Thomas Cole, 1833 - Ihe ngosi sitere na "Manfred" nke Byron - mbipụta nka mara mma

Supplemental information by Yale University Art Gallery (© Nwebiisinka - nke Mahadum Yale Art Gallery - Artlọ Osisi Mahadum Yale)

Landscape plays an integral role in this dramatic scene from Lord Byron’s “Manfred,” written around 1816. In the poem, Manfred stands at the edge of a spectacular waterfall, summoning “the Spirit of the place,” in the form of a beautiful Witch of the Alps. Although Thomas Cole omits the figure of Manfred, the ethereal female figure rises from the water’s spray beneath a rainbow, personifying the loveliness of nature. Cole described paintings like this one as “a higher style of landscape,” works that meld idealized views with literary and historic content.

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Scene from Byron’s “Manfred” was made by Thomas Cole. The beyond 180 onye afọ mbụ nwere nha ndị a: 50 x 38 na (127 x 96,5 cm) emebere: 60 3/4 x 48 5/8 x 2 3/4 na (154,31 x 123,51 x 6,99 cm). Mmanụ na kwaaji was applied by the North American painter as the technique for the work of art. Nowadays, this piece of art is in the the digital art collection of Yale University Art Gallery in New Haven, Connecticut, United States of America. With courtesy of Artlọ Osisi Mahadum Yale (license: public domain). : John Hill Morgan, 1893, .B. 1896, (Hon.) 1929, Fund. Furthermore, alignment is portrait with a ratio of 3: 4, which means that the length is 25% shorter than the width. Thomas Cole was a painter of American nationality, whose style can be classified as Romanticism. The American artist lived for 47 years - born in 1801 in Lancashire, England, United Kingdom, county and died in the year 1848 in Catskill, Greene county, New York state, United States.

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