Théodore Rousseau, 1852 - Edge nke Osisi na Monts-Girard, Fontainebleau Forest - ọmarịcha nka.

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"The Edge of the Woods at Monts-Girard, Fontainebleau Forest" is a masterpiece created by Théodore Rousseau in 1852. The work of art had the size: 31 1/2 x 48 in (80 x 121,9 cm) and was painted with the techinque of mmanụ n'elu osisi. Besides, the artwork forms part of the digital collection of Museumlọ ihe ngosi nka nke Obodo located in New York City, New York, United States of America. We are pleased to state that the artwork, which is part of the ngalaba ọha a na-enye ya site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Catharine Lorillard Wolfe Collection, Wolfe Fund, 1896. The creditline of the artwork is: Catharine Lorillard Wolfe Collection, Wolfe Fund, 1896. Besides, the alignment of the digital reproduction is in landscape format and has an image ratio of 3: 2, which implies that the length is 50% longer than the width. Théodore Rousseau was a male painter from France, whose artistic style can primarily be classified as Realism. The European artist was born in 1812 in Paris, France and passed away at the age of 55 N'afọ 1867 na Barbizon, France.

Nkọwa mgbakwunye sitere na webụsaịtị ihe ngosi nka (© - Ụlọ ihe ngosi nka nke obodo ukwu - www.metmuseum.org)

As related by Rousseau’s friend and biographer Alfred Sensier, this painting represents part of the woods at Fontainebleau where the trees—some hundreds of years old—were vulnerable to harvest, a practice the artist bitterly opposed. Although the composition reflects seventeenth-century Dutch prototypes, its contemporary resonance is elucidated by the poignant contrast between the saplings in the recently cleared opening at the left and the aged specimens at the right. After working on the panel for two years Rousseau dated it, a rare gesture signifying that he considered it particularly successful. The painting was included in Rousseau’s triumphant display at the Salon of 1855.

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• Bipụta na iko acrylic na-egbuke egbuke: An acrylic glass print, which is sometimes named as a print on plexiglass, changes your favorite original work of art into lovely décor and forms a good alternative option to dibond and canvas art prints. Your artwork is made with the help of modern UV printing technology. The great upside of an acrylic glass print is that contrasts and also color details become visible thanks to the granular gradation.
• Mbipụta ọla (aluminium dibbond): An Aluminium Dibond print is a material with a true depth effect. A direct Aluminium Dibond Print is your excellent start to the sophisticated world of fine art reproductions with aluminum. For your Direct Print On Aluminum Dibond, we print your favorite artpiece onto the surface of the aluminum composite. Colors are bright and vivid, fine details of the print appear crisp, and there’s a matte look that you can literally feel.
• Mpempe akwụkwọ (ihe kwaaji): Our poster print is a UV printed canvas with a granular texture on the surface. Please keep in mind, that depending on the absolute size of the poster print we add a white margin of around 2-6cm round about the print motif, which facilitates the framing with your custom frame.
• Kwaaji: A canvas print is a printed canvas stretched on a wooden stretcher. A canvas produces a distinctive effect of three dimensionality. A canvas print of your favorite masterpiece will give you the unique chance of transforming your individual art print into a large work of art as you know from art galleries. A canvas print has the advantage of being low in weight. This means, it is easy and straightforward to hang up your Canvas print without the support of additional wall-mounts. That is why, a canvas print is suitable for any type of wall.

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Ihe dị mkpa: We try our best in order to depict the products as accurately as possible and to exhibit them visually in our shop. However, the tone of the printing material, as well as the printing may vary somehwat from the presentation on your device's monitor. Depending on the settings of your screen and the nature of the surface, color pigments might not be printed 100% realistically. Bearing in mind that all the art reproductions are printed and processed by hand, there might also be slight deviations in the motif's exact position and the size.

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