Thomas Rowlandson - Mmanụ Macassar, Mmanu mmanu maka isi dị nro - mbipụta nka mara mma

Ozi gbasara oyiri nka nke eserese Macassar Oil, An Oily Puff for Soft Heads

Ọ bụ ndị mepụtara ihe osise a nwoke British onye na-ese ihe Thomas Rowlandson. Ụdị nka nka tụrụ nha: Mpempe akwụkwọ: 13 11/16 × 9 5/8 inch (34,7 × 24,4 cm) wee mepụta ya na Usoro of hand-colored etching. Furthermore, this artpiece is in the the collection of Museumlọ ihe ngosi nka nke Obodo, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. This artpiece, which is in the ngalaba ọha is being provided with courtesy of The Metropolitan Museum of Art, New York, The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959. The creditline of the artwork is: Mkpokọta Elisha Whittelsey, Ego Elisha Whittelsey, 1959. Kedu ihe ọzọ, nhazi nke mmepụta dijitalụ dị n'ime Eserese usoro na nwere akụkụ ruru nke 1: 1.4, nke pụtara na ogologo bụ 29% mkpụmkpụ karịa obosara. The artist, illustrator, comics artist, painter, cartoonist, caricaturist Thomas Rowlandson was an artist, whose art style can be classified as Rococo. The Rococo painter lived for a total of 70 afọ, mụrụ na 1757 na London, Greater London, England, United Kingdom wee nwụọ na 1827.

Họrọ ngwa ngwaahịa gị

Na menu ndọpụta ngwaahịa ị nwere ike họrọ ihe na nha nke nhọrọ gị. Ya mere, anyị na-enye gị ohere ịhọrọ n'ime nhọrọ ndị a:

• Kwaaji: The UV printed canvas material applied on a wooden frame. Your canvas of your favorite artpiece will provide you with the opportunity of transforming your into a large artpiece as you would see in a gallery. Hanging your canvas print: The advantage of canvas prints is that they are relatively low in weight, which implies that it is quite simple to hang up your Canvas print without the support of extra wall-mounts. A canvas print is suitable for any type of wall.
• Mpempe akwụkwọ ederede (akwa akwa akwa): The poster is a printed canvas with a nice surface structure. The poster print is ideally suited for placing your art replica with a custom frame. Please bear in mind, that depending on the absolute size of the poster we add a white margin of something between 2-6 cm around the print in order to facilitate the framing with a custom frame.
• Mbipụta enyo acrylic: The acrylic glass print, which is often described as a an art print on plexiglass, transforms an artwork into great décor. With an acrylic glass art print contrasts as well as smaller image details will be more identifiable thanks to the very subtle gradation.
• Metal (aluminium debond mbipụta): These are metal prints on aluminium dibond with a true effect of depth. The non-reflective surface creates a fashionable look. For our Direct Print On Aluminum Dibond, we print the selected artwork onto the aluminium surface. The colors are vivid and luminous in the highest definition, fine details appear clear and crisp, and you can notice a matte appearance of the fine art print.

Important legal note: We try all that we can in order to depict the art products as accurately as possible and to display them visually in our shop. Please keep in mind that the tone of the print materials, as well as the printing may vary marginally from the representation on your device's monitor. Depending on your settings of your screen and the quality of the surface, not all colors are printed one hundret percent realistically. Since the art reproductions are processed and printed by hand, there might as well be slight discrepancies in the exact position and the size of the motif.

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Nkọwa ihe osise izizi nke The Metropolitan Museum of Art (© Nwebiisinka - The Metropolitan Museum of Art - Museumlọ ihe ngosi nka nke Obodo)

An portly, elderly, bald man sits in an armchair while a shopman pours oil from a bottle on to his scalp, with the intent of helping his hair grow back. A cap inscribed "Fools Cap" is on the ground at right. Behind them at right, a woman with her hair standing on end looks in horror at her reflection in a mirror.