Thomas Gainsborough, 1782 - Oke osimiri na ndị ọkụ azụ - mbipụta nka mara mma

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• Ugogbe acrylic ebipụtara: A glossy acrylic glass print, which is often referenced as a an art print on plexiglass, changes your favorite artwork into brilliant home décor and makes a great alternative to canvas or aluminium dibond prints. The great benefit of an acrylic glass fine art copy is that contrasts and smaller color details will be more recognizeable because of the delicate tonal gradation of the print.
• Aluminom dibond mbipụta (ọla): Aluminium Dibond prints are metal prints with an outstanding depth. Its non-reflective surface structure make a contemporary impression. A direct Aluminium Dibond Print is the perfect introduction to the sophisticated world of art prints produced with alu. The colors are bright and vivid in the highest definition, the fine details of the print appear very clear, and there’s a matte look that you can literally feel.
• Mbipụta akwụkwọ mmado (ihe kwaaji): The poster print is a printed sheet of canvas with a slightly rough texture on the surface, that resembles the original artwork. Please keep in mind, that depending on the size of the poster we add a white margin of around 2-6cm round about the artwork to facilitate the framing.
• Mbipụta kanvas: A canvas print, not to be mistaken with a painting on a canvas, is an image printed directly on canvas. The advantage of canvas prints is that they are relatively low in weight. That means, it is easy and straightforward to hang up your Canvas print without any wall-mounts. Canvas prints are suitable for any kind of wall.

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Additional information on the original artwork from National Gallery of Art website (© - by National Gallery of Art - www.nga.gov)

mmanụ na kwaaji

Gainsborough's landscapes are highly personal statements that evolved from ideas and images he developed in his studio, either directly on canvas or in scale models. In this work he focused on the physical exertions of fishermen as they confront strong winds and pounding surf. Even the massive cliff on the far side of the cove, its thrusting diagonal posed against the wind, seems to echo the efforts of the men struggling to launch their boat into the waves.

Gainsborough owned works by Dutch marine painters, and their influence is evident here. His own free and suggestive painting technique, however, gives the scene a unique degree of freshness and spontaneity. He applied his paint in thin, translucent layers that are accented by deft touches of impasto, particularly in the fishermen's clothing and on the white foam of the waves. A restrained palette of browns and creams suggests the shore and rocks; gray-greens, gray-blues, and white highlights describe the sun-filled expanse of the sea, while the sky is colored with delicate hints of purple, blue, and pink.

Nnukwu osisi nke Art

Seashore with Fishermen was painted by Thomas Gainsborough. Besides, this artwork forms part of the National Gallery of Art's mkpokọta. Site n'ikike nke: National Gallery of Art, Washington (ọha na eze).Ebe E Si Nweta nke ihe osise:. Nhazi ahụ bụ odida obodo n'akụkụ akụkụ nke 1.2: 1, nke pụtara na ogologo bụ 20% ogologo karịa obosara. Thomas Gainsborough was a male painter of British nationality, whose artistic style was primarily Rococo. The painter lived for 61 years and was born in 1727 in Sudbury, Suffolk, England, United Kingdom and deceased in the year 1788 in London, Greater London, England, United Kingdom.

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