Théodore Rousseau, 1860 - Anyanwụ dara n'akụkụ Arbonne - mbipụta nka mara mma

The painting was created by the realist artist Théodore Rousseau in 1860. The beyond 160 year-old original was made with the size: 25 1/4 x 39 inch (64,1 x 99,1 cm) and was made with the medium oil on wood. It belongs to the art collection of The Metropolitan Museum of Art in New York City, New York, United States of America. With courtesy of - Ụlọ ihe ngosi nka nke Metropolitan, New York, Arịrịọ nke Collis P. Huntington, 1900 (public domain). Creditline of the artwork: Bequest of Collis P. Huntington, 1900. Further, the alignment is odida obodo na a akụkụ ruru nke 3: 2, which means that the length is 50% longer than the width. The painter Théodore Rousseau was an artist from France, whose artistic style can be attributed primarily to Realism. The French artist was born in 1812 in Paris, France and passed away at the age of 55 na 1867.

Ozi izizi gbasara ọrụ nka sitere na weebụsaịtị The Metropolitan Museum of Art (© Nwebiisinka - The Metropolitan Museum of Art - www.metmuseum.org)

Approximately three miles separate the village of Barbizon, where Rousseau settled in 1836, and this site at the edge of the forest of Fontainebleau. Romantic artists had long been attracted by Arbonne’s rocky outcroppings, boulders, and strange, twisted trees. This painting, with its heightened color, strong contrasts of hue, and varied textures, is characteristic of forest sunsets painted during the final decade of Rousseau’s career. Throughout the composition the wood panel shows through the paint layer, its warm brown surface serving as a midtone.

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• Mbipụta akwụkwọ mmado (akwa akwa akwa): Our poster print is a printed canvas with a slight surface structure. The poster is designed for placing your art copy using a custom-made frame. Please keep in mind, that depending on the absolute size of the canvas poster print we add a white margin of around 2-6cm around the print motif in order to facilitate the framing.
• Aluminom ihe eji eme ihe: These are metal prints on aluminium dibond with an outstanding depth effect - for a modern impression and a non-reflective surface. For our Direct Print On Aluminum Dibond, we print the favorite artwork right on the surface of the white-primed aluminum composite.
• Mbipụta kwaaji: The canvas direct print is a printed canvas stretched on a wooden stretcher. A canvas produces a typical effect of three-dimensionality. Your printed canvas of your favorite artwork will let you turn your fine art print into a large artwork like you would see in a gallery. The advantage of canvas prints is that they are relatively low in weight, meaning that it is quite simple to hang the Canvas print without additional wall-mounts. Therefore, canvas prints are suitable for any kind of wall.
• Mbipụta iko acrylic (nke nwere ezigbo mkpuchi iko): A glossy acrylic glass print, often described as a print on plexiglass, will change the original into brilliant home décor. What is more, it offers a distinct alternative option to aluminium and canvas fine art replicas. With a glossy acrylic glass fine art print contrasts and small artwork details become more identifiable with the help of the granular tonal gradation of the print. Our real glass coating protects your selected fine art print against light and external influences for several decades.

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Ederede iwu: We try all that we can in order to depict the products in as much detail as possible and to exhibit them visually in our shop. Nonetheless, the pigments of the print materials and the print result can vary slightly from the representation on your monitor. Depending on the settings of your screen and the nature of the surface, colors may not be printed one hundret percent realistically. Since all the are printed and processed by hand, there might also be minor discrepancies in the size and exact position of the motif.

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