Thomas Gainsborough, 1780 - Eserese Charles Rousseau Burney (1747–1819) - mbipụta nka mara mma.

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Portrait of Charles Rousseau Burney (1747–1819) was created by the male artist Thomas Gainsborough. The work of art has the following size - 30 1/4 x 25 1/8 na (76,8 x 63,8 cm) ma were ihe osise ese Usoro of mmanụ na kwaaji. Taa, artwork dị na dijitalụ art collection nke Museumlọ ihe ngosi nka nke Obodo in New York City, New York, United States of America. This classic art artwork, which belongs to the ngalaba ọha a na-enye ya site n'ikike nke Ụlọ ihe ngosi nka nke Metropolitan, New York, Arịrịọ nke Mary Stillman Harkness, 1950. Ọzọkwa, ihe osise ahụ nwere akara kredit na-esonụ: Arịrịọ nke Mary Stillman Harkness, 1950. Ọzọkwa, nhazi nke mmepụta dijitalụ bụ ihe osise ma nwee oke akụkụ nke 1: 1.2, nke pụtara na ogologo bụ 20% mkpụmkpụ karịa obosara. Thomas Gainsborough was a painter from the United Kingdom, whose artistic style can be classified as Rococo. The European painter lived for a total of 61 afọ - a mụrụ n'afọ 1727 na Sudbury, Suffolk, England, United Kingdom wee nwụọ n'afọ 1788 na London, Greater London, England, United Kingdom.

Nkọwapụta nka site na The Metropolitan Museum of Art (© - Ụlọ ihe ngosi nka nke obodo ukwu - Museumlọ ihe ngosi nka nke Obodo)

The sitter was a nephew and pupil of the celebrated musicologist Dr. Charles Burney. In 1770 he married Dr. Burney's oldest daughter, Esther, called Hetty, whom he had known since childhood. C. R. Burney was a composer as well as a virtuoso musician. He and his wife are reported to have played brilliantly together on the harpsichord.

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Maka mbipụta nka ọ bụla dị mma anyị na-enye ihe dị iche iche & nha dị iche iche. Ị nwere ike ịhọrọ nha na ihe kachasị amasị gị n'ime nhọrọ ndị a:

• Glass acrylic e biri ebi (nwere ezigbo mkpuchi iko): A glossy print on acrylic glass, often described as a plexiglass print, will convert your favorite artwork into brilliant wall décor. Furthermore, the acrylic art print forms a great alternative option to canvas or aluminium dibond fine art prints.
• Mbipụta akwụkwọ mmado (akwa akwa akwa): A poster is a printed flat canvas with a nice texture on the surface, which resembles the original version of the artwork. A poster is optimally suited for putting the art copy with a custom frame. Please bear in mind, that depending on the size of the poster print we add a white margin of something between 2-6cm round about the painting, which facilitates the framing with your custom frame.
• Kwaaji: The UV printed canvas mounted on a wooden stretcher frame. A canvas print has the great advantage of being relatively low in weight. This means, it is easy and straightforward to hang the Canvas print without any wall-mounts. A canvas print is suitable for all kinds of walls.
• Mbipụta nke aluminom: These are metal prints on aluminium dibond material with an impressive depth effect, which creates a modern look by having a surface , which is non-reflective. A direct Aluminium Dibond Print is the perfect introduction to fine art prints produced on aluminum. For our Aluminium Dibond option, we print the selected artpiece onto the surface of the white-primed aluminum material. The bright & white parts of the original artwork shimmer with a silk gloss, however without any glow. The colors of the print are bright and vivid, the details appear crisp, and the print has a a matte look you can literally feel. This direct print on aluminium is the most popular entry-level product and is a stylish way to showcase fine art prints, because it draws attention on the whole artwork.

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Disclaimer: We try everything to describe the products as accurate as possible and to demonstrate them visually on the respective product detail pages. Please bear in mind that the tone of the printing material, as well as the print result may vary somehwat from the image on the device's screen. Depending on your screen settings and the quality of the surface, not all colors are printed 100% realistically. Given that our art reproductions are processed and printed by hand, there might as well be minor variations in the exact position and the size of the motif.

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