to transform your art print into a large artpiece like you know from art galleries. A canvas print has the advantage of being relatively low in weight, which means that it is quite simple to hang the Canvas print without additional wall-mounts. Hence, canvas prints are suited for all kinds of walls.
- Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): The acrylic glass print, which is sometimes referenced as a UV print on plexiglass, will change the original into magnificient décor and makes a viable alternative option to canvas and dibond fine art prints. The major benefit of an acrylic glass art print is that contrasts as well as granular details will be more visible due to the very fine tonal gradation.
Ederede iwu dị mkpa: We try to depict our products in as much detail as we can and to demonstrate them visually in our shop. Still, the colors of the print materials and the printing might differ slightly from the representation on the device's monitor. Depending on the settings of your screen and the quality of the surface, not all colors are printed one hundret percent realistically. Considering that our are printed and processed by hand, there may as well be minor discrepancies in the motif's size and exact position.
Nkọwa ngwaahịa ahaziri ahazi
Nkewa bipụta: | mmepụta nka |
Mmeputakwa: | dijitalụ mmeputakwa |
Produzọ mmepụta: | Mbipụta UV / dijitalụ |
Nlụpụta: | arụpụtara na Germany |
Ụdị ngwaahịa: | a na-achọ |
Ihe eji eme atụmatụ: | ihe ndozi ụlọ, nka mgbidi |
Ndozi onyonyo a: | nhazi odida obodo |
Oke akụkụ onyonyo: | 4: 3 |
Nkọwa nke oke akụkụ: | ogologo bụ 33% ogologo karịa obosara |
Akụrụngwa ị nwere ike ịhọrọ: | akwụkwọ mmado (akwụkwọ kwaaji), mbipụta ọla (aluminium dibond), mbipụta kanvas, mbipụta iko acrylic (nwere ezigbo mkpuchi iko) |
Nhọrọ nha nke akwa akwa n'elu etiti ihe na-agbatị (mbipụta kwaaji): | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Acrylic glass print (nwere ezigbo mkpuchi iko) nhọrọ: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35", 160x120cm - 63x47" |
Mpempe akwụkwọ mmado (akwụkwọ kwaaji) nha dị iche iche: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Ụdị mbipụta Dibond (ihe alumnium) dị iche iche: | 40x30cm - 16x12", 80x60cm - 31x24", 120x90cm - 47x35" |
Nhazi nke nnomi nka: | agunyeghi |
Ozi ndabere nka
Aha nke ihe nka: | "Aegina Visited by Jupiter" |
Nhazi: | sere |
Okwu mkpokọta: | nka ochie |
Narị afọ nka: | 18th narị afọ |
Emepụtara n'afọ: | 1767 |
Ogologo afọ nka nka: | ihe karịrị afọ 250 |
Ihe osise izizi: | mmanụ na kwaaji |
Nha izizi: | 57 7/8 x 77 1/8 na (147 x 195,9 cm) |
Ụlọ ihe ngosi nka / mkpokọta: | Museumlọ ihe ngosi nka nke Obodo |
Ebe ngosi nka: | New York City, New York, Njikota Obodo Amerika |
Weebụsaịtị ihe ngosi nka: | Museumlọ ihe ngosi nka nke Obodo |
Ụdị ikike nka: | ngalaba ọha |
Site n'aka: | The Metropolitan Museum of Art, New York, Gift of Harry N. Abrams and Purchase, Joseph Pulitzer Bequest, Pfeiffer, Fletcher, and Rogers Funds, 1970 |
Ebe kredit nke ọrụ nka: | Gift of Harry N. Abrams and Purchase, Joseph Pulitzer Bequest, Pfeiffer, Fletcher, and Rogers Funds, 1970 |
metadata omenka ahaziri ahazi
Aha onye nka: | Jean-Baptiste Greuze |
Aha ndị ọzọ: | greuze jean baptiste, jan-baptiste greuze, I.B. Greuze, joh. bapt. greuze, Greuze J.-B., Jean Baptiste Greuze, Gruise, J.B. Greüse, jan baptiste greuze, jean bapt. greuze, Jean-Baptiste Greuze, D'apres M. Greuze, Greuzes, J. Bapt. Greuze, greuze j. b., גרץ ז'אן בפטיסט, J. B. Greuzes, greuze jean-baptiste, Grouse, jean baptist greuze, Greuze Jan Bapt., Johann Baptist Greuze, Grueze, J.B Greuse, Gruse, Greuse Jean-Baptiste, Gruze Jean-Baptiste, M. Greuse, Jean-Bapt. Greuze, J. P. Greuze, J. Baptist Greuze, greuze j.b., Gruize, jan bapt. greuze, J.-B. Greuse, J.B. Greuze, De Gruse Jean-Baptiste, Creuse, Grenze, Gruce Jean-Baptiste, i. b. greuze, Cruise Jean-Baptiste, Greuze Jean-Baptiste, M. Greuze, De Gruse, Greuse, jean b. greuze, John Baptist Greuze, Greuze, Creuze, J. B. Greuse, Greuze Jean Baptiste, Creuse Jean-Baptiste, J.-B. Greuze, Grouse Jean-Baptiste, Greuzs, Greuz, Grëz Zhan-Batist, Gruce, Creuze Jean-Baptiste, g. b. greuze, Attribué a Greuze, Gruze, J. B. Greuze, Gruese |
Gender: | nwoke |
Nationality: | French |
Ọrụ: | onye na-ese ihe |
Country: | France |
nhazi ọkwa: | nna ukwu ochie |
Ụdị nka: | Rococo |
Ndụ: | 80 afọ |
Afọ amụrụ: | 1725 |
Obodo: | Tournus, Bourgogne-Franche-Comte, France |
Afọ nwụrụ: | 1805 |
Nwuru na (ebe): | Paris, Ile-de-France, France |
Copyright right, Artprinta.com (Artprinta)
What does the website of the The Metropolitan Museum of Art say about the 18th century artwork from the painter Jean-Baptiste Greuze? (© - nke Ụlọ ihe ngosi nka nke Obodo ukwu - www.metmuseum.org)
The young woman may be Aegina, daughter of the river god Asopus, who was visited by Jupiter in the guise of fire and carried off by him in the form of an eagle. This unfinished picture was perhaps an attempt by Greuze at a reception piece for the French Royal Academy. In 1767 he was barred by the Academy from exhibiting in the Salon for having failed to fulfill this requirement. The same year, in a letter to Diderot, Greuze wrote that he "should very much like to paint a woman totally nude without offending modesty."